First of all I prefer producing and then mixing as opposed to mixing on the fly because i find that separating the two hats (producer/engineer) works for better sounding mixes with me. I should also clarify that i do not only do mixing in the console sense when in samp but also some post-pro. That said i could just make all levels 0db and start mixing in logic but i don't for the following reasons -headquest wrote:Using Logic and then exporting each seperate track to Samplitude for mixing... sounds like quite a process! Obviously you must feel there are real benefits to doing this, but you don't explain what they are... could you do that, because it would be interesting to know?
No offline export - i like to burn different mixes and listen on varied mediums. Realtime bouncing would be a drag.
No freeze in my version of logic - In samp i have freeze and it's one of the best implementations.
Samp supports M/S natively and i find that some treating is best done in M/S
Samps oop approach works wonders for the post-pro i want to do.
Full pdc - logic lacks that (probably this is the main reason for what i do).
Best crossfading along sequioa. And all crossfading is non-destructive.
Samp is also a very efficient engine, has the best (IMHO) built in effects and tools (analyzers etc) and the fact that you not only get a daw but a fully featured wave editor and mastering environment thrown in are grea. CD-burning is good too.
Mixing snapsots.
Best routing available bar logic. Clear mixer,arrangable order of effects and designation of pre and post effects and finally very good support of recent vsts which logic lacks.
agreed - so are live's IMHOheadquest wrote:Regarding the other four that I mentioned I have personally used, I prefer ABleton Live for mixing to any of them for the following reasons:
Cubase: Routing is over complex; the effects are substandard
Agreed.headquest wrote:Audition: lacks level meters on a track-by-track basis; limited bussing; no real-time effects on Master channel
Reason: Need to use more than one mixer if you exceed 14 tracks
Tracktion: Larger projects require too much scrolling up/down; Can't adjust the level of "frozen" tracks; volum/pan filter and level meters get squished when you add effects to a track, and can become unmanageable.
Also I should say that if Live worked for me as a production environment i might not bother looking elsewhere (and spending extra $$$) but for me the logic/samp combo can't be beat.headquest wrote: * Visually combining the volume slider with the level meter is an inspired SOFTWARE solution rather than a pointless hardware emulation. In a software setting, its easy to use and saves screen space.
Regarding that last point, I can see that Smaplitde's mixer LOOKS stunning, and for anyone who is trained in mixing in a hardware environment I can imagine that Samplitude would be a strong choice