Eq and compression plugs..
- KVRAF
- 11386 posts since 3 Feb, 2003 from Finland, Espoo
For equalizer I very highly recommend Posihfopit. It's free and it sounds bloody fantastic. Oh, by the way, also check out WWAYM NWEQ pro. For 40 euros it's a very good deal and has a distinct sound of it's own.
For compression, Voxengo Marquis, there's really no contest here.
Cheers!
bManic
For compression, Voxengo Marquis, there's really no contest here.
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
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- KVRian
- 503 posts since 28 Mar, 2005 from Annapolis, MD
If you want to go into a little higher price range, you could probably pick up a nice combination pack from PSP Audioware. I've really liked using their equalizer MasterQ within tracks (even though it has Master in it). It allows some coloring options also.
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- KVRAF
- 3617 posts since 26 Sep, 2003 from Bradford - The Armpit of Britain
I'll also recommend the freeware-ish posihfopit & it's payware cousin electri-q is worth demoing if you like posihfopit (which is excellent) - just my opinion.
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- KVRist
- 149 posts since 13 Aug, 2001 from Chicago
transparent compression = dynamic reduction (increased sonic density) without artifacts (pumping, distortion, dulled transients, etc.)
- KVRAF
- 11386 posts since 3 Feb, 2003 from Finland, Espoo
Voxengo Polysquasher could be your ticket for transparent compression.
- bManic
- bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
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- KVRist
- 149 posts since 13 Aug, 2001 from Chicago
Agreed on Polysquasher. Altho Marquis can be set up to be fairly transparent, as well, I think most people use it for it's color.
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- KVRian
- Topic Starter
- 1358 posts since 15 Oct, 2005 from The Far North
Hi people. Transparent to me means zero (or near zero) colouration, yes. GlissEq's been recommended, and it comes bundled with Crunchessor. Can you recommend this compressor?
Best
Best
- KVRAF
- 11386 posts since 3 Feb, 2003 from Finland, Espoo
Crunchessor is definately NOT transparent. That's the totally wrong compressor if you want transparency. In the voxengo line I'd say the only option is Polysquasher as Marquis colours the sound even with just inserting it (without any compression!).
Another candidate might be Neodynium from Elemental Audio. However, it might be a bit tricky to get to grips with.
Cheers!
bManic
Another candidate might be Neodynium from Elemental Audio. However, it might be a bit tricky to get to grips with.
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
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- KVRist
- 478 posts since 14 Jan, 2003 from Denmark
http://www.kjaerhusaudio.com/geq-7.phpaallvor wrote:that are both flexible and transparent? I've got $150-200 to spend, any suggestions?
Best
http://www.kjaerhusaudio.com/gup-1.php
You can't go wrong with these. They don't offer you tube-fuzz or any other "sound of the week". They just do what they are suppose to do and will satisfy you in many years to come.
Torben
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- KVRian
- Topic Starter
- 1358 posts since 15 Oct, 2005 from The Far North
I would think that if you want to preserve the character of someone's performance -as is-, for instance a vocal take, transparancy is good. While on the other hand, eqs and compressors that add colour, can be regarded as performance tools as much as mixing/mastering tools.
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- KVRian
- 503 posts since 28 Mar, 2005 from Annapolis, MD
I think that the introduction of color is best done with a microphone, preamp or out of the box compressor. Next best situation is to apply the most color to individual tracks or submixes, allowing you color what you want.
I like the introduction of color before mastering, and then to go clean in mastering. Although, sometimes it is good to have a little analog-style limiting or compression at the end (why I sometimes like Vintage Warmer). My thought is, though, that if it sounds stale going into the mastering, you need to go back to the drawing board and try to get your mix better.
I like the introduction of color before mastering, and then to go clean in mastering. Although, sometimes it is good to have a little analog-style limiting or compression at the end (why I sometimes like Vintage Warmer). My thought is, though, that if it sounds stale going into the mastering, you need to go back to the drawing board and try to get your mix better.

