playing with real musicians is hard
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- KVRist
- 445 posts since 24 Apr, 2005
So, I had a guitarist and bassist over to jam with today... this was the first time I've ever jammed with someone, and it was a pretty enlightening experience.
First of all, the vibe felt tremendous... completely different from sitting down in front of the sequencer. Everything had a really laid back feel, that just sounded really neat in context... I was messing around with some simple chord progressions, the guitar player was playing some interesting stuff, and the bassist was putting together a pretty nice groove.
The downside, though, is that my keyboard skills utterly and completely suck. I've used the sequencer as a crutch for far too long, and well... I really, really need to practice. I may know alot of theory, but not being able to actually use any of it because you can't play it just really sucks.
Anyways, I've resolved to dedicate myself more to practicing... I feel like if I can start playing more complicated (than triad) chord progressions consistently, I'll be able to do something that sounds less amateurish.
First of all, the vibe felt tremendous... completely different from sitting down in front of the sequencer. Everything had a really laid back feel, that just sounded really neat in context... I was messing around with some simple chord progressions, the guitar player was playing some interesting stuff, and the bassist was putting together a pretty nice groove.
The downside, though, is that my keyboard skills utterly and completely suck. I've used the sequencer as a crutch for far too long, and well... I really, really need to practice. I may know alot of theory, but not being able to actually use any of it because you can't play it just really sucks.
Anyways, I've resolved to dedicate myself more to practicing... I feel like if I can start playing more complicated (than triad) chord progressions consistently, I'll be able to do something that sounds less amateurish.
- Suspended
- 17889 posts since 14 Jun, 2001 from Somewhere you're not!
I'd just give up on jams, who wants anyone else interfering anyway!?!
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
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Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRAF
- 1906 posts since 5 Feb, 2005 from UK - Stafford/Lancaster (uni)
Noo! You'll end up playing jaaath for all eternity! 
So did the The Beatles use complicated chords...?
WoJ
So did the The Beatles use complicated chords...?
WoJ
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- KVRAF
- 1617 posts since 19 Mar, 2002 from Victoria, BC
I'm in agreeance with the original post here. Playing with other musicians is hard, and a pain in the ass, and really brings your focus to your own playing skills (or lack thereof) but there really isn't anything else that makes me feel that connected to another human being that won't get me run out of town if I do it in public (though that's a risk with my music too sometimes
). Of course, this can swing the other way into extreme awkwardness when it's obviously not working and everybody is trying to grin and bear it.
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- KVRAF
- 2107 posts since 12 May, 2003 from gone
omg i find it so much easier than sitting in front of a sequencer trying to get inspired!
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- KVRAF
- 1906 posts since 5 Feb, 2005 from UK - Stafford/Lancaster (uni)
Nothing beats being in a band, have none of you ever seen spinal tap! 
WoJ
WoJ
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- KVRian
- 711 posts since 8 Sep, 2005
It's not one or the other (i.e. tracking; gigging); it's one AND the other.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
my only problem with bands is sometimes drummers screw me up...it's hard to find drummers that don't let me lead them. I've been working with sequencers and drum machines so long I've become accustom to metronomes and strict timing.
I tend to play fast, when I get pumped up I can take off. With drum machines I know that when I go faster the tempo stays the same. With too many live drummers I run into the problem where when I get pumped up and take off, they do to...leaving me flustered because the tempo has changed...a good human metronome is tough to find, but a killer fast drummer isn't as hard to find, and fun as it may be I need the structure...
I tend to play fast, when I get pumped up I can take off. With drum machines I know that when I go faster the tempo stays the same. With too many live drummers I run into the problem where when I get pumped up and take off, they do to...leaving me flustered because the tempo has changed...a good human metronome is tough to find, but a killer fast drummer isn't as hard to find, and fun as it may be I need the structure...
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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- KVRian
- 711 posts since 8 Sep, 2005
Isn't the ideal to have everyone involved possess the correct semblence of timing? Ergo, one checks the other?Hink wrote:a good human metronome is tough to find,
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- KVRAF
- 4345 posts since 8 Mar, 2005
I love jamming with others - but only if i have a LOT of keyboard parts to play. Like when i was in high school(in india i mean). I lead my band and it was a lot of fun.
I miss that.
No amount of seq. can give you that pleasure. 
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
I'm not sure I see your point, should I not speed up? If he stays in time I won't be out of time...if I have to pull back on the reigns to put him back in check....well I call that flustered...besides it is the rhythm sections job to hold the rhythm...if the drummer is not up to it, it can hardly be my responsibility except to say "I'm sorry but...."G&L_player wrote:Isn't the ideal to have everyone involved possess the correct semblence of timing? Ergo, one checks the other?Hink wrote:a good human metronome is tough to find,
too me you just said that I don't have any semblance of timing, or don't take responsibility for holding up my end...but as I said drum machines and sequencers have spoiled me...I'm use to consistency...so I must have a semblance of timing and I must be fairly disciplined or it wouldn't phase me.
If the drummer speeds up it's also tough for a bass player to bring him back, though the bass player would have more of the role to do so than the guitarist.
Perhaps I just have the mis-fortune of not finding good drummers, I had one for years and we had a good thing going for a long time in the 80's...a lot has changed since then, but since I have gone through a few drummers (and a lot of jam nights) and finally gave up. Life was too busy for a band anyhow and doing it myself served me better...
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- 7829 posts since 6 Oct, 2003 from Quebec
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- KVRAF
- 4822 posts since 14 Mar, 2002 from Somewhere else, on principle
Both are fun. Why limit yourself to one approach. I jam with some of my buddies, one of which owns a nearby recording studio, every now and then. I prefer working on my own but it's a nice change of pace to do something different every now and then. I have certainly gained a different perspective by playing with others and feel like I've been able to incorporate some of that experience into my solo work.BONES wrote:I'd just give up on jams, who wants anyone else interfering anyway!?!
Last edited by John Vulich on Thu Jan 05, 2006 8:06 am, edited 1 time in total.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
yeah my gauge has become "what is his attitude towards the click track"...mind you I didn't say if they could work with a click track...face it, the biggest population of wannabes is drummers...everyone is an air drummer...I kinda really look the rock and roller type, and having sold many of the people in my community their gear I am known by my love of music.
As a result someone always wants to introduce me to someone, often drummers. I have found that when chatting up a drummer a good question is "how do you feel about working with a click track?" The reaction (not just verbal) says a lot...but again these days that's very low on my list of priorities...
As a result someone always wants to introduce me to someone, often drummers. I have found that when chatting up a drummer a good question is "how do you feel about working with a click track?" The reaction (not just verbal) says a lot...but again these days that's very low on my list of priorities...
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
- KVRAF
- 8089 posts since 9 Jan, 2003 from Saint Louis MO
Topic: playing with real musicians is hard
Didn't we just do the "are we real musicians?" thread? 'cause playing with yourself is really easy.
Didn't we just do the "are we real musicians?" thread? 'cause playing with yourself is really easy.

