Sony eases up a bit on their attempt to control your copyrights and you regard it as a gift from god. I'm not sure we will ever see this problem in the same light. I want to move on from MD, and because of the kind of control Sony tries to exert on my works, I greatly desire to never do business with them again, and I hope to witness their complete demise as a consequence of what they have tried to do. Others are free to have less radical views.Spratman wrote: Well I agree that Sony's copy protection scheme is a bit irritaiting, but the loosening of restrictions on uploads from user recordings has been a real god send.
The requirement to use Sonicstage is completely unacceptable to me. I'm being very patient, waiting years for an affordable ($400) solid state recorder that puts the wave data in an open format on a standards compliant medium. The Edirol R-1 was the first thing to show any promise, and I was unable to obtain one. I would probably still buy one, but it's been long enough that I expect a second generation model or a reduced price. The M-Audio recorder sounded perfect, but I haven't considered buying it because of reports of noise. The PDAudio system would be great, but it depends on being able to obtain specific models of PDAs -- Len makes that sound easier than it really is.I just digitally download to my pc, convert to wav automatically with Sonicstage and then burn to cd.
I have an old MD recorder, and I'm waiting for something better -- but I am *NOT* going to replace it with another Sony MD, certainly not one with only analog out, or that depends on special software to extract the audio, and I hate the feeling that I'm being forced into something like that.
I want a better solution, and I want it eight months ago. Probably wouldn't be having this rant today if Edirol could have delivered the damned R-1. (To order it in June 2005 meant receiving it by the end of December, without guarantees.)
