Nice.
Can This Girl Sing? [Plunge Acoustic]
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- KVRist
- 139 posts since 11 Feb, 2005
I think she sings great. My only thing that bugs me, is too much head voice, I wish I could hear her sing with her belly voice in the high notes she is hitting. And man.. I wish I could play violin.
Nice.
Nice.
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- KVRAF
- 2093 posts since 19 Jun, 2003 from UTM 18 317254E 4295335N (WGS84/NAD83)
Why is everyone going on an on about the poor girl. She's terrific. It's that concertina playing that really needs some over-analysis! I think you need to work on getting the bellows articulation better synced with the note phrasing - it just sounds too much like a sampler to me... 
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- KVRist
- Topic Starter
- 462 posts since 3 Feb, 2004 from HONG KONG
You™ wrote:Why is everyone going on an on about the poor girl. She's terrific. It's that concertina playing that really needs some over-analysis! I think you need to work on getting the bellows articulation better synced with the note phrasing - it just sounds too much like a sampler to me...
ROTF![EDIT] Oh and thanks for the input and nice comments Fax and Breathehope!
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- KVRist
- 467 posts since 21 Feb, 2005
Excellent start! There are a few things that might make it better.
A) Have her can the Sarah McLaughlin imitation. She needs to be herself. The breathiness sounds faked. Maybe try backing her off the mic a little. When she does open up in spots, she sounds great!
B) You need to deaden the area around the vocal mic. You're getting slapback off something, a wall, music stand? Find it and deaden it. It really stands out in the last chorus.
C) When you bring the bass in (2nd verse?), you need DRUMS!!! You're missing something to drive the track at that point. They will really make it come alive.
D) You can use some more reverb on the violin. Just a touch. It seems a little stark.
A) Have her can the Sarah McLaughlin imitation. She needs to be herself. The breathiness sounds faked. Maybe try backing her off the mic a little. When she does open up in spots, she sounds great!
B) You need to deaden the area around the vocal mic. You're getting slapback off something, a wall, music stand? Find it and deaden it. It really stands out in the last chorus.
C) When you bring the bass in (2nd verse?), you need DRUMS!!! You're missing something to drive the track at that point. They will really make it come alive.
D) You can use some more reverb on the violin. Just a touch. It seems a little stark.