The second half of that album, listed as The Ninth Wave, proved the advantage of having her own studio. I listen to this now on Boston Acoustic speakers, which carry on the tradition started by all those other Boston area speaker companies.FaX wrote:I can also remember playing Kate Bush's "Hounds of Love" LP on that system and having my titts blown off over how freeeaakin' orgasmic "Hello Earth" sounded through the Tannoy's.
Those where the day's.
Now it's Behringer Truth's for me :? .
Can't bitch really because they're damn good for the price.
Hmmmmmmmmmmm it sure brings back memories though.
Everything I read says the computer-aided design speakers of the last 10 years are way better than the ones we're talking about, but I'm thinking that's mostly in being able to use smaller drivers to good effect. I chose the 10-inch Advents over the 12s because I thought it worthhwile trading a little bottom end for tighter bass overall. Of course, with all the compression on current recordings -- which started this thread -- probably doesn't matter, does it.
Behringer a UK firm?

