lol, come on Krim spotted my trolling in one go. So who can't read? He just like me is only havin some fun. Ok, I'll pick up more of this.platinumears wrote: So you managed to persuade Kriminal. Well done, he can barely read.![]()
oops, sorry got off on other tangents. Some are easy some aren't. I'll have to re-upload the pictures. I'm at work so give me a few.You still havent answered my question: how do you "easily" implement these setups in Cubase?
Actually 2 different ways. One of the things people miss when working with Cubase inserts is the router toggle at the top of the insert and send list. It's possible to send individual outs to individual plugs or do the pre-post send of one side or the other to an out. If you do this to say a surround group channel you can put 2 compressors on 2 mono channels of the surround group and have it sidechain or parallel compress depending on how you choose to set it up.And while you're at it, how would I set up parallel compression as an insert? Sidechaining?

Ok, here is one example of a feedback loop config. I'm feeding both a source and a filtered version of the signal back onto itself. It makes a nice squeely sound as you modulate the frequency.
Feedback loop example config
I still don't think I'm wrong about PDC. PDC applies to anything you can plug into an insert or send. There are plugins that allow external access of the audio data besides the Cubase external FX function. But, I'll bow to this quibble. But, just for fun here is what it looks like.
External FX
hmm...as far as I know only SL and SE have a group limit. I've had a boat load of group channels. I can't imagine running out. But I honestly don't know if there is a limit.How about unlimited levels of sub-grouping?
mono/stereo yes, different sample rate no. I don't see that as a huge issue, but I guess there could be situations it could make editing easier.Free mixing of stereo / mono / different sample-rate files on the same track?
well, not to start a war. There is no such thing. I know you can overlay the a wave image to the MIDI data. Again, I find this useless. I still have no clue why anyone needs this. I can name 500 other useless things that Cubase doesn't do. I still think it is better to see the wave below or above the MIDI for this reference. The track markers and timelines tell you where everything is.MIDI on the same track as audio?
If you mean like Samplitude object editing no it isn't that slick. But all edits are non-destructive unless you tell it otherwise. I could write for an hour how to deal with different editing situations but that serves no purpose here.VSTs applied (non-destructively) to individual audio clips?
THAT'S THE SPIRIT!!! heheheface it, your host sucks!



