BBE sonic maximizer
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- KVRist
- 58 posts since 25 Mar, 2002 from good old usa
anyone know of any alternatives to the BBE sonic maximizer directX plug in? commerial, free, or anything else? thanks in advance.
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life has meaning only if we live for meaning - piers anthony
life has meaning only if we live for meaning - piers anthony
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- KVRist
- 74 posts since 2 Feb, 2005 from Champaign, IL
I'm skeptical of BBE's sonic maximizers. For obvious reasons.
They do work by adding a slight delay to the different frequencies so they arrive at different times... but again, I'm real skeptical. I would never use such a thing on my mixes. Has anyone ever used this in a "professionally" made and released CD? Like literally, have we ever heard a BBE Sonic Maximizer on a CD released by a major label?
As far as alternatives go -- Ozone has the ability to add a delay to certain frequencies. It can definitely alter the stereo imaging of a song.
That's scary stuff to be playing with, though. =)
They do work by adding a slight delay to the different frequencies so they arrive at different times... but again, I'm real skeptical. I would never use such a thing on my mixes. Has anyone ever used this in a "professionally" made and released CD? Like literally, have we ever heard a BBE Sonic Maximizer on a CD released by a major label?
As far as alternatives go -- Ozone has the ability to add a delay to certain frequencies. It can definitely alter the stereo imaging of a song.
That's scary stuff to be playing with, though. =)
- KVRAF
- 3846 posts since 15 Mar, 2002 from Underworld
Of course people use it professionally, but mostly on different tracks or vocals, but it's not that popular anymore to use exciter type of things anymore, BBE and Aural exciter were mostly used in 80's to compensate for lack of highs, because everything was recorded on tape. Today people tend to "warm-up" things, meaning less highs, not more highs. It's just fashionable. In my opinion, if it sounds "right", you can use whatever you want. It's very subjective and it depends on what you want to achieve. But what I'm getting at is: no, BBE isn't bad at all, if you know what you're doing/what you want. It's a tool like any other.
Cheers.
Cheers.
It is no measure of health to be well adjusted to a profoundly sick society. - Jiddu Krishnamurti
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- KVRist
- 192 posts since 4 Nov, 2003 from Philadelphia, PA USA
I used it on several tracks completed tracks and even on instruments while recording them and it works great to add brightness and clarity.. It sounds like bullshit, but it really works. Also, I suspect there is other stuff going on aside from just delaying the different frequency bands - there is no audible delay as far as I can tell. It probably also adds some kind of compression or mild distortion.
Anyway, I highly recommend it. I'm sure lots of studios use them.
Anyway, I highly recommend it. I'm sure lots of studios use them.
David Wallin - White Noise Audio Software
http://www.bleepboxapp.com/
(groove box for iPhone)
http://www.whitenoiseaudio.com/
(VST plugins)
http://www.bleepboxapp.com/
(groove box for iPhone)
http://www.whitenoiseaudio.com/
(VST plugins)
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- KVRist
- 185 posts since 12 Mar, 2002 from Edinburgh, UK
Umm, yeah. Hardware versions of the BBE Sonic Maximizer have been around for years in studios. I happen to have one in my own studio...mgc3003.com wrote:I'm skeptical of BBE's sonic maximizers. For obvious reasons.
They do work by adding a slight delay to the different frequencies so they arrive at different times... but again, I'm real skeptical. I would never use such a thing on my mixes. Has anyone ever used this in a "professionally" made and released CD? Like literally, have we ever heard a BBE Sonic Maximizer on a CD released by a major label?
As far as alternatives go -- Ozone has the ability to add a delay to certain frequencies. It can definitely alter the stereo imaging of a song.
That's scary stuff to be playing with, though. =)
Works great on acoustic and electric guitars. I know of a couple engineers in Nashville who use it on acoustic guitars ALL the time.
So yeah, you've probably heard it on lots of major label shit and don't even know it. You'd be surprised what kind of kit makes it on to major label releases...
eugene, what's wrong with the BBE plugin version - why do you need an alternative?
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- KVRAF
- 5156 posts since 5 Mar, 2003 from Franklin, NH
f**k the sonic maximizer.....the VST and the hardware version...use 4front's Contour Max
That thing rox! ; )
peace!
That thing rox! ; )
peace!
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- KVRAF
- 1651 posts since 14 May, 2002 from Earth
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- KVRer
- 3 posts since 31 Dec, 2004 from Detroit, MI
My 3 Golds records released by Verity 9Gospel Label) have Sonic Maximizer on them mixes. (Vocals/Kick Drum/Bass Gtr are my main uses)
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- KVRAF
- 1799 posts since 26 Jul, 2002 from New York
I didn't think it worked by delaying frequency bands. I though it added certain higher harmonics to create a "sheen" effect.WhiteNoise wrote:I used it on several tracks completed tracks and even on instruments while recording them and it works great to add brightness and clarity.. It sounds like bullshit, but it really works. Also, I suspect there is other stuff going on aside from just delaying the different frequency bands - there is no audible delay as far as I can tell. It probably also adds some kind of compression or mild distortion.
Anyway, I highly recommend it. I'm sure lots of studios use them.
jeffn1
To Hear Original Instrumental "Progtronic Rock" Music, go to:
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- KVRist
- 192 posts since 4 Nov, 2003 from Philadelphia, PA USA
There is documentation somewhere that talks about improving the perception of transients by delaying different frequency bands. If it only added extra harmonics it would just be an Exciter. It's probably doing a few things.
David Wallin - White Noise Audio Software
http://www.bleepboxapp.com/
(groove box for iPhone)
http://www.whitenoiseaudio.com/
(VST plugins)
http://www.bleepboxapp.com/
(groove box for iPhone)
http://www.whitenoiseaudio.com/
(VST plugins)
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- KVRian
- 1045 posts since 23 Jul, 2001 from Jersey Is Where America's At
Jeffn1, I believe it actually is delaying certain bands, if you read up on it from BBE they say it works by playing with phase. Frankly I think it sounds decent on guitars and certian other instruments as long as you never bring any knob above 2. Do they still sell the plug-in version or has it been discontinued? I may have to pick one up.
I'm sorry this post wasn't about techno.
- KVRAF
- 3846 posts since 15 Mar, 2002 from Underworld
Yep, some kind of Poly-Phase filtering or so I've heard, whatever that means
. But when you think about it, logically, it has something to do with phases, many of them and filtering - meaning it's passing through it, no shit...
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Cheers.
Cheers.
It is no measure of health to be well adjusted to a profoundly sick society. - Jiddu Krishnamurti
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- KVRist
- 38 posts since 31 Mar, 2004
The first record I had pressed had it twice over. I added some of it with the plugin version and when I went to the mastering guy's studio, he had it in his signal chain ahead of the lathe. I asked, "Is it going through that?", and he said yes but I was too shy to ask him to take it out because I had already done it. Turned out sounding pretty tinny. Moral: Don't apply it more than once 
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