looking for goofy 12ET scales
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- Banned
- 12367 posts since 30 Apr, 2002 from i might peeramid
stuf that can be sent over midi eg. "scales" like 'major, minors, natural, pentatonic, classical modes'
this is for presets in algorithmic engine.. seen a shot of a reaktor engine that listed 'mystery, blues 1, blues 2..'
i don't got a blues 2 or a mystery (just the one..)
anyone have any input on goofy boring old 12et modes?
this is for presets in algorithmic engine.. seen a shot of a reaktor engine that listed 'mystery, blues 1, blues 2..'
i don't got a blues 2 or a mystery (just the one..)
anyone have any input on goofy boring old 12et modes?
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- KVRian
- 1184 posts since 13 May, 2004 from SF Bay Area, California
Here's an illustration of Olivier Messiaen's "modes of limited transposition":
http://www.societymusictheory.org/mto/i ... /ex01.html
http://www.societymusictheory.org/mto/i ... /ex01.html
If you like 80s retro sounds, check out my latest tune…
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- Banned
- Topic Starter
- 12367 posts since 30 Apr, 2002 from i might peeramid
heey, a scale with the first semitone.. 
ya know, i'm 6 pages into google on dialup with NOTHING else, no charts of 'major vs. minor,' nothing.. i sure suck at finding stuf
ya know, i'm 6 pages into google on dialup with NOTHING else, no charts of 'major vs. minor,' nothing.. i sure suck at finding stuf
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- KVRist
- 461 posts since 12 Jan, 2003 from Kyoto
here are a few I've compiled -- this the sort of thing you're looking for?
From: aesager@acs4.acs.ucalgary.ca (Alexander Edward Sager)
Some of these are pretty cool, especially if played with a drone:
s=sharp
f=flat
Neapolitan Minor: C Df Ef F G Af B C
Neapolitan Major: C Df Ef F G A B C
Oriental: C Df E F Gf A Bf C
Double Harmonic: C Df E F G Af B C
Enigmatic: C Df E Fs Gs As B C
Hirajoshi: A B C E F A
Hungarian Minor: C D Ef Fs G Af B C
Hungarian Major: C Ds E Fs G A Bf C
Kumoi: E F A B C E
Iwato: B C E F A B
Hindu: C D E F G Af Bf C
Spanish 8 Tone: C Df Ef E F Gf Af Bf C
Pelog: C Df Ef G Bf C
Hungarian Gypsy: C D Ef Fs G Af Bf C
Major Phrygian: C DF E F G Af Bf C
Major Locrian: C D E F Gf Af Bf C
Lydian Minor: C D E Fs G Af Bf C
Overrtone: C D E Fs G A Bf C
Leading Whole Tone: C D E Fs Gs As B C
Arabian: C D E F Gf Af Bf C
Balinese: C Df Ef G Af C
Gypsy: C Df E F G Af B C
Mohammedan: C D Ef F G Af B C
Javanese: C Df Ef F G A Bf C
Persian: C Df E F gF Af B C
Algerian: C D Ef Fs G Af B C D Ef F
Aeolian: C D Ef F G aF Bf C
Byzantine: C Df E F G Af B C
Hawaiian: C D Ef (f grace note) G A B C
Jewish: E F Gs A B C D E
Mongolian: C D E G A C
Ethiopian: G A Bf C D Ef F G (The B and E can also be natural and
the F can be sharp)
Spanish: C D f E F G Af Bf C
Egyptian: C D F G Bf C
Japanese: C Df F G Af C
Chinese: F G A C D F
C E FsG B C
Notes from Eric:
Here are some more scales, lifted from Syntrillium Wind Chimes – I've noticed that some of them aren't quite correct, but they all sound good. All these are transposed (if necessary) to have a starting tonic of C
Major Pentatonic (Asia): C D E G A C
New Pentatonic: C D E F# A C
Pentatonic (Japan): C C# F G G# C
Pentatonic (Balinese): C C# F F# G# C
Pentatonic (Pelog): C C# D# G A# C
Hemitonic Pentatonic 3: C D D# G B C
Pentatonic Variation: C E G A A# C
Whole Tone (Debussy): C D E F# G# A# C
Augmented: C D# E G G# B C
Diminished: C D D# F F# G# A C
Enigmatic: C C# E F# G# A# B C
Gypsy (Byzantine): C C# E F G G# B C
Arabian (Major Locrian): C D E F F# G# A C [Note – this is NOT a major locrian scale]
Persian: C C# E F G A# B C
Spanish (8 tone): C C# D# E F F# G# A# C
Hungarian Gypsy: C D D# F# G G# A# C
Native American: C D E F# A B C
Major Bebop: C D E F G G# A B C
Barber Shop: C D F G B D F G B C [note – 2 octaves]
Barber Shop 2: C G C E G B C [note – 2 octaves]
Blues (Popular): C D# F F# G A# C
Blues 2: C D# E G G# D# G C [note – 2 octaves]
And some common ones thrown in by me:
True Pentatonic: C D F G A C
Blues 3: C D D# E G A A# C
Plus one by Michael Stutz (see below)
Calliope [see below]: C C# E F G G# A A# C
notice for the Calliope scale: Copyright (c) 1995 by Michael Stutz; this information is free and may be
distributed according to the terms of the GNU General Public License, either
version 2 of the License or (at your preference) any later version, and as
long as this sentence remains.
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mouth open! 
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- Banned
- Topic Starter
- 12367 posts since 30 Apr, 2002 from i might peeramid
if anyone's sorting that data, the following entries in the lower list are indeed duplicates of entries in the upper -
pentatonic (japan)
" (pelog)
persian
spanish (8 tone)
pentatonic (japan)
" (pelog)
persian
spanish (8 tone)
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.