hehemultree wrote:I just read:digitalmessiah wrote:i began with sofo acid 5 years ago
"i began with sofo acid 5, years ago"
that seemed kinda strange.... you would have been part of the timetravelling betateam then
When did you begin making computer music?
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digitalmessiah digitalmessiah https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=45221
- KVRist
- 361 posts since 21 Oct, 2004 from sunny florida, baby!
be part of the solution, not the problem
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- KVRist
- 440 posts since 9 Mar, 2003 from Denver Co
I started on a DX7 with a QX7. I added a TX7 and a RX7. this was 85 86. MAN sequencing through that tiny LCD was a royal pain. But I could find and delete bad notes. Sync this to analog tape and add a few more voices. It was not the best way to do things but computers were expensive and really didn't do what I wanted to do. I did feel if I waited long enough they had to catch up. I bought a used Dell P3 450 a few years back set up cakewalk and Band in a box. I could add guitar track to my sequences And I was off and running. I've got a dedicated DAW for audio and one for video. And these toys do so much I still pinching myself like it's all a dream. I can have a ton of stuff up and running. The term turnkey system does have meaning here. And I don't have to sell the house to get it.
Pentagon,z3ta+,Tassman,Vsampler 3,FM7,Vocator,Sonar 3 Producer,SoundForge,Awave,Vegas 5
SFZ+,P5. And two kick ass DawBox machines!
SFZ+,P5. And two kick ass DawBox machines!
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- KVRist
- 125 posts since 23 Apr, 2004 from USA
2001. Started with Reason 1.0, switched to Cubase - didn't like it, went back to Reason 2.5, discovered VST instruments, got Tracktion and have used it along side reason ever since.
I am almost done making my first song and hopefully will post it here within a couple of years.
I am almost done making my first song and hopefully will post it here within a couple of years.
Al-
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digitalmessiah digitalmessiah https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=45221
- KVRist
- 361 posts since 21 Oct, 2004 from sunny florida, baby!
when will you finish your 2nd song, in about 10 years?al2k1 wrote:2001. Started with Reason 1.0, switched to Cubase - didn't like it, went back to Reason 2.5, discovered VST instruments, got Tracktion and have used it along side reason ever since.![]()
I am almost done making my first song and hopefully will post it here within a couple of years.
be part of the solution, not the problem
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- KVRist
- 125 posts since 23 Apr, 2004 from USA
Not sure how long it will take to finish my second song but It will probally be mixed with Tracktion 7.3.digitalmessiah wrote:when will you finish your 2nd song, in about 10 years?
Al-
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- KVRist
- 492 posts since 26 Feb, 2003 from Vancouver BC
Musta been '79 or '80...definitely pre-midi. I had a Soundchaser, which was 2 Mountain Digital oscillator boards stuffed into an Apple 2Ew/64K of mem, with a 37 note Pratt-Read keyboard controlling it. You could record 16 tracks in real time, on a staff, or in a kinda trackerish 'note/octave/duration' format.
It was an organ keyboard...just on/off note events, but you could tweeze the dynamics after they were recorded. The oscillator boards were just oscillators and envelopes...no filters, but you could draw insanely stepped squarewaves for the LFO and get a really cool sample-hold kinda thing going on. You had 16 oscillators available: You could useas many as you wanted per voice patch, but your max polyphony would take a hit. With 16 oscillators in a patch, you had 1 note polyphony on the keyboard, but (for 1979, anyway) it was a *Big* note. You could control pitchbend and modulation with the Apple's paddle controllers, or a joystick if you were cool enough to have one.
The sucker leaked audio like crazy: it sounded like you'd laid a 2x4 across the keyboard, no shit. The signal to noise ratio was about, like, 6. The indignities we used to subject the sound of that thing to *just* to make it useable you wouldn't believe.
Latency was negligible, though, and it was rock solid stable.
I don't miss the f**king thing one little bit.
K
It was an organ keyboard...just on/off note events, but you could tweeze the dynamics after they were recorded. The oscillator boards were just oscillators and envelopes...no filters, but you could draw insanely stepped squarewaves for the LFO and get a really cool sample-hold kinda thing going on. You had 16 oscillators available: You could useas many as you wanted per voice patch, but your max polyphony would take a hit. With 16 oscillators in a patch, you had 1 note polyphony on the keyboard, but (for 1979, anyway) it was a *Big* note. You could control pitchbend and modulation with the Apple's paddle controllers, or a joystick if you were cool enough to have one.
The sucker leaked audio like crazy: it sounded like you'd laid a 2x4 across the keyboard, no shit. The signal to noise ratio was about, like, 6. The indignities we used to subject the sound of that thing to *just* to make it useable you wouldn't believe.
Latency was negligible, though, and it was rock solid stable.
I don't miss the f**king thing one little bit.
K
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- KVRist
- 129 posts since 20 Apr, 2004 from Brighton, UK
Is any of this talk of trackers n stuff (especially on the ol' Amiga) making anyone nostalgic for the demo scenes of yesteryear? When I see VJs doing their thing, along with the blips and bloops playing, it brings back loads of memory of trackers and copperlists (Amiga coding thing) 
Back on topic... Started about 3 years ago.. I was trying to teach myself to drum, so I started playing around with HammerHead (beat box program)... a friend showed me fruityloops and I've been with that ever since. I still suck at drumming and fruity tho. Played around with trackers years ago but couldn't get anything done in them. I'm more of a coder anyway.. and I've played around loads with audio coding on the Amiga (including stuff using that parallel port sampler unit) and later on my PC and Soundblaster.
Doogle
Back on topic... Started about 3 years ago.. I was trying to teach myself to drum, so I started playing around with HammerHead (beat box program)... a friend showed me fruityloops and I've been with that ever since. I still suck at drumming and fruity tho. Played around with trackers years ago but couldn't get anything done in them. I'm more of a coder anyway.. and I've played around loads with audio coding on the Amiga (including stuff using that parallel port sampler unit) and later on my PC and Soundblaster.
Doogle
We can conclude that the DCT of a pizza doesn’t resemble anything edible.
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- KVRAF
- 1954 posts since 15 Nov, 2003 from London, UK
I know what you're talking about doogle, i used to be well into the amiga demo scene and did a little coding myself, although i much prefer PC these dasy coding to the old amiga stuff!
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- KVRist
- 476 posts since 20 Mar, 2004 from Netherlands
Many years ago. I remember entering BEEP 1,0 on the ZX-Spectrum 
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- TopModernGeezer
- 2679 posts since 14 Mar, 2001 from Stuttgart, Germany
tiptop! welcome at kvr, and cheers to the musicmaking ..dj_icon wrote:I started last year when i was 14, stil learning new things everyday and enjoying every minute of it!
putte
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- KVRer
- 25 posts since 10 Jul, 2004
Thanxputte wrote:tiptop! welcome at kvr, and cheers to the musicmaking ..dj_icon wrote:I started last year when i was 14, stil learning new things everyday and enjoying every minute of it!
putte
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
My first synth was a Korg DW-6000, back in 1984 or 1985. My first sequencer for the Mac Plus came shortly after that- "MIDIMac Sequencer 1.0" which was later known as "Opcode StudioVision"
Incomplete list of my gear: 1/8" audio input jack.