So, what's in it? What freeware do you use a lot in Receptor? What licensed plugs have you bought? And how about unsupported things? What do you plan to buy for it?
Also, how is it performing for you? Do you go beyond choosing patches from the front panel, or do you use a computer to edit deeply?
To answer my own questions...
The freeware stuff that I have been using a lot are (in no particular order):
1. FreeAlpha. A good, basic polysynth that seems to stack well.
2. Triangle I & II. Easy leads and big basses.
3. Big Tick Dual Delay. 'Cause I like delays.
4. All the Kjaerhus stuff. Good bread n butter for getting a "workstation sound".
5. MDA stuff. 'Cause it does the job nicely, thank you.
Commercial stuff I have bought (or came with it):
1. Albino 2. Speaks for itself. Modulation galore, and a good sound.
2. daOrgan. Sometimes I don't want to mic up my Hammonds.
3. RMIV. 'cause I have lots of kits that I have made, and its dead easy. Plus, LinPlug's crossgrade policy is tops.
4. FM7. Kick ass FM, with an inexpensive crossgrade.
5. Kompakt. I do so much commercial sound design for Kontakt-based things that this was a no-brainer. Good library included, plus I have literally gig upon gig of patches I have created from my own samples. My ESI-32 never gets booted up since I got this.
6. EMM Knagalis. Aw man! I LOVE that Sitar! Who forgot to unplug the lava lamp?
7. MTRON. Erm...'cause it is MTRON, man! Between this and daOrgan, I could pretend at being Tony Banks all day.
8. Vertigo. This is one awesome plug-in! Fantastic resynthesis for bizarre effects. It sounds lush and full. A perfect tool for space music or industrial mayhem.
Unsupported:
1. M42 Nebula. After endlessly bashing about at my crippled versions of "Watcher in the Skies" on MTRon, I pretend I am Klaus Schulze.
2. CM101. Bread. And butter.
3. CM303. Squelch, zip, buzz!
4. PolyIblit. It might be the best-sounding free VA out there.
This is just a partial list, but these are the things I keep going back to. Kompakt, Vertigo and MTRON get the most use...the latter two being my "boot up" instruments. I don't use Receptor so much for analogue kinda stuff, but if you have seen pics of my studio, you'd understand why. No, I tend to use it as a sampler/workstation. It is like having something like a Triton or Fantom, but with all of my own patches and samples. I could use a better reverb on board, but I just run it through my TC stuff for now.
Receptor has been doing very nicely in its latest incarnation. It got off to a rough start, but has settled in nicely with the latest version. I had some trouble once, but it was my own fault, and the folks from MUSE actually called me on the phone and talked me through getting it up and running! That's support, man!
I initially thought Receptor was a simply a good option for live work, but I have since found that it is an essential part of my studio stuff too. It is far, far quieter than my rack-mounted PC. When I need certain PC-only plugs, I'd rather fire this up than the Windows box. I recently upgraded the memory to 768 Megs with off-the-shelf RAM. That was easy enough to do. I'll probably drop a gig in eventually.
I use the Remote program on the Mac to edit it. It's kinda funny seeing Windows plugs on my Mac screen...
I'm digging my Receptor a lot these days. Nice work MUSE.
