basic effects questions
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- KVRer
- 6 posts since 26 Jan, 2005
In general, what order should you place these effects? I know it may vary on what you are applying effects to...but let's say for a vocal stab...and then for a drum group channel...i'm using battery2 and group all of my drums together...i realize you wouldn't want to use delay on your drums but anyway
Delay
Reverb
Compression
EQ
also are there any disadvantages to using the effects in battery2? I would think it would free up the processor a little by using them, but don't know if the compressor is worth a damn really...it's not too complex..thanks!
Delay
Reverb
Compression
EQ
also are there any disadvantages to using the effects in battery2? I would think it would free up the processor a little by using them, but don't know if the compressor is worth a damn really...it's not too complex..thanks!
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- KVRAF
- 12235 posts since 18 Aug, 2003
If I were going for conservative, I'd put the compressor last, the EQ before it, the reverb before it, and the delay first. Likely, I wouldn't put the reverb at all, though, or sparingly at least.
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Stupid American Pig Stupid American Pig https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=4753
- KVRAF
- 7065 posts since 25 Nov, 2002 from not sure
I wouldnt put a reverb in front of a compressor unless you want to tail affected by the compressor...
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- KVRAF
- 12235 posts since 18 Aug, 2003
Which goes to show you just how often a)I use reverb, and b)I'm being conservative. Yes, listen to the Pig, he speaks good sense.Stupid American Pig wrote:I wouldnt put a reverb in front of a compressor unless you want to tail affected by the compressor...
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- KVRian
- 1144 posts since 9 Jan, 2004 from tOKYO
it can sound really cool though when you put a room verb on a snare then compress it.Stupid American Pig wrote:I wouldnt put a reverb in front of a compressor unless you want to tail affected by the compressor...
Not bad meaning bad but bad meaning good
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- KVRist
- 423 posts since 22 Jul, 2004
soulkraka is right, delay on drums can be very cool sometimes.
the eq or compression first is a tough one, i don't think i follow a rule about it, sometimes i do it one way and sometimes another.
i would generally put the reverb last but if you did want to affect the tail of the reverb that would be fine, although i would usually use a gate for this.
honestly though i usually use reverbs and delays as sends rather than inserts.
the eq or compression first is a tough one, i don't think i follow a rule about it, sometimes i do it one way and sometimes another.
i would generally put the reverb last but if you did want to affect the tail of the reverb that would be fine, although i would usually use a gate for this.
honestly though i usually use reverbs and delays as sends rather than inserts.
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- KVRist
- 133 posts since 9 Apr, 2004
EQ and Compression are usually insert effects. The order can be either way, resulting in a slightly different outcome. Inserts are applied before send effects (unless the send is pre-fader). Delay and reverb are usually send effects meaning that neither is applied before or after the other. Send effects are not chained and are triggered from the non-effected (except for inserts) signal. You can obviously force delay into reverb or visa versa by chaining them in a single send, but this is not usually the way it is done. Nothing is wrong, though, especially if it sounds good.
fizbin
fizbin
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
really? compression tends to f**k up your reverb tails...shamann wrote:If I were going for conservative, I'd put the compressor last, the EQ before it, the reverb before it, and the delay first. Likely, I wouldn't put the reverb at all, though, or sparingly at least.
when it comes to delay and reverb, it usually doesnt make much noticable difference (though it can under very wet reverb cases) unless your delay has some sort of changing effect in it (like an evolving filter, etc).
I'd say that there is no definate order that is always right. Different cases call for different arrangements.
- GRRRRRRR!
- 17838 posts since 14 Jun, 2001 from Somewhere you're not!
That would depend on your threshold and release settings. i.e. what the compressor is doing to the signal.Stupid American Pig wrote:I wouldnt put a reverb in front of a compressor unless you want to tail affected by the compressor...
In general I would suggest that in 90% of cases you won't hear much difference however you do it so I would just do what works. The great thing about software is it is so much easier to experiment with that kind of thing because you don't have to go repatching leads whenever you need to swap the order of things.
Another vote for delay on drums here too. I often use it on my kicks to crank up the rhythm.
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Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRAF
- 6490 posts since 14 Jun, 2004 from Rochester, NY
i'd have to say experiment with effects order, just know what each fx does and what you can do with it. when you line them up just recognize that they will be affected by the previous. pretty simple, but very powerful.
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- KVRAF
- 2058 posts since 23 Sep, 2004 from Canada
I'd work totally differently myself.
Delay & Reverb would be bussed to Auxillary Sends Only.
Some tracks would use Eq only
Others would use Compression only (particularly partial to parametic eq's myself with a 4 band minimum with judicious use of q and used for subtractive eq work only).
Others would be chained EQ lowend rolloff highend boost into Compressor into EQ with lowend boost and highend rolloff.
Some will be eq'd into compressor (particularly vocals that will have a reverb aux send where I can remove alot of the 2.5-3khz-3.7khz frequency spectrum).
Drum parts (particularly snares) I will compress then eq after compression. Usually with dual boosts around 500hz and 2khz approx for nice "thunk and snap" (very high compression ratio is great for break beat styled snares doing this) .
Use Auxillary sends too taste on any given track that needs either reverb or delay or a combination of the two.
Delay & Reverb would be bussed to Auxillary Sends Only.
Some tracks would use Eq only
Others would use Compression only (particularly partial to parametic eq's myself with a 4 band minimum with judicious use of q and used for subtractive eq work only).
Others would be chained EQ lowend rolloff highend boost into Compressor into EQ with lowend boost and highend rolloff.
Some will be eq'd into compressor (particularly vocals that will have a reverb aux send where I can remove alot of the 2.5-3khz-3.7khz frequency spectrum).
Drum parts (particularly snares) I will compress then eq after compression. Usually with dual boosts around 500hz and 2khz approx for nice "thunk and snap" (very high compression ratio is great for break beat styled snares doing this) .
Use Auxillary sends too taste on any given track that needs either reverb or delay or a combination of the two.
