Fair enough, but that belongs in a different thread.loophead wrote:
I am much more interested in what would an 'amp' be circa 2350 than circa 1950 !
Unless people's ears have changed, the same 'sounds' are subjectively pleasing.
Fair enough, but that belongs in a different thread.loophead wrote:
I am much more interested in what would an 'amp' be circa 2350 than circa 1950 !
This is what you have heard with your own ears or what you have read in a magazine?championrabbit wrote: UAD (for example) make some amazing plugs, and there can be little doubt that they have been designed by people who know AEing inside-out. WaveArts on the other hand (guessing here) don't seem like they have a team of full-on, hardcore, seasoned AEs which (I assume) is why they stick to excellent vanilla-flavoured plugs.
What say you?
my chime in:xsin1x wrote:marketing (or greed)will ruin all good products.
haven't you guys heard of the new, fftbasedspectralultrawavemorphingdistortameterfilterama?
it rocks!
.. and those who find this is true should not apply to the mixing/mastering/record engineer carreer professionally.Space Boy wrote:This is what you have heard with your own ears or what you have read in a magazine?championrabbit wrote: UAD (for example) make some amazing plugs, and there can be little doubt that they have been designed by people who know AEing inside-out. WaveArts on the other hand (guessing here) don't seem like they have a team of full-on, hardcore, seasoned AEs which (I assume) is why they stick to excellent vanilla-flavoured plugs.
What say you?
I think that (avoiding sweeping generalizations here) if 2 out of 3 people tell you something is no good, even if you disagree, it is more likely you will believe the 2 - unfortunately.
Are you suggesting that the quality of a recording engineer's output is SO highly dependent on the quality of his/her gear? In effect, we could all be world class recording engineers if we were able to afford "the best" gear.bmanic wrote: Lets say that a world class mixing/recording engineer records a basic rock foursome with very good converters and good microphones but is forced to use the internal plugins that come with Cubase.
Then he gets to mix one with his favourite gear. Will there be a signifficant difference that an "average dude from the street" will hear? Yes.
While I'm not bManic... why is it always necessary to think of only the extreme opposite, instead of say... thinking what's been written?Space Boy wrote:Are you suggesting that the quality of a recording engineer's output is SO highly dependent on the quality of his/her gear? In effect, we could all be world class recording engineers if we were able to afford "the best" gear.bmanic wrote: Lets say that a world class mixing/recording engineer records a basic rock foursome with very good converters and good microphones but is forced to use the internal plugins that come with Cubase.
Then he gets to mix one with his favourite gear. Will there be a signifficant difference that an "average dude from the street" will hear? Yes.
If you didn't understand what I tried to say then please read again.. if you still didn't get it then read jmh's clarification.Space Boy wrote:Are you suggesting that the quality of a recording engineer's output is SO highly dependent on the quality of his/her gear? In effect, we could all be world class recording engineers if we were able to afford "the best" gear.bmanic wrote: Lets say that a world class mixing/recording engineer records a basic rock foursome with very good converters and good microphones but is forced to use the internal plugins that come with Cubase.
Then he gets to mix one with his favourite gear. Will there be a signifficant difference that an "average dude from the street" will hear? Yes.
jmh, I think I was aware of what was written. However, on this point, if I may point out, you did previously extract a small section of my post, take it out of context and throw in the comment that I was making a sweeping generalization - without further explanation as to why you thought it a sweeping generalization.jmh wrote: While I'm not bManic... why is it always necessary to think of only the extreme opposite, instead of say... thinking what's been written?![]()
Ahemm.Space Boy wrote: jmh, I think I was aware of what was written. However, on this point, if I may point out, you did previously extract a small section of my post, take it out of context and throw in the comment that I was making a sweeping generalization - without further explanation as to why you thought it a sweeping generalization.
Ok, I can accept that. My response was coming from seeing such limits testing questions as the most typical response to questions and opinions posted regarding this topic.Space Boy wrote: Some people use the limits of an argument to determine if the argument makes any sense - I simply tested the limits of the argument in the form of a question.
AmenSpace Boy wrote: This post, however, was about saying one plug-in vendor seems to make "better" plugs than another. And, it was implied that this is because one vendor employs significantly more experience from audio engineers. My response was that provided the vendors don't claim more than they deliver then what is the problem?
This still is the best piece of advice that can possibly be givenSpace Boy wrote: Let your own ears and wallet be the judge - that's why plug-in developers make demos.
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