Dynamics visualization

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Hi,

I'm trying to match the envelope of one sound to that of another. Is there anything out there that I can insert into a channel that can show me the ADSR of a sound, or something similar?

After typing that I've just realized that an oscilloscope plug-in would probably do the job. Still, any ideas or scope recommendations?

Thanks

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Bluecat has a plugin that lets you record the volume envelope of any recording - I can't remember its name though :?

It's a very neat plugin that has heaps of other uses to - you can map the envelope to any other automation and tweak the envelope recordings to enable you to do sidechain compression without a sidechain, dynamic Eq'ing, dynamic reverbs etc, gating - lots of stuff. At its most basic you can force the volume envelope onto another recording by assigning it to a channel fader.

Maybe someone can remember its name?

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Googled it - it's called Digital Peak Meter. Looks quite useful but I'm using Bram's S(m)exoscope for now.

Thanks for the help though!

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neoxtrope wrote: I'm trying to match the envelope of one sound to that of another.
Lemmee know if you find a better tool than a spectrum analyzer, an rms/peak meter, a dynamics processor, and ears for a sanity check.

In other words once I match the EQ slopes, set the dynamic range with a comp/limiter, and listen to it for a final check I haven't read or heard of a better way to match dynamics.

CurveEQ (with 12-20 points, to match EQ "slopes") -> SPAN for a visual (or GlissEQ for overlay visual and manual matching) -> Elephant (EL-3, 2-5ms release) to make the dynamic range to match -> ears to tell you if you're off in left field...

Maybe I missed your point - there's always that! :help:

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...unless you're trying to force a match (may sound unnatural) the Adobe Audition lets you force a captured envelope on your track - mda envelope might do this too, and of course some evil guys mentioned the other day that you could use one sources' envelope as a side-chain in a compressor and modulate your envelope that way...argh - my ears hurt, maybe that's good!

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