Great sounding vocal harmonies
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- KVRist
- 196 posts since 23 Jul, 2002 from Aberdeen, Scotland
I’ve gone on about this before, but I’m still looking for an answer…I need a decent vocal harmoniser. As I see it the choice is:
1. Sing the harmonies yourself. This is the best route if you have a great voice and bags of natural ability. I do not fall into either category, I need help, so:
2. Melodyne. Top version too expensive. Uno will be out one day, but even then, it is all manual – Really I want some input from the software to invent some “intelligent” harmonies.
3. Akai Decabuddy – obsolete and unavailable now as far as I can tell. I tried it out in demo form a few years ago and it was OK. At least it came up with 2, 3 or 4 part harmonies pretty much automatically. If you mixed the backing vocals low enough it sounded reasonable. Still, not the answer to my prayers.
4. Yamaha Pitch Fix. Again, tried a demo once, not completely convinced but sort of OK. Quite expensive if you only need the harmonies rather than the autotune bit as well.
5. Leapfrog Rephrase. Trying out the demo again, this seems a good bet. You are able to convert audio to midi and work from there. Reasonably large changes in pitch still sound OK – I guess this is close to what I am after apart from the lack of intelligent automated harmonies.
6. TC Helicon Quintet/Voice Works/Voice One. This is the hardware that I drool over. I have never tried it out but the reviews and demo CDs sound very convincing. The prices seem to be £350 to £700 which is beyond what I can justify. If this is the only equipment which (a) produces convincing voice pitch shifting and (b) works out the harmony lines automatically, perhaps I have to save my pennies and go for it!
Am I missing anything? Can someone come up with the holy grail of vocal harmonies?
Bill
1. Sing the harmonies yourself. This is the best route if you have a great voice and bags of natural ability. I do not fall into either category, I need help, so:
2. Melodyne. Top version too expensive. Uno will be out one day, but even then, it is all manual – Really I want some input from the software to invent some “intelligent” harmonies.
3. Akai Decabuddy – obsolete and unavailable now as far as I can tell. I tried it out in demo form a few years ago and it was OK. At least it came up with 2, 3 or 4 part harmonies pretty much automatically. If you mixed the backing vocals low enough it sounded reasonable. Still, not the answer to my prayers.
4. Yamaha Pitch Fix. Again, tried a demo once, not completely convinced but sort of OK. Quite expensive if you only need the harmonies rather than the autotune bit as well.
5. Leapfrog Rephrase. Trying out the demo again, this seems a good bet. You are able to convert audio to midi and work from there. Reasonably large changes in pitch still sound OK – I guess this is close to what I am after apart from the lack of intelligent automated harmonies.
6. TC Helicon Quintet/Voice Works/Voice One. This is the hardware that I drool over. I have never tried it out but the reviews and demo CDs sound very convincing. The prices seem to be £350 to £700 which is beyond what I can justify. If this is the only equipment which (a) produces convincing voice pitch shifting and (b) works out the harmony lines automatically, perhaps I have to save my pennies and go for it!
Am I missing anything? Can someone come up with the holy grail of vocal harmonies?
Bill
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- KVRist
- 240 posts since 19 Mar, 2004 from London UK
unless u make electronica sing em yourself.. or get someone to do the BV's for ya
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- KVRist
- 240 posts since 19 Mar, 2004 from London UK
for the same thread.. any tips on how to arrange vocal harmonies. other than doing it by ear. usually do the usual octave doubles and maybe fifth/fourth but listening to something like destinys child they are really tasty and more complex
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- KVRAF
- 4222 posts since 23 Feb, 2004 from Tucson Arizona USA
Here's a hint: Pythagorean scale. That's responsible for the colour in lots of things, from Ladysmith Black Mambazo to the Bulgarian Womens' Chorus.dharmawan wrote:for the same thread.. any tips on how to arrange vocal harmonies. other than doing it by ear. usually do the usual octave doubles and maybe fifth/fourth but listening to something like destinys child they are really tasty and more complex
Getting singers who can do it without the cultural immersion, is another matter.
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- KVRian
- 951 posts since 11 Jan, 2004 from Netherlands
'Choir Boy'
http://www.kvraudio.com/forum/viewtopic.php?t=89602
I'll have a new release (beyond V1.22) that will be available soon with further improved sound quality and processing options.
Check out a preview of the improved quality below: Note: The transformed sample is created using only the original sample and 'Choir Boy' under Midi control. No additional processing is applied.
http://www.kvraudio.com/forum/viewtopic.php?t=89602
I'll have a new release (beyond V1.22) that will be available soon with further improved sound quality and processing options.
Check out a preview of the improved quality below: Note: The transformed sample is created using only the original sample and 'Choir Boy' under Midi control. No additional processing is applied.
- KVRAF
- 2744 posts since 5 Dec, 2003 from Harlan's World
Wow...that was actually quite cool...
My Soundcloud Too many pieces of music finish far too long after the end. - Stravinsky
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- KVRian
- 631 posts since 29 Feb, 2004
james0tucson wrote: Here's a hint: Pythagorean scale. That's responsible for the colour in lots of things, from Ladysmith Black Mambazo to the Bulgarian Womens' Chorus.
Getting singers who can do it without the cultural immersion, is another matter.
you mean pentatonic scale, or not... ?
--
...glad to be EXTended
...Always stay in tune...!
...glad to be EXTended
...Always stay in tune...!
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- KVRist
- 240 posts since 19 Mar, 2004 from London UK
what notes are there in the pythagorean scale? if u start from C for instancejames0tucson wrote: Here's a hint: Pythagorean scale. That's responsible for the colour in lots of things, from Ladysmith Black Mambazo to the Bulgarian Womens' Chorus.
Getting singers who can do it without the cultural immersion, is another matter.
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- KVRian
- 951 posts since 11 Jan, 2004 from Netherlands
- KVRAF
- 2744 posts since 5 Dec, 2003 from Harlan's World
http://www.avatar.com.au/courses/PPofM/ ... ales3.htmldharmawan wrote:what notes are there in the pythagorean scale? if u start from C for instance
My Soundcloud Too many pieces of music finish far too long after the end. - Stravinsky
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- KVRAF
- 3345 posts since 8 Nov, 2003 from Amsterdam
I vote for Rephrase.Bill wrote:5. Leapfrog Rephrase. Trying out the demo again, this seems a good bet. You are able to convert audio to midi and work from there. Reasonably large changes in pitch still sound OK – I guess this is close to what I am after apart from the lack of intelligent automated harmonies.
I don't believe in automatically generated harmonies that sound realistic, e.g. you don't want added 4th or 5th all the time, you want the 2nd voice to move as well. This is a Rephrase demo, all based on 1 (one!) single sample from Zvon's Julie set...
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- KVRAF
- 4222 posts since 23 Feb, 2004 from Tucson Arizona USA
You're thinking in a Western / Well-Tempered context.dharmawan wrote:what notes are there in the pythagorean scale? if u start from C for instancejames0tucson wrote: Here's a hint: Pythagorean scale. That's responsible for the colour in lots of things, from Ladysmith Black Mambazo to the Bulgarian Womens' Chorus.
Getting singers who can do it without the cultural immersion, is another matter.
Listen to the Bulgarian Women's Chorus, or Adiemus, or Ladysmith.
http://www.ericweisstein.com/encycloped ... Scale.html
There are lots of other tuning systems other than the modern temperament, and many of them can sometimes give amazing results in various modes or harmonies, partly for physical reaons, partly for psychoacoustic properties, and partly because you might be looking for something different.
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- KVRian
- 631 posts since 29 Feb, 2004
i know there are different tunings, but he spoke of a scale... of course, different tuning does a lot, but singers (good ones with feeling) often sing in natural harmonic tunings automaticly...
--
...glad to be EXTended
...Always stay in tune...!
...glad to be EXTended
...Always stay in tune...!
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- KVRer
- 16 posts since 25 May, 2005
Waves Ultrapitch meets in the middle between Melodyne and Choir Boy, runs about 150. Choir Boy sounds terrible.
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- KVRian
- 951 posts since 11 Jan, 2004 from Netherlands

