I also think that you guys are misrepresenting the bit about more musicians having access to better tools. He was saying that as a result of more people playing, there is more crap out there. This is completely true. Every month I show my non-musician friends some entries for the monthly contests here on KVR and they laugh their asses off at a lot of the entries. Yet, these songs are made with the same softsynths that Trent uses in the studio.
I don't have any pretensions about my own music. It sucks, and most people wouldn't like it. It's very personal and special to me, but that's about it. Most of the stuff I hear on KVR is the same (With a few very noteworthy exceptions) and I think it's important to realize that much like an ugly child, we love our own music anyway no matter how much it horrifies our neighbors.
We listen to music with an ear for things that non-musicians just don't hear. As such, sometimes we end up liking things that others just can't stand. Have you ever had someone make you read their shitty poetry and then say that you really loved it because you were afraid of hurting their feelings? When we show our musician-oriented music to non-musicians I think that it is very much the same. My girlfriend and friends always tell me that they really enjoy my music, but I think that it's more out of politeness than actually liking it.
Trent Reznor doesn't write musician oriented music. He writes music that anyone can enjoy, which can sometimes alienates those of us who write musician oriented music. I think what hurts us the most is that we post our music where only other musicians can hear it, and we come under the impression that you guys like our stuff, so it must be great.
That's not to say that I hate all of the music on KVR. Sickle for instance, I've heard some of your stuff and even though it's not my style, I do enjoy some of the textures, and I think you have a real talent for getting great synth sounds out of Reaktor. There are many similar comments I can make about many of you guys (And gals), but that isn't what the non-music-making public is looking for in a song. They are usually looking for catchy rhythms, hooks, and a certain theatrical element to the presentation.
I'm sure I'm going to get the living shit flamed out of me for that, but I think it's true. Flame all you want, but remember that I don't think I'm better than any of you. On KVR we all suck equally.
