original flipper wrote: I think features get to the point of ... 'Do I really now need: Liquid time-line evaporation revamping'?
Flipper.
Just brilliant!
original flipper wrote: I think features get to the point of ... 'Do I really now need: Liquid time-line evaporation revamping'?
Flipper.
What exactly does this mean?Sascha Franck wrote:SX3 is actually fairly stable on my machine, but coming from Logic I just can't understand how they don't implement certain functionalities (such as a user defineable mixer) or (worse) leave them out even if they existed in previous versions (such as audio to MIDI, which is freaking essential in case you plan to get a trigger track from real multitracked drums). And of course there's tons more.
OUCH. I hear thatDo we need to talk about insufficient dual monitor support?
I'm confused. I was pretty sure that I could stretch a track and the automation would stretch too. I'd have to check again.Do we need to talk about not being able to record VSTi plugin parameter movements as plain MIDI data? Perfectly possible in Logic, and yes it DOES make sense, should you want to tweak a filter sweep or something (things like stretching come to mind).
Hm? I'm confused. I've never experienced this. If I add a VST plugin to a track, click the plus, I can one by one add the automation channels I want and keep them open or closed.I got tired of having all these useless tracks showing in the sequencer window for automation.
Biggies:What serious problems does Logic have these days?
Funny, I've played so many shows with cubase and never crash. You can crash any program. By playing with cubase at home, I know what it can and cannot do. Almost always I crash because I did something insane with Reaktor, not cubase's fault.But I would not want to run SX3 on a laptop setup on stage. I don't think that makes me a fanatic
No idea what you mean by this, I used SX1, 2, 3 live, and going from 2 to 3 I could barely tell ANY feature changes. SX1-2 was barely a whole version upgrade.It seems to me though that the further down this route they go, the more unwieldy Cubase is actually becoming... which is precisely what live musicians DO NOT want their software to be.
Well for one thing there, you're a braver man than me!jasonsantiago wrote:Funny, I've played so many shows with cubase and never crash. You can crash any program. By playing with cubase at home, I know what it can and cannot do. Almost always I crash because I did something insane with Reaktor, not cubase's fault.But I would not want to run SX3 on a laptop setup on stage. I don't think that makes me a fanatic
What I meant is that Cubase is actually quite complex to work with. I would choose Ableton Live for live use because, more than anything else, everything you could possibly want to do can be accompished with one simple trigger... which can be done of course using the computer keystrokes, using a MIDI controller, foot pedal or whatever. Can you really acheive this with Cubase?No idea what you mean by this, I used SX1, 2, 3 live, and going from 2 to 3 I could barely tell ANY feature changes. SX1-2 was barely a whole version upgrade.It seems to me though that the further down this route they go, the more unwieldy Cubase is actually becoming... which is precisely what live musicians DO NOT want their software to be.
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