Edirol MA20D or Behringer Truth???
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- KVRist
- 161 posts since 10 Nov, 2003 from australia
A friend of mine has a pair of behringer truths, they sound good, but then again i dont have the experience to make honest comparisons to anything since i havent heard that many monitors. Plus how it sounds in his room will sound different in your room, etc, and so basically this is something that is purely subjective. I heard some bad things about the behringer thruths, but i cant remember what it was or even if it was true. My best advice would be to ask people at the shops, more than anything my concerns would be how fatigueing the sound would be. I mean monitors are monitors they shouldnt be THAT far off accuracy wise, but given that they're accurate, they should be at leat a little bit satisfying to listen to for long periods of time.
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- KVRian
- Topic Starter
- 1360 posts since 4 Aug, 2004 from Ain't tellin' ya...
I can get the MA20D for $418, after a bit of checking. So that helps a bit. The thing is, I'm not sure how they compare. I need someone who knows the differences between these two monitors to give me some idea of what to expect.
Thanks for your input,
Ben
Thanks for your input,
Ben
Little Black Dog - 2008-Present
- Suspended
- 17889 posts since 14 Jun, 2001 from Somewhere you're not!
I have been very happy with my MA-10's and considered upgrading to the MA-20D but decided I had better things to do with my cash. I've not really had a good listen to either though but these days I don't see the need to agonise over these decisions as its pretty hard to find a poor set. Once you have lived with them for a while and learned how they sound, you will be able to get good results from whatever you decide to get.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRian
- Topic Starter
- 1360 posts since 4 Aug, 2004 from Ain't tellin' ya...
The good thing with the MA20Ds is that they accept a digital input. My Yamaha reciever has an output aux digital so that I can just switch between my standard speaker setup and the monitor setup with ease.
Little Black Dog - 2008-Present
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- KVRist
- 120 posts since 17 Jul, 2005 from Los Angeles, CA
ive got a pair of the MA20Ds and they sound great for TV, movies and the like. but not very good for producing music. they lack those essential low freqs from about 30hz to 90hz - seriously, they dont represent low end well at all. however they sound spectacular with mids and high-mids, such as an acoustic guitar, dialogue, sound fx and other non-bassy material.
the digital in is nice. also nice to be able to hook up via RCA or quarter inch. another downside, though, is you have to power the left speaker with the right one which can cause some volume balance issues. after plugging mine in for the first time, i noticed one speaker seemed a tad louder than the other. turned out i needed a new RCA cable and that solved the issue. still, that's somewhat of an inconvenience.
the behringer truths i don't like for production either as they simply dont have the components of more expensive models such as mackie 824s, krk v8s, event sp8s and so forth (i know - totally different price range - but after hearing them its hard not to use them in comparisons). they dont have the most accurate low end - they sound good at first but on repetitive mixing you will notice their limitations. they require "frequency workarounds" as i call it, meaning they are not as accurate as you think, once you test your mixes on other systems.
why pay any amount of money if you are not getting accurate results? my suggestion would be to save up a little bit longer and get a more professional pair - your ears, and your fans, will thank you in the long run. i just put the MA20Ds on my TV set and now have a pair of KRK V8s rockin the studio. best choice i made in a long time regarding my music.
the digital in is nice. also nice to be able to hook up via RCA or quarter inch. another downside, though, is you have to power the left speaker with the right one which can cause some volume balance issues. after plugging mine in for the first time, i noticed one speaker seemed a tad louder than the other. turned out i needed a new RCA cable and that solved the issue. still, that's somewhat of an inconvenience.
the behringer truths i don't like for production either as they simply dont have the components of more expensive models such as mackie 824s, krk v8s, event sp8s and so forth (i know - totally different price range - but after hearing them its hard not to use them in comparisons). they dont have the most accurate low end - they sound good at first but on repetitive mixing you will notice their limitations. they require "frequency workarounds" as i call it, meaning they are not as accurate as you think, once you test your mixes on other systems.
why pay any amount of money if you are not getting accurate results? my suggestion would be to save up a little bit longer and get a more professional pair - your ears, and your fans, will thank you in the long run. i just put the MA20Ds on my TV set and now have a pair of KRK V8s rockin the studio. best choice i made in a long time regarding my music.
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- KVRist
- 120 posts since 17 Jul, 2005 from Los Angeles, CA
(just for the record though, if those are your final two options, go for the Truths. they are actually more in the 'professional monitor' field than the MA20ds, which are considered 'micro monitors')
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- KVRian
- Topic Starter
- 1360 posts since 4 Aug, 2004 from Ain't tellin' ya...
What about Yamaha MSP5A? Has anyone used these and can they attest to it's performance. I keep hearing good things about these, that they translate well and they can go fairly loud. Not sure about anything else, but was reading in an Australian forum about them.
Little Black Dog - 2008-Present
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- KVRist
- 445 posts since 24 Apr, 2005
Save up for a good pair of monitors in the $1000 range... you'll be alot better off, and never have to worry about buying another pair for years.
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- KVRist
- 120 posts since 17 Jul, 2005 from Los Angeles, CA
yeah, that's the ideal thing to do, but going from a $350 pair to a $1000 pair is a big jump and could take months to save up for, months where you've got the creative juices flowing, and just need something to get those ideas down as good as you can. a good compromise would be to buy a decent pair of headphones until you've got enough money for pro monitors, cause you'll want good headphones anyway. my recommendations are the 500 or 700 series from Ultrasone, they blow my MDR-7506s out of the water.
- Suspended
- 17889 posts since 14 Jun, 2001 from Somewhere you're not!
Once you get used to their sound, you can do good work with relatively cheap monitors. I managed to finish two albums, and master the latest one, with my MA-10's and the label has been very happy with the results. If I bought new monitors, it would only be to get louder ones.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
- Beware the Quoth
- 35523 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Ive got the Truths, but (IMO) it possibly matters less as to which ones you go for than how familiar you are with them. Spend a while routing all your favourite CD's through them, and you'll get a decent idea of them in context... and be able to work around any shortcomings in their response. Nobody else is ever going to hear what you do anyway.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
- KVRAF
- 2750 posts since 2 Feb, 2005 from Raincoast of Grayland
Especially the voices!!! Please stop the voices!whyterabbyt wrote:Nobody else is ever going to hear what you do anyway.
Just to make your decision harder, two other worthy canidates:
Yorkville YSM1p active monitor 400.00/pr range
Tannoy Reveal Actives $500ish per pair
Would choose those two over the Truths or the MA20 units. But that's just what the voices tell me to tell you.
perception: the stuff reality is made of.
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- KVRist
- 120 posts since 17 Jul, 2005 from Los Angeles, CA
i have to strongly disagree with the notion that cheap monitors are "just fine after you get used to them." i can get used to drinking Budweiser, but it will never be as good a beer as an Anchor Steam. there are reasons that there are such huge price differences between monitors - you get what you pay for, and if you only pay $150 for speakers, you are going to have to deal with their shortcomings.
i'm amazed, Bones, that you were able to master tracks on MA-10s... are you actually a mastering engineer, or bedroom producer? (no offense intended by that question, btw) because i don't know one mastering engineer that would even think of working on little speakers like that - and it's not just the volume they put out, its the amps they can handle, the frequencies they reach, the STN ratio, maximum SPL, and a zillion other things. they may sound good to your ears, much like a car stereo can get tuned to sound good, but it still doesnt mean your frequences are getting represented right. i'm amazed you can produce on those things! there is no bass whatsoever, just a general 100hz "presence."
there are Hyundais, and there are BMWs. in the same way, there are Edirols and Behringers, and there are Dynaudios and Genelecs. i'll say it again, you get what you pay for. and you'll never know the differences until you A/B these things.
i'm amazed, Bones, that you were able to master tracks on MA-10s... are you actually a mastering engineer, or bedroom producer? (no offense intended by that question, btw) because i don't know one mastering engineer that would even think of working on little speakers like that - and it's not just the volume they put out, its the amps they can handle, the frequencies they reach, the STN ratio, maximum SPL, and a zillion other things. they may sound good to your ears, much like a car stereo can get tuned to sound good, but it still doesnt mean your frequences are getting represented right. i'm amazed you can produce on those things! there is no bass whatsoever, just a general 100hz "presence."
there are Hyundais, and there are BMWs. in the same way, there are Edirols and Behringers, and there are Dynaudios and Genelecs. i'll say it again, you get what you pay for. and you'll never know the differences until you A/B these things.
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A_Gruesome_Discovery A_Gruesome_Discovery https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=10647
- KVRist
- 66 posts since 27 Nov, 2003 from Boston, MA
...Worthy of note is the often terrible quality of D/A converters on monitors with digital inputs in this pricerange. I wouldn't let digital ins be a mitigating factor in your final decision. I suppose it's nice keeping your signal "digital until the very end", but a cheap D/A will make your cheap monitors sound cheaper. Unless, of course, the D/A on your soundcard is worse than that of these monitors, in which case I'd say "buying new monitors" should be moved a bit further down your to-do list.
