Good Morning Pepole
IM looking for vst that get a good gate sound like say i take some sound lets say a scream
it goes like that:
haaaaaaaaaa
and converte it to:
haa aa a aaaaa aaaaaaaaa
im hope that you get my point ..
i dont if that gate effect
i ask someone in sometime about gate and he gave me somthing else at all ..
Thanks in advance
Roy
Hello Everyone .. I'm looking for gate effect somthing good
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Nature.Ballistic Nature.Ballistic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=46050
- KVRer
- 23 posts since 28 Oct, 2004
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- Banned
- 22457 posts since 5 Sep, 2001
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Or if you've got some cash ($85) to spend and you want a gate plus some other cool fx, check out CamelSpace.
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- Banned
- 22457 posts since 5 Sep, 2001
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Absolutely, I think you had him well covered, just thought I'd throw another idea into the mix.ttoz wrote:camelspace is fantastic, but i think he really just wants simple chopping, from the description.
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- Banned
- 22457 posts since 5 Sep, 2001
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- KVRian
- 665 posts since 7 Jan, 2003 from somewhere between 50 and 60Hz
Hi Roy
Check out this free plug made by another member of this site... ScuzzPhut 6.5
http://scuzzphut.panicnow.net/Articles/plugins.html
However I have to agree with the others, if you can afford it get CamelSpace because it does so much more than just gate effects
I've run into this problem over the years, that's because "gate" means two things, either
* the stutter/gate effect that you refer to, or
* a reference to adjusting the attack and release of a signal.....
For example, I think Phil Collins in his 1980s productions used an effect called "gated reverb" where he would basically cut (or make quieter) the end off reverb tails.. a "gate" in this sense only let's sound of a certain amplitude (loudness) pass through, so in phil collins' case the quiet part of the reverb tail was being gated (not let through) so the reverb sounded like it was being cut off sharply
Check out this free plug made by another member of this site... ScuzzPhut 6.5
http://scuzzphut.panicnow.net/Articles/plugins.html
However I have to agree with the others, if you can afford it get CamelSpace because it does so much more than just gate effects
Nature.Ballistic wrote: i ask someone in sometime about gate and he gave me somthing else at all ..
I've run into this problem over the years, that's because "gate" means two things, either
* the stutter/gate effect that you refer to, or
* a reference to adjusting the attack and release of a signal.....
For example, I think Phil Collins in his 1980s productions used an effect called "gated reverb" where he would basically cut (or make quieter) the end off reverb tails.. a "gate" in this sense only let's sound of a certain amplitude (loudness) pass through, so in phil collins' case the quiet part of the reverb tail was being gated (not let through) so the reverb sounded like it was being cut off sharply
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- KVRist
- 77 posts since 31 Dec, 2004 from Germany
How about mgTriggerGate (freeware)?
available here: http://www.mgaudio.de/modules/main.php
available here: http://www.mgaudio.de/modules/main.php
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- Banned
- 22457 posts since 5 Sep, 2001
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- KVRAF
- 3299 posts since 7 May, 2004 from Athens, Greece
Don't be scared ttoz. I am using it frequently and never had any problems. In other words a second vote for MGtriggerGatettoz wrote:yeah but alpha's are scary. it;s not even BETA!
If I go insane, please don't put your wires in my brain
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- KVRAF
- 8708 posts since 24 May, 2002 from Tutukaka, New Zealand
Can't remember who made it, but I'm sure I remember one called simply Midigate or Migagate or something similar, that is a midi controlled gate. Check out the FX list, top right - might be in there?
Also - what host are you using? Cubase has a very good midigate already included. Which I think was coded by MDA? In which case MDA will probably have a midigate of their own too.
Also - what host are you using? Cubase has a very good midigate already included. Which I think was coded by MDA? In which case MDA will probably have a midigate of their own too.
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Nature.Ballistic Nature.Ballistic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=46050
- KVRer
- Topic Starter
- 23 posts since 28 Oct, 2004
Ive just now back here ans see all your answars for me
Thanks a lot
just now i download the KillerGate and it got very good sound
and it good for me and for my needs
but i now think about the Camel Space
i heard a lot of it and everyone say very good things of it
and CamelPhat too
Tanks a lot ..
Roy
Thanks a lot
just now i download the KillerGate and it got very good sound
and it good for me and for my needs
but i now think about the Camel Space
i heard a lot of it and everyone say very good things of it
and CamelPhat too
Tanks a lot ..
Roy
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- KVRAF
- 3723 posts since 17 Apr, 2002 from Scotland
the gate vs gate thing has it's roots in hardware, as most of our terminology does.
A noise gate shuts off the audio signal when the level goes below a certain threshold.
Sticking a lot of reverb onto drums created a right old mess, but if you put the reverbed signal through a gate with a high threshold, only the drum hit and a bit of the reverb tail gets through - the Phil Collins type sound.
Many Hardware gates also had a side-chain input (i.e an external control input which would open and close the gate no matter what the audio input) and some creative engineers found that if you routed a rhythmic track to the sidechain input and a sustained sound to the audio input, you could chop up your sound, which was Sweeeeeeeeeeeeet.
So - the noise gate is useful for cleaning up noisy tracks.
the Trancegate (for want of a better word) ignores the noise reduction element and goes straight for the rhythmic chopping effect - either using an external midi input (like midigate) or by providing a 909-style step input, like scuzzphut5,6,6.5
A noise gate shuts off the audio signal when the level goes below a certain threshold.
Sticking a lot of reverb onto drums created a right old mess, but if you put the reverbed signal through a gate with a high threshold, only the drum hit and a bit of the reverb tail gets through - the Phil Collins type sound.
Many Hardware gates also had a side-chain input (i.e an external control input which would open and close the gate no matter what the audio input) and some creative engineers found that if you routed a rhythmic track to the sidechain input and a sustained sound to the audio input, you could chop up your sound, which was Sweeeeeeeeeeeeet.
So - the noise gate is useful for cleaning up noisy tracks.
the Trancegate (for want of a better word) ignores the noise reduction element and goes straight for the rhythmic chopping effect - either using an external midi input (like midigate) or by providing a 909-style step input, like scuzzphut5,6,6.5