Guitar picking technique

Anything about MUSIC but doesn't fit into the forums above.

Do you anchor your pinky on the pickguard when playing solo?

Always
4
17%
Never
8
33%
Sometimes
6
25%
Sometimes
6
25%
 
Total votes: 24

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james0tucson wrote:Touching the soundboard is always poor technique on an acoustic guitar. You really "should" not even have your forearm touching the body, but it's pretty hard to play a dreadnought guitar without resting your forearm there.

On an electric guitar, the argument doesn't really matter since there isn't really a soundboard at work, and touching it won't affect the tone. It's a crutch, however, and it's going to stop you from crossing a certain milestone of precision. It's much better to train yourself to not need the crutch and learn picking control instead. Then you'll play better regardless of whose guitar you're playing, electric, acoustic, archtop, solid, with a trem, etc.
so what you're saying is that the finger or body parts distract from the sustain of the guitar as vibrations are also transfered to your body correct?

That I can see, but I can also see that being a useful Technique that I may in fact use :shrug:...these things I just do without thinking about it...but when it comes to accoustics it's a whole new ball game for me...most of the time it's wide open strumming or finger picking.

Though I just though of this, but bass players have no problem resting their fingers on the ax, I mean just look at a P-bass... :wink:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

Post

Sascha Franck wrote:
WoJ wrote:yea, how the fook do you get those "squeal" things!!??? Those high pitched harmonic type things? A friend of mine showed me how the other day but i cant do it :'(
You need to touch the strings with both the pick and a bit of your thumb, and sort of "press" them hard. Actually, sometimes a scratchy pick will help.
In addition, you need to vary the position of the picking, it's got to happen at a string division the natural overtones occur at.
exactly but you call it pressing, I call it pinching...wrap you pinky around a whammy bar and pinch off a false harmonic then manipulate it with the bar...

But agian Woj...10% technique 90% confidence learn the spots and it will come natural fast...and before anyone says so (I noticed Sascha didn't but many have said it) it has nothing to do with the age of your strings...dirty strings squeal too...:D
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

Post

vurt wrote:i hold my joint betwixt my pinky and the finger next to it :)
so no rest for the pinky here :D
I haven't smoked a joint in years :hihi: ...I smoke weed, not paper... :P
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

Post

WoJ wrote:yea, how the fook do you get those "squeal" things!!??? Those high pitched harmonic type things? A friend of mine showed me how the other day but i cant do it :'(

He just said angle the pick etc

heeelp
You need to be metel.....

What is this 'picking' of which you all speak by the way?

Post

donkey tugger wrote:
WoJ wrote:yea, how the fook do you get those "squeal" things!!??? Those high pitched harmonic type things? A friend of mine showed me how the other day but i cant do it :'(

He just said angle the pick etc

heeelp
You need to be metel.....

What is this 'picking' of which you all speak by the way?
it snot a joke, picking is important... :hihi:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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