Just cant seem to get proffesional sound.
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- KVRist
- 33 posts since 13 Nov, 2004
Im using FL studio 4.5 and I cant seem to get that proffessional sound, I have downloaded some extra sounds and tried them out and stuff, but it still just doesnt sound right, what am I missing? Is it FL studio or am I just not experienced enough?
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- KVRist
- 133 posts since 18 Jul, 2004 from Atlanta, GA USA
Put it this way: a good engineer can get a tin can to sound good. Keep practicing! I've done several professional sounding recordings in FL studio. Just use your ears.
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- KVRist
- 252 posts since 28 Jan, 2005
Post a sample in the Music Cafe.Qaiphyx wrote:Im using FL studio 4.5 and I cant seem to get that proffessional sound, I have downloaded some extra sounds and tried them out and stuff, but it still just doesnt sound right, what am I missing? Is it FL studio or am I just not experienced enough?
P2 3.2GHz, XP Pro, M-Audio FW-1814, Cubase SX3
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
The demo that opens up with FL Studio should be an indication that you can get professional-grade mixes in FL. The most important thing is to have well-recorded sounds and a handle on EQ and compression - just rolling off unecessary frequencies will open your mixes wide up!
There are excellent threads here on kvr that can really help you out (search the forums), and there is lots of indispensable advice at http://www.soundonsound.com/articles/Technique.php
There are excellent threads here on kvr that can really help you out (search the forums), and there is lots of indispensable advice at http://www.soundonsound.com/articles/Technique.php
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- Pick Me Pick me!
- 10251 posts since 12 Mar, 2002 from a state of confusion
what are you using for monitoring?Qaiphyx wrote:Im using FL studio 4.5 and I cant seem to get that proffessional sound, I have downloaded some extra sounds and tried them out and stuff, but it still just doesnt sound right, what am I missing? Is it FL studio or am I just not experienced enough?
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- KVRAF
- 4822 posts since 14 Mar, 2002 from Somewhere else, on principle
Maybe you just suck.
- KVRAF
- 6113 posts since 7 Jan, 2005 from Corporate States of America
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- Banned
- 6127 posts since 1 Apr, 2004 from Et in Arcadia Ego
edit: I was never here
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- KVRer
- 17 posts since 23 Apr, 2005
Buy a decent reverb.
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- KVRist
- 199 posts since 12 Apr, 2005
Try mixing your stuff with MjMultiband Compressor, Voxengo Soniformer, TriTone Hydratone, T-Sledge, Endorphin, PSP VintageWarmer, Spectralive, TLs Maximizer, or similar "mastering plugins" to get a better overall sound.
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- KVRAF
- 7886 posts since 24 Feb, 2003 from Earth, USA
None of which are needed. It's all in the ears and using what you got to the best of your ability. Get some books on mixing technique, read some articles on proper EQ and compressor usage. Those will be better than any plug-in you can purchase if you're having issues.sonicsmurf wrote:Try mixing your stuff with MjMultiband Compressor, Voxengo Soniformer, TriTone Hydratone, T-Sledge, Endorphin, PSP VintageWarmer, Spectralive, TLs Maximizer, or similar "mastering plugins" to get a better overall sound.
Devon
Simple music philosophy - Those who can, make music. Those who can't, make excuses.
Read my VST reviews at Traxmusic!
Read my VST reviews at Traxmusic!
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- KVRer
- 29 posts since 30 Jul, 2004 from BC, Canada
Everyone has to start somewhere.
You've been given some great tips already, here's a few more:
- utilise good quality source material
- judicious use of EQ to isolate instruments (study the frequency ranges of common instruments and the human voice to get an idea of 'how much' content you need to keep a sound legible within your mix)
- compress in several stages throughout your mix chain rather than -15dB on the master.
- refer to professional recordings of a similar genre on your speakers to give you an idea of how the mix should sound.
- when you create a mix -- listen to it every which way. In a mates car, the kitchen, from another room entirely, in the shitter, a closet, a pub, a foodcourt, etc. Try to simulate how the 'average' listener would play your music in their day-to-day life.
- To keep it simple, mixing allows you to modify audio within the SPECTRAL domain, the TIME domain, it's AMPLITUDE and PANNING. Experiment a bit, read a few books and learn to understand what these can do for your mix.
- learn to use (not overuse) effects!
Just a few suggestions... keep up the work man! You'll get there.
You've been given some great tips already, here's a few more:
- utilise good quality source material
- judicious use of EQ to isolate instruments (study the frequency ranges of common instruments and the human voice to get an idea of 'how much' content you need to keep a sound legible within your mix)
- compress in several stages throughout your mix chain rather than -15dB on the master.
- refer to professional recordings of a similar genre on your speakers to give you an idea of how the mix should sound.
- when you create a mix -- listen to it every which way. In a mates car, the kitchen, from another room entirely, in the shitter, a closet, a pub, a foodcourt, etc. Try to simulate how the 'average' listener would play your music in their day-to-day life.
- To keep it simple, mixing allows you to modify audio within the SPECTRAL domain, the TIME domain, it's AMPLITUDE and PANNING. Experiment a bit, read a few books and learn to understand what these can do for your mix.
- learn to use (not overuse) effects!
Just a few suggestions... keep up the work man! You'll get there.
-JP
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- KVRian
- 702 posts since 18 Dec, 2004 from switzerland