Dude, don't be a puss....JeffSanders wrote:Now that Princeton's having a GB for 2016 Stereo Room, I want it. Tried their non-PACE demo and like it more than any verb I've used except for maybe my UAD Plate...
Many of you probably have the Roomverb... what are your experiences with PACE? Personally I'm scared shitless of it, but it seems there's less invasive levels of PACE. Any good/bad experiences with system stability, post-Princeton Roomverb?
Princeton...and PACE
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- KVRist
- 144 posts since 22 Jan, 2005
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- KVRian
- Topic Starter
- 1119 posts since 29 Jun, 2004 from within you without you
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- KVRian
- 868 posts since 2 Jan, 2003 from In the foothills of the Rocky Mountains
true, but i can't help but think that the PACE implimentation in the product has affected the GB....I mean, 7 buyers so far for a product that is supposed to be one of the best software verbs on the market???vtd wrote:There's a lot of misinformation and fear being spread around for illogical reasons.
dano
"In a sky full of people, only some want to fly,
Isn’t that crazy?"
Isn’t that crazy?"
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- KVRian
- 591 posts since 5 Feb, 2004 from southwest england
I never knowingly reward companies that use pace with my money.
Whether this c/r version works or not is irrelevant - it just shouldn't be encouraged.
Kind regards
Dave Rich.
Whether this c/r version works or not is irrelevant - it just shouldn't be encouraged.
Kind regards
Dave Rich.
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- KVRAF
- 1821 posts since 5 Oct, 2003
Only 7 in the group buy so far...
"Time makes fools of us all. Our only comfort is that greater shall come after us." Eric Temple Bell
http://thetomorrowfile.bandcamp.com/
http://thetomorrowfile.bandcamp.com/
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- KVRian
- 1045 posts since 23 Jul, 2001 from Jersey Is Where America's At
Well that's 7 as of yesterday. I'm sure it's at least a bit higher today. I'd really be shocked if this group buy didn't hit the lowest price by the end as this is one damn fine reverb. Jesus, good sales would probably only encourage Princeton Digital to start putting out some of the other algos in VST format.
I'm sorry this post wasn't about techno.
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- KVRAF
- 1821 posts since 5 Oct, 2003
Up to 10 (which means they need 40 more in the next 3 weeks)Funkybot wrote:Well that's 7 as of yesterday. I'm sure it's at least a bit higher today. I'd really be shocked if this group buy didn't hit the lowest price by the end as this is one damn fine reverb. Jesus, good sales would probably only encourage Princeton Digital to start putting out some of the other algos in VST format.
"Time makes fools of us all. Our only comfort is that greater shall come after us." Eric Temple Bell
http://thetomorrowfile.bandcamp.com/
http://thetomorrowfile.bandcamp.com/
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- KVRAF
- 1895 posts since 13 Oct, 2002
I did a quick comparison of the Princeton, AAR and R66 reverbs today (all demos). I also threw in FreeverbToo out of curiosity. This is just my opinion and I really recommend people do their own comparisons as these judgments are out of context and based on my personal taste. I'm fortunate to have a decent pair of powered speakers (dynaudio BM6) which definitely helps in making this kind of evaluation.
I like reverbs to add be light and add "air" to a mix wihout being overbearing. From this perspective I liked both the Princeton and the R66. The R66 and the AAR have more parameters to tweak, which gives them more flexibility, but for a quick set and almost forget instant sound, I find the Princeton easy to use and quick to satisfy. The R66 seemed a bit "grittier" than the Princeton. The AAR is definitely more synthetic to my taste, and it also consumes around 30% more CPU resources than the other two (who are about even) in Nuendo.
None of these reverbs is perfect, and each is very usuable in many contexts. I'm sold on the Princeton because with little effort, the space it provides seems to sit well in a mix (it's present without being overwhelming) but I find it pricy; if the group sale looks good I'm sure I'll jump in.
BTW PACE is no issue for me: I've been using the PACE protected Waves plugins for 3 years and I never had an issue with them. Ever.
I also found it quite revealing to hear what can be done with FreeverbToo and some pre and post processing (compression, EQ).
I'd be curious to hear what others think.
Breeze
I like reverbs to add be light and add "air" to a mix wihout being overbearing. From this perspective I liked both the Princeton and the R66. The R66 and the AAR have more parameters to tweak, which gives them more flexibility, but for a quick set and almost forget instant sound, I find the Princeton easy to use and quick to satisfy. The R66 seemed a bit "grittier" than the Princeton. The AAR is definitely more synthetic to my taste, and it also consumes around 30% more CPU resources than the other two (who are about even) in Nuendo.
None of these reverbs is perfect, and each is very usuable in many contexts. I'm sold on the Princeton because with little effort, the space it provides seems to sit well in a mix (it's present without being overwhelming) but I find it pricy; if the group sale looks good I'm sure I'll jump in.
BTW PACE is no issue for me: I've been using the PACE protected Waves plugins for 3 years and I never had an issue with them. Ever.
I also found it quite revealing to hear what can be done with FreeverbToo and some pre and post processing (compression, EQ).
I'd be curious to hear what others think.
Breeze
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- KVRian
- 769 posts since 2 Apr, 2005
If people keep buying this PACE/C/R stuff, then developers will keep on using it. Damnit - it's an insult to paying customers, and almost ensures that cracked versions will be made available. Does nobody expect to have to re-build their PC's in a few years time? And do you expect the vendor to still be authenticating this software then? I just don't get it. I would consider buying Princeton reverb if it wasn't for this shit. But fortunately, there are reasonable developers making equal or better products.
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- KVRAF
- 1895 posts since 13 Oct, 2002
[quote="greendoor"]If people keep buying this PACE/C/R stuff, then developers will keep on using it. Damnit - it's an insult to paying customers, and almost ensures that cracked versions will be made available. Does nobody expect to have to re-build their PC's in a few years time? And do you expect the vendor to still be authenticating this software then? I just don't get it. I would consider buying Princeton reverb if it wasn't for this shit. But fortunately, there are reasonable developers making equal or better products.[/quote]
Interesting points, greendoor. So far it's a fact that nothing protected can't be successfully "unprotected". But the obsolescence issue is true regardless of copy protection. If you have a piece of unprotected software that's unsupported (company closes), it won't survive hardware obsolescence any more than your protected software will.
Remember that you don't own any of the software you use. It's all licenced and that licence can be terminated whether it's copy protected or not. You have every right to disagree with the terms of a licence agreement. That is your right.
Copy protection doesn't stop piracy, but it does slow it down hopefully enough for the software artist to make a decent return on their labors. I think that's really the issue in the end. If we lived in a system where everybody's labors went equitably rewarded then I believe we would be able to forego both copy protection and piracy.
Until then, I'm afraid we'll just have to put up with, as you say, "this shit".
Breeze
Interesting points, greendoor. So far it's a fact that nothing protected can't be successfully "unprotected". But the obsolescence issue is true regardless of copy protection. If you have a piece of unprotected software that's unsupported (company closes), it won't survive hardware obsolescence any more than your protected software will.
Remember that you don't own any of the software you use. It's all licenced and that licence can be terminated whether it's copy protected or not. You have every right to disagree with the terms of a licence agreement. That is your right.
Copy protection doesn't stop piracy, but it does slow it down hopefully enough for the software artist to make a decent return on their labors. I think that's really the issue in the end. If we lived in a system where everybody's labors went equitably rewarded then I believe we would be able to forego both copy protection and piracy.
Until then, I'm afraid we'll just have to put up with, as you say, "this shit".
Breeze
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- Banned
- 851 posts since 14 Mar, 2004
PACE protection gets cracked within seconds.Breeze wrote: Copy protection doesn't stop piracy, but it does slow it down hopefully enough for the software artist to make a decent return on their labors
I have no problem with companies using whatever copy protection scheme they want, but if it's going to affect the user, they may as well try one that at least works...
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- KVRAF
- 1895 posts since 13 Oct, 2002
Hey Hoffy,
I'm playing your songs on tour this year and I'm not giving you one red cent of my earnings. I hope you don't mind! Thanks for leaving your material completely unprotected.

I'm playing your songs on tour this year and I'm not giving you one red cent of my earnings. I hope you don't mind! Thanks for leaving your material completely unprotected.
