If you could afford ONE hardware effect....

VST, AU, AAX, CLAP, etc. Plugin Virtual Effects Discussion
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If you could afford ONE hardware effects processor ($600 and under) that was versatile (and vital) enough for stage AND studio use, what would it be?

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Just because Richard Devine swears by it...

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Ooops, I guess it costs a little bit more than just $600.00. Oh well, nevermind. :oops:

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Sherman Filterbank 2 :)

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JohnVulich wrote:Just because Richard Devine swears by it...
he also "swears by" every sponser that is thrown at him...

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Mr. Winkles wrote:he also "swears by" every sponser that is thrown at him...
:lol: Probably. The Orville is a still a pretty cool processor and does feature pretty prominantly in his work. You do gotta hand it to someone making experimental music, like him, to achieve the amount of success that he's had. Who would of ever thought that there was a market for a dissaffected youth that wanted to listen to unlistenable music that could aid them in proving to their friends how cool and "alternative" they are. Same with Aphex Twin/Richard James, whos music I find equally unlistenable. They both do interesting stuff, from a sound design aspect, but I find it pretty hard to listen to other than out of curiousity. Either way... more power to them if they can make a living at it. :hihi:

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I wouldn't mind some sponsor action, then (hint hint to all the lurking sponsors).

And have I mentioned that I swear by everything Modcan, Metasonix, and Synthesizers.com make? Because I do.

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I'll be in the market for a sherman FB 2 to go along with the version one that i have.....

and this little puppy got lost and I had to take him in - :hihi:

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:love:

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JohnVulich wrote:
Mr. Winkles wrote:he also "swears by" every sponser that is thrown at him...
:lol: Probably. The Orville is a still a pretty cool processor and does feature pretty prominantly in his work. You do gotta hand it to someone making experimental music, like him, to achieve the amount of success that he's had. Who would of ever thought that there was a market for a dissaffected youth that wanted to listen to unlistenable music that could aid them in proving to their friends how cool and "alternative" they are. Same with Aphex Twin/Richard James, whos music I find equally unlistenable. They both do interesting stuff, from a sound design aspect, but I find it pretty hard to listen to other than out of curiousity. Either way... more power to them if they can make a living at it. :hihi:
dont get me wrong, i think his work is amazing, just like richard d james, im just saying that he is a sponsor whore, unlike richard d james who doesnt even like to talk about what he uses.

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The eventide things are nice. Sherman filterbank sound like it would be awesome but I've never heard it out of a mix (nor played with it).
I've been thinking about an Electrix Repeater Mk2 lately.

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Predictably, Sherman 2 or Metasonix stuff. Once those soundtrack royalties start coming...

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the blacet time machine, and there are only ten left, so grab one now or be forever disappointed...

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I don't get the craze around the metasonix stuff :shrug: every example I've heard is just totally destroyed.

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oooo 1000 posts! (since the archive) :party:

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I'll have me a Empirical Labs Distressor....

Failing that a bass pod Xt
fell in line with the shore break,here breathe the first stroke of sea spray

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soma wrote:I don't get the craze around the metasonix stuff :shrug: every example I've heard is just totally destroyed.
I'm a shameless metasonix fanboy and I've done several demos that appear on the metasonix page, so if theres anything that peaks your curiousity or you wanna hear some examples let me know!

I'm working on some audio demos of the Butt Probe over the next few days, showing that it CAN be used very capably in a "songlike" situation :hihi:

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