Muzys users look! The future is bright.

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headquest wrote:Sorry but I disagree with your assessment there Steve. (are you a Live user yourself?)
I'm not a Live user, but part of the reason I'm not is that it's looked for the last 2 years that they were taking it places that didn't interest me. If they've simplified the way things work in Live 5, I'll definitely check out the demo again.

But you misinterpret me. I'm not implying Live sucks for the changes, but that its priorities aren't what they used to be, and that it hasn't necessarily expanded/improved on what it originally did well, only added/improved on other features. You said so yourself, that the new version "genuinely turns Live into a DAW that for some of us meets all our needs in one phenomenal program." When Live was created/first released, it wasn't meant to fulfill all your needs. Wasn't designed that way and wasn't advertised that way. The role Live has come to fill doesn't sound a lot different than roles filled by Logic/Cubase/Sonar/etc. Sure it does things differently, better for some users, but it now has a lot of the same end goals.

I use Audiomulch, have since it was released (or nearly so at least). One of the frequent feature requests over the years has been MIDI note sequencing. People wanted explicit MIDI paths (which wouldn't be a terrible thing) and MIDI sequencers, much like what's in EnergyXT now. I'm glad Ross resisted though, as Mulch is designed for specific functions, and has a lot of ways to let you do it effectively. And luckily EnergyXT has taken up a lot of the slack in MIDI areas.

One thread that crops on the EnergyXT forum every now and again is people questioning the fast and furious list of feature requests, which would ultimately make EnergyXT just like everything else. Again, slightly different method, but same end result.

The argument could be made you want one application to do it all, because you don't want to buy lots of other applications. But evidence to the contrary, people here don't seem to have issues with buying a license for multiple apps if it suits their needs. The one thing that I might be missing is other people's aversion to workarounds, as personally I like workarounds. The most creative stuff I've done was a result of making do with what's available and figuring out how I can get it do something unexpected. But from my perspective, there already are a lot of things out there that do everything in one package.

So far I like Rurik's idea best, it would be great to see a quality MIDI/audio sequencer like Muzys given away for free. We're generally either fairly privileged or fairly dedicated to using software here, but for those that aren't in our position, it would be great for them to have easy/free/legal access to quality tools, and that appear to them as quality tools from the outset.

I can't see Muzys making a re-entry in to the market, or even Muzys - the next generation. So far the only people who've said they'd get it are the same ones who had it, and they've mostly admitted to moving on to another application already. If it stopped in the past because the user base was too small, it doesn't sound to me like its future will be much different.

Unless Jo decides to make it a different beast entirely, something that would surprise us, and that would appeal to more users than just a niche group of people who haven't found their ideal sequencing tool yet.

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I think Muzys had its window of oportunity about 2 yrs ago and let it pass by.
It would be kindda hard to pick up where it was left. I started on muzys myself but grew tired of not being able to buy the full program (I had a CM copy).so I moved on.
Muzynth was cool so maybe that would be a better option. In the end Jo will do whatever he pleases though :)

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What are the main differences between the CM version and the full version?

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The five-only instruments rack and the (how many ?) mixer channels were annoying enough; didn't bother to search for more differences.
Eventually something intelligent will appear written here. Watch this space.

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chardin wrote:What are the main differences between the CM version and the full version?
If I remember well the CM version had a determined amount of channels and/or Fx you could use and also there was the "possible future option" to have disk streaming and other goodies that never came to be.
I waited for about 3 months and when got tired of waiting went the Tracktion and FL demoes routes. FL won in the end :D
Actually it has been a while since I last looked into Muzys, but I don`t remember anything too outstanding to make me want to change Host and a new host would be useless for me right now as I have just bought EXT and Podium for the sake of looking into other ways to make music :wink:

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I dissagree with the thread title. The future does NOT look bright IMHO.
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AD80 wrote:I dissagree with the thread title. The future does NOT look bright IMHO.
Well it might seem a bit brighter for those who have refused to change from Muzys to another host, but having no web site yet and no real info from Jo. It seems doubtful anything might happen soon :P
Keep the faith though. You never know. :)

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AD80 wrote:I dissagree with the thread title. The future does NOT look bright IMHO.
I admit, it's a bit deceptive. I just wanted make sure the word 'Muzys' was used for searching purposes.

Muzys, as I said, may no longer be developed. But Jo is certainly an expert coder and I have no doubt that he will continue to create something just as great or better than Muzys.

As far as the past is concerned, let's all just agree to let it go. We all make some decisions in life with unfavorable results. We can only hope that we become wiser and stronger from it.

Let's continue this discussion with the mindset that JO WILL READ IT and use it for the next interation of audio coding goodness that will be laid in front of our salivating mouths.

What are you folks really missing in your "sequencer, host, all-in-one groovebox, music making machine, whatever gets you off kinda workstation" that isn't out there now?

OR, ok...

Here's a not so new idea that we could definately chew on:

Muzynth VSTI !!!! ok,ok.....Audio Unit too!!!

Well, as you can imagine it would have to be called something else. AND, I'm hoping that Joe would remember to make it useful for Live Performance. (Hint,hint! - patch loading via midi!!)

Ooops. There I go with my live performance obsession again! :oops: :hihi:

Keep the thread alive. Believe me gang, Jo will take it to heart.

The "future" IS bright. So bright, I gotta wear shades!

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I was one of the "masses" that was never allowed to board the Muzys train -- I got CMuzys from the magazine but it was too late to purchase the full version (around October 2003). Still, even little CM was enough to make me abandon Sonar. I ended up with FLS and am very happy with it.

If Muzys were to come back, I'd rather not see it get feature bloat. I'd be more tempted to use it as a scratchpad within another host -- as such it would need to be a rewire/vst/dx client instead of just a host. That would allow me to use the playroom/muzynth/midi-editing (Muzys three best features) from within any other host.

Make that happen at like $49 and I bet Jo would get alot of takers.

...of course Jo should have just put out Muzynth as a VSTi years ago -- it's probably still amongst the best (right there with z3ta, albino and sytrus IMO, though it uses less cpu than any of them).
And all life's fears
Can invade my ears
I can handle it

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IMHO Muzys was easily the best sequencer/host on my old 400MHz Mac. I used early versions of Logic and Cakewalk Metro before this and Muzys' CPU efficiency was much appreciated.

Now I've got a nice iMac G5, it rocks in Classic. I'd be satisfied with native OS X support. Then I'd have to get a whole pile of new VSTs.....
iMac (21.5-inch, Late 2009), 3.06 GHz Intel Core 2 Duo, 8 GB RAM, OSX 10.12.6

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I hate the idea of opening a sequencer/program as a "scratch pad" and then doing everything in another host.

That's just my personal view not a universal one, but the less I'm transferring all my crap from application to application the better as far as I'm concerned.

If I would ask for what would be the "prize" for me, I would say something that supports progression-based composing (everyone groans and says "not again").

I would like a VST host that has the smarts of products like Band In a Box where you can compose your patterns and then control them "live" and via sequencing to follow a chord track of some description. I would like to be able to determine which tracks would need to be transposed with the chord track and which would need to stay constant (eg drum tracks). I would like to be able to render the chord track into a continuous midi composition for later editing.

In this way I can get the meat of a complete progression-based song down quickly without doing all sorts of transposition. WORKFLOW. :D

I would like the midi editing power of the current Muzys so that I can make all sorts of adjustments to my composition easily. Muzys already had all of this.

I would like a device like the Keyboard Mapper currently in Muzys to turn my sequencer into a musical instrument that can record itself. I would like it to include not just triggering, but also the control of the automatic transposition so that I can play with a pattern I've wrote until I determine what chord progression is required and then automatically record to the chord track. WORKFLOW again. I imagine this would also be a very handy tool to have for live performance where chord changes may be involved.

I would like a device that plays back various video formats syncing to the sequencer so that I can compose to visuals. A single video track would also be nice so that I can actually see the different frames, but as a minimum a fully sync'd player would be very handy for me.

The base Muzys product is so good that I would incorporate most of it into any new product.

Then I would add VST Midi compatibility
Very Very good integration of EnergyXT as a plug-in :wink:
Some enhancements to the mixer
Disk streaming/recording of audio

As a sideline project I would like to see the MuZynth engine converted into a VSTi so that all the non-users of the sequencer still have an opportunity to use the device.

Some not so aimless thoughts from me....

Caleb
Happiness is the hidden behind the obvious.

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Hi Everyone,

Finally i've come to a point where i can give you some essential news.

Be welcome on my new web site : http://www.mutools.com

Cheers,

Jo

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so you've lost your rights for Muzys and about two years without gaining anything, right?
:-o :shock:

Such kind of a contract can't be legal, can it? :?

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If you'd develop a new sequencer I'd surely buy it! :hyper: :-D

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jens wrote
so you've lost your rights for Muzys and about two years without gaining anything, right?
:?


That doesn't sound right to me, if so that wouldn't be very fair. Every time you buy a copy of CM, your actualy paying for Muzy(over and over again}, freebies and demo's.


I thought Muzy was excellant, the automation features were fantastic, though a bit of a learning curve. Also, I always wondered why muzys playback wasn't very smooth, was there a setting that needed to be adjusted?



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