I think that probably 'perfect pitch' is defined most commonly as the ability to recognize pitches. It comes in degrees. As I mentioned, because I was most familiar with the pitches in the violin range, they were easy for me to recognize, or reproduce, but I had more difficulty outside that range. My sister was better - she learned the piano, and her perfect pitch extends to that entire range, plus she can identify every note in a chord.Hink wrote:
If I tune by ear with no tuner I am usually quite accurate as I can hear the oscillation well and I know my intervals well..but that is that perfect pitch or is it a good ear? A good ear is also noticed by how I hear things like compressors breathing, artifacts...ect. A couple weeks ago a friend who plays guitar stopped by for a while and a song we both like came on Music Choice, I turned it off...he freaked.."what's wrong with you?" I explained that I could hear the breathing in the compressors that Music Choice uses. When I went to show him what I meant it was painful....yet he couldn't hear it.
I would imagine that the experience of perfect pitch, being judged by the ability above, might have a different subjective experience from person to person. In my case, there is a quality to different pitches that I recognize. It is so distinctive. The E below middle C, well, it just sounds like the E below middle C. Nothing else sounds like that. It's not consciously a matter of anything else - intervals, other noises, tension in strings. The pitches just have a quality to them. It is really not a matter of recognizing this note, E, which is between two other notes. It is more like the recognition of a color.