Instruments you used to like, but now hate?

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ugo wrote:
Hink wrote:Do you remember the monster 8 string bass Ibanez had 'bout 1/4 century ago? An old bass player of mine had one, you damn near needed a hydrolic hoiste on your strap to pick it up.
i never got to try that ibanez 8. i've only seen pictures of it. i did get to play an aluminium necked kramer 8 string a year or so ago though. i really dig multi string basses like 8's and 12's. i've got a Tune 8 string thats awesome.

actually, one of the heaviest basses i ever held was a kramer aluminium necked flying v bass. we had a used one at the old shop i used to work at. someone ground the frets down (instead of properly removing them) to make it a fretless, put a bartolini musicman pickup in it, and did painted the body blue...badly. man, that thing was damn heavy and uncomfortable. i used to play it with the lower point of the v on a stool while i played it standing, like an upright.
I am thinking about a Seagull, I sold them for years and should got one when I had the chance.


i sometimes think that about the norman's we used to sell! though what i really wished i had the money for back then was for a taylor 12 string...and a warrior bass...and an esp...and...

that was the problem with working at a small guitar shop. i got discounts, but i still didnt make enough to actually buy the good stuff. i could have bought a norman, but once we started carring taylor, i got spoiled. someday i'll at least buy myself a taylor 355.
As far as electrics go I'd so rather build it. I love my Warmoth hardtail strat. The best neck for my hands...:D
man, i havent built anything in years. i was seriously considering building a new bass, but now that i've got my new (used) modulus Q6, the custom itch has eased up. for many years now i've been saving several boards of beautifull flamed koa that i had picked at a hardwood dealer when i was in hawaii. one of these days, that wood will become a bass or two. (i've still got some cool looking monkey pod left too.)
The neck I want will run me over 500 (including a new locking nut and scgallers...always schallers)
ouch thats a pretty expensive neck. i understand your pain though. there's a good chance my next custom will have a graphite neck. thats going to run me some bucks too.

-ugo
A few years ago I checked Rain Song guitars with graphite necks...big bux though...I saw the pics you posted of your basses....nice stuff...;)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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ouroboros wrote:While iagree wit theAZxc vvvv

sorry for that, spilled a drink and company arrived at the same time...guess submit was hit :lol: I think I probably had something really cool to say that would make a difference. Oh well. :D
..what goes around comes around..

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Waldorf's PPG softsynth... I always wanted the real one cause it looked cool and sounded great. But the softsynth is just too hard to wrap my head around, difficult in Orion, and ever since Waldorf went tits up with everything - I just lost all respect for it. :(

So does anyone have PPG like voices for FM7? ;)

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Sampled shakuhachi, especially with tons of reverb on it; especially, ESPECIALLY when backed up with lush swellings of synth strings; especially, ESPECIALLY, ESPECIALLY in songs with titles like Mountain Dream or Blissful Morning or Cool Winds of Gaia or anything with the words Healing, Chakra, Balancing . . . you get the pic.

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Hink wrote:A few years ago I checked Rain Song guitars with graphite necks...big bux though...
i've only tried a rain song once. seemed nice, but yeah...big bucks.
I saw the pics you posted of your basses....nice stuff...;)
thanks :)
and scgallers...always schallers
oh yeah...i was going to mention, if you've never tried them, check out sperzel keys. very different feel from schallers, but very well built stuff.

but to drift myself somewhat back into topic, my general feeling is that there are no bad instruments, just bad uses of them. if you are creative enough, even the crappiest, cheeziest sounds can be put to good use. (some may need a hell of a lot of processing to save though. :wink: )

-ugo

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I like the sperzels, in fact I sold many...but I'm very use to the feel of schallers...with my hardtail I will go Jake E Lee and make variations on my tuning mid song...remember I like EAEACE which is Am, a quick twaek on the C it's a Amaj...and dropped D works very nice with open Am...the schallers have tight gears and imo the smallest backlash (backlash is a part of gears, it can't be eliminated, but the lower the better)

I agree with you about instruments...Queen went on stage playing Kazoos :hihi: I also sold about a million penny whisteles to the irish in Boston...Ocrinas too...;)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Thank heavens this didnt become another Kramer vs Kramer thread.
Reverbnation
see ya 'round...

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Morgaxx wrote:Thank heavens this didnt become another Kramer vs Kramer thread.
here's the fact about guitars...real simple...there is no guitar better then the next..just ones better suited for the individual...even the k mart blue light special...for some people that's way more then they should have...:hihi:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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My guitar playing.

Sick of it, so after just short of 20 years playing I'm giving up.
Steve.
I know I have got a negative edge, that’s why I sharpen all the others a lot.

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