No you weren't.S_A_P® wrote:Just having a piss is all
Kjaerhus Audio GAC-1 released!
- KVRian
- 921 posts since 14 Oct, 2002 from Sweden
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Stupid American Pig Stupid American Pig https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=4753
- KVRAF
- 7065 posts since 25 Nov, 2002 from not sure
shamann wrote:No you weren't.S_A_P® wrote:Just having a piss is all
shhhhhhh
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- KVRist
- 478 posts since 14 Jan, 2003 from Denmark
I just send out your license keynBeat wrote:Great buy Torben !
This one also works under Win98.![]()
Wonderful !
...and now finally I can dump my last DX-plugs (dB-PluginPack) in CubaseVST
and use them in Cool Edit only.
Thanks
Torben
- KVRian
- 921 posts since 14 Oct, 2002 from Sweden
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- KVRAF
- 5350 posts since 8 Aug, 2003 from Berlin Germany
Sounds soooooooo great! Haven't even looked to see how much it cost but I'm pretty sure I'll buy.
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- KVRAF
- 1949 posts since 21 Mar, 2003 from Labrador
I'm new to channel strips as well. Could GAC-1 functionally take the place of a small hardware 8 channel mini mixer? I've been thinking of getting a hardware mixer for routing and processing vstis and a bit of real guitar.Torben wrote:You beat me to the presentation Shifrin
It's a dual processing channel strip with effects made especially for this plugin (no old wine on new bottles here). This plugin got 10 routings made for instruments and mix setups, it got side chain and mono version etc. The best thing is to try it and you will se it is different from the other plugins mentioned here.
Have fun!
Torben
Hmmm.....
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- KVRAF
- 4265 posts since 21 Oct, 2001 from my bolthole in the south pacific
Yeah - I saw that too but, incorrigible empiricist that I am, I also saw straight away that when inserted as a compressor on a channel I got overs on that channel - no problem but not a brickwall limiter.Kingston wrote:The bit where I was referring to as RTFM was "As an extra feature, both compressors have a limiting characteristic for input levels higher than 0dBFS."
As I have often heard people in the band room at my local bar with leather pants and tattoos aver, In digital audio terms, zero overs is the sine qua non of a brickwall limiter.
I just suggested that location so that you would see (and hear) straight away that it does not do what GPP-1, Elephant, Finis and all the other brickwall limiters do - protect you from digital overs.Who carved the rule in stone that you have to have limiter as the absolute last thing in signal chain anyway?
Myself, I would use GAC-1 on a channel or a group -- the way, if I may borrow a phrase from Hayseed Dixie, the good Lord intended.
(These guys do bluegrass versions of AC/DC tunes like Highway to Hell and in the liner notes to their Let there be Rockgrass it says "Produced and recorded by John Wheeler at Renaissance Recording, Nashville TN, using a bunch of really expensive German microphones and a British mixing console and absolutely no Eq whatsoever, the way the good Lord intended.")
Anyway - this GAC thingummy is a nice bit of kit - enjoy it and use your favorite limiter on the output for bouncing to stereo.
Last edited by egbert on Wed Mar 30, 2005 5:00 am, edited 1 time in total.
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- KVRist
- 478 posts since 14 Jan, 2003 from Denmark
No, the GAC is used on a track or output bus. It's not a mixer.db wrote: I'm new to channel strips as well. Could GAC-1 functionally take the place of a small hardware 8 channel mini mixer? I've been thinking of getting a hardware mixer for routing and processing vstis and a bit of real guitar.
Hmmm.....
It was in response to Funkybot who asked if we where going to make something in between the Classic Series and the Gold Series. We got no actual plans at the moment.db wrote:What would the general idea of that series be?Torben wrote: I have thought about a Classic Pro Series!
Torben
Torben
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- KVRAF
- 1949 posts since 21 Mar, 2003 from Labrador
So more of a track polisher? If not howTorben wrote: No, the GAC is used on a track or output bus. It's not a mixer.
would you describe it in 10 words or less? (I'm trying to wrap my head around what it's actual purpose is.)
I thought that a channel strip was a single mixer channel?
db wrote:Classic Pro Series!
It was in response to Funkybot who asked if we where going to make something in between the Classic Series and the Gold Series. We got no actual plans at the moment.
Guess my sense of humour was a litre low when I wrote that!
Last edited by Improv on Wed Mar 30, 2005 4:55 pm, edited 1 time in total.
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- KVRist
- 478 posts since 14 Jan, 2003 from Denmark
It is! One with both EQ, Compressor, De-esser and noise gate. But the GAC-1 got two compressors and EQ's that can be routed in ten different ways. You won’t find that on no mixer. You have to try it to realize how much better that can make your tracks. Of course you can make allot of the routings manually if your host allows but its more time demanding, you can’t re-use the setup and your project would look like a bowl of spaghetti. It's much easier with the GAC-1.db wrote:I thought that a channel strip was a single mixer channel?![]()
Torben
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- KVRAF
- 1949 posts since 21 Mar, 2003 from Labrador
Ok, more flexible,Torben wrote:
But the GAC-1 has two compressors and EQ's that can be routed in ten different ways. You won’t find that on any mixer.
I'm trying, thus the questions.You have to try it to realize how much better that can make your tracks.
and Podium along with Chainer and EXT.
Depends what mood I'm in!
Of course you can make alot of the routings manually if your host allows but its more time demanding, you can’t re-use the setup and your project would look like a bowl of spaghetti. It's much easier with the GAC-1.
Sounds a bit like EXT!
Last edited by Improv on Wed Mar 30, 2005 4:56 pm, edited 1 time in total.
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- KVRer
- 13 posts since 13 Sep, 2004
Tried it last night on two tracks:
1. Stereo fingerstyle acoustic guitar (hard-driven playing): Some good first impressions starting from some of the presets. Could prove useful although I'm not convinced I couldn't live without it given the ability to have 2 X instances each of GEQ-1 and GCO-1 as inserts in Cubase, albeit it series. I have to experiment more with parallel processing, but GEQ-1 does allow for independent treatment of left/right channels of a stereo track. I noticed that the M/S presets affected phase coherence considerably (reported by RME's DigiCheck).
2. I am more convinced by its usefulness (to me) on a mono vocal track. Really impressed with initial results and I want to experiment more.
3. The de-esser is fine however the gate provides no attack adjustment but how many buttons can you fit on this?
I don't do drums, bass, or synths so I can't comment here.
Anyway, I'm going to buy it.. so there!
Edit: I noticed that fine adjustmemnts are achieved with the <Shift> key - not <Ctrl> per the rest of the Gold Series.
1. Stereo fingerstyle acoustic guitar (hard-driven playing): Some good first impressions starting from some of the presets. Could prove useful although I'm not convinced I couldn't live without it given the ability to have 2 X instances each of GEQ-1 and GCO-1 as inserts in Cubase, albeit it series. I have to experiment more with parallel processing, but GEQ-1 does allow for independent treatment of left/right channels of a stereo track. I noticed that the M/S presets affected phase coherence considerably (reported by RME's DigiCheck).
2. I am more convinced by its usefulness (to me) on a mono vocal track. Really impressed with initial results and I want to experiment more.
3. The de-esser is fine however the gate provides no attack adjustment but how many buttons can you fit on this?
I don't do drums, bass, or synths so I can't comment here.
Anyway, I'm going to buy it.. so there!
Edit: I noticed that fine adjustmemnts are achieved with the <Shift> key - not <Ctrl> per the rest of the Gold Series.

