Sascha using Ableton Live for DJ sets
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- KVRist
- 160 posts since 3 Oct, 2004 from Torquay England
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
So returning to somthing I mentioned earlier how would I be able to cope with a genre change in Ableton mid set.
eg. House to R&B
Is there a tempo change option and how would this be worked mid-set?
Sorry I have not even demo'd the software so I know nothing. Although I aim to remedy this.
eg. House to R&B
Is there a tempo change option and how would this be worked mid-set?
Sorry I have not even demo'd the software so I know nothing. Although I aim to remedy this.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRist
- 121 posts since 27 Sep, 2003 from Lisboa, Portugal
~stevieb19 wrote:So returning to somthing I mentioned earlier how would I be able to cope with a genre change in Ableton mid set.
eg. House to R&B
Is there a tempo change option and how would this be worked mid-set?
Sorry I have not even demo'd the software so I know nothing. Although I aim to remedy this.
Yup,there is a master tempo control, and you can even map it through MIDI to a knob or fader on your controller.
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
HhhhhhmmmJoeSchmoe wrote:~stevieb19 wrote:So returning to somthing I mentioned earlier how would I be able to cope with a genre change in Ableton mid set.
eg. House to R&B
Is there a tempo change option and how would this be worked mid-set?
Sorry I have not even demo'd the software so I know nothing. Although I aim to remedy this.
Yup,there is a master tempo control, and you can even map it through MIDI to a knob or fader on your controller.
Okay I see I am going to have to try the demo and see how I go.
Sounds good.
Thanks for all the interesting comments guys and girls?
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRian
- 624 posts since 22 Jan, 2003 from USA
Personally, I don't go out and see DJ's. I wish I did, but I don't (no time and a family). But what I THINK I'd like to see is actually a DJ that is mixing in Live, but is also playing a synth (or synth controller) along with whatever is going on. I dig seeing people play and the combination of people mixing other people's music but adding their own chops on the fly seems pretty cool to me.
Turntables are cool and all, but if you're just beat matching then I don't see what the difference is between a Computer DJ and a Deck DJ. If both people already pick music that slams, then you can remove that from the equation. I guy turning knobs and running faders up and down is alright I guess (both the computer DJ and deck DJ do that), but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it! (Anybody in Dallas doing that, let me know so I can check it!)
Maybe this is done all the time and I'm showing my ignorance, in which case...I apologize
When I play live, I don't just trigger my tune, I'm playinig parts on top of it. People like to see that. But then again, I'm not DJ'ing, I've sequenced a tune that is being performed with a full band.
Turntables are cool and all, but if you're just beat matching then I don't see what the difference is between a Computer DJ and a Deck DJ. If both people already pick music that slams, then you can remove that from the equation. I guy turning knobs and running faders up and down is alright I guess (both the computer DJ and deck DJ do that), but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it! (Anybody in Dallas doing that, let me know so I can check it!)
Maybe this is done all the time and I'm showing my ignorance, in which case...I apologize
-="I beat the Internet...the end guy is hard"=-
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- KVRian
- 624 posts since 22 Jan, 2003 from USA
You can even define the tempo on the scene itself! Very cooooooo.stevieb19 wrote:HhhhhhmmmJoeSchmoe wrote:~stevieb19 wrote:So returning to somthing I mentioned earlier how would I be able to cope with a genre change in Ableton mid set.
eg. House to R&B
Is there a tempo change option and how would this be worked mid-set?
Sorry I have not even demo'd the software so I know nothing. Although I aim to remedy this.
Yup,there is a master tempo control, and you can even map it through MIDI to a knob or fader on your controller.
Okay I see I am going to have to try the demo and see how I go.
Sounds good.
Thanks for all the interesting comments guys and girls?
-="I beat the Internet...the end guy is hard"=-
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- KVRist
- 116 posts since 1 Sep, 2002
Richie "Plastikman" Hawtin does this. 303s, 909s, Laptops you name it. He is among the first to enrich the DJ performance.drez wrote:but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it!
Aphex once used a drill in a DJ set but I don’t know if this counts for killer monster riff
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
I think Paul Oakenfold did a tour like this a few years ago. I've seen footage of him playing a synth during a club session.drez wrote:Personally, I don't go out and see DJ's. I wish I did, but I don't (no time and a family). But what I THINK I'd like to see is actually a DJ that is mixing in Live, but is also playing a synth (or synth controller) along with whatever is going on. I dig seeing people play and the combination of people mixing other people's music but adding their own chops on the fly seems pretty cool to me.
Turntables are cool and all, but if you're just beat matching then I don't see what the difference is between a Computer DJ and a Deck DJ. If both people already pick music that slams, then you can remove that from the equation. I guy turning knobs and running faders up and down is alright I guess (both the computer DJ and deck DJ do that), but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it! (Anybody in Dallas doing that, let me know so I can check it!)
Maybe this is done all the time and I'm showing my ignorance, in which case...I apologizeWhen I play live, I don't just trigger my tune, I'm playinig parts on top of it. People like to see that. But then again, I'm not DJ'ing, I've sequenced a tune that is being performed with a full band.
Back in around '88 I saw Adamski do a live set in a club where he combined elements of dj'ing with synths to play live acid house. Awsome.
To be honest I think this where dj'ing is going in the long run anyway so embrace it I say.
The futures bright for performance dj'ing
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRist
- 490 posts since 8 Mar, 2005 from Helsinki, Finland
A DJ plays a DJ set with a program originally intended for DJ use! I'm shocked!
- KVRAF
- 16890 posts since 8 Mar, 2005 from Utrecht, Holland
[rant]Why all the fuzz? This ain't news, it's just another bloody endorsement deal!
Ableton & M-Audio made a deal with Sasha. He gets some gear for free (and probably some "expenses") and in return his familiar name (ahem, I thought at first y'all were talking about our Sasha Frank
) and friendly face will be used in advertisements with his finger pointing at their products with quotes of him he wouldn't know what to do without them.
So all the suckers that wanna be just like him go out and buy the stuff.[/rant]
Ableton & M-Audio made a deal with Sasha. He gets some gear for free (and probably some "expenses") and in return his familiar name (ahem, I thought at first y'all were talking about our Sasha Frank
So all the suckers that wanna be just like him go out and buy the stuff.[/rant]
Last edited by BertKoor on Fri Jul 28, 2006 9:56 am, edited 1 time in total.
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- KVRist
- 121 posts since 27 Sep, 2003 from Lisboa, Portugal
I think using Live to DJ is more of a side-effect than the actual goal of the program.krushing wrote:A DJ plays a DJ set with a program originally intended for DJ use! I'm shocked!
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- KVRian
- 743 posts since 14 Apr, 2004
phankiejankie wrote:Richie "Plastikman" Hawtin does this. 303s, 909s, Laptops you name it. He is among the first to enrich the DJ performance.drez wrote:but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it!
Aphex once used a drill in a DJ set but I don’t know if this counts for killer monster riff
Djing with a pc and djing with decks are basically similar but to me give totally different sensations.stevieb19 wrote:I think Paul Oakenfold did a tour like this a few years ago. I've seen footage of him playing a synth during a club session.drez wrote:Personally, I don't go out and see DJ's. I wish I did, but I don't (no time and a family). But what I THINK I'd like to see is actually a DJ that is mixing in Live, but is also playing a synth (or synth controller) along with whatever is going on. I dig seeing people play and the combination of people mixing other people's music but adding their own chops on the fly seems pretty cool to me.
Turntables are cool and all, but if you're just beat matching then I don't see what the difference is between a Computer DJ and a Deck DJ. If both people already pick music that slams, then you can remove that from the equation. I guy turning knobs and running faders up and down is alright I guess (both the computer DJ and deck DJ do that), but seeing a guy playing a monster synth line, looping it, popping to another channel and playing a drum loop in on a trigger finger, loop that, pop over to a bass channel and lay some funk down, pop to an audio channel and sample your own vocal, mangle that, etc all over someone elses tune or grooves to give it a personal touch...THAT sounds awesome and I would love to see it! (Anybody in Dallas doing that, let me know so I can check it!)
Maybe this is done all the time and I'm showing my ignorance, in which case...I apologizeWhen I play live, I don't just trigger my tune, I'm playinig parts on top of it. People like to see that. But then again, I'm not DJ'ing, I've sequenced a tune that is being performed with a full band.
Back in around '88 I saw Adamski do a live set in a club where he combined elements of dj'ing with synths to play live acid house. Awsome.
To be honest I think this where dj'ing is going in the long run anyway so embrace it I say.
The futures bright for performance dj'ing
One thing is find beatmatching with a slider, to rewind, forward and search a track point with my hands and an other thing is doing all this things through an interface.
Surely if you don't apply some fxs unit to your 2decks and mixer setup you are limited to be an human jukebox...but i don't know if this thing is totally true...look at Sven Vath (he play only with two 2decks and a mixer, a classic dj), i saw he 2 weeks ago for the 4th time and as ever he changed tracks every 5-6 minutes (sometimes more), not a great technical performance, but the people on the dancefloor weren't stopping to jump and scream, he did some PR shows like dancing out of console and other things that a pure technical dj never dream and never had time to do because is so busy to make his djset (see Jeff Mills...also in this case people jump!!).
I'm not sure that RichieHawtin and Paul Oakenfold doing all the things properly live, i thing that the 90% of their performance are preprogrammed in Ableton Live (surely they manage live their samples and loops...adding fx and samplings..but is this to be considered a total live performance?)
The only one that i'm sure do a total live performance is Jamie Lidell
http://www.jamielidell.com/, i saw he in Rome Dissonanze Festival, he did some vocals live samplings then with fxs (and other things, he was sorroundede by electronic machines) managed this samplings to obtain drums, basses, Synths etc....in a continous way...and he was very amazing!!
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
Oh how times have changed eh!raikard233 wrote:phankiejankie wrote:drez wrote:
Surely if you don't apply some fxs unit to your 2decks and mixer setup you are limited to be an human jukebox...but i don't know if this thing is totally true...look at Sven Vath (he play only with two 2decks and a mixer, a classic dj), i saw he 2 weeks ago for the 4th time and as ever he changed tracks every 5-6 minutes (sometimes more), not a great technical performance, but the people on the dancefloor weren't stopping to jump and scream, he did some PR shows like dancing out of console and other things that a pure technical dj never dream and never had time to do because is so busy to make his djset (see Jeff Mills...also in this case people jump!!).
When I started DJ'ing mate my first two decks we'rnt even varispeed and I mixed. And to be honest I have nor have an y of my friends ever been jukeboxes
To prove my point the techinics 1200 mk2 deck was only released 4 years before started dj'ing
We tend to forget that techology has moved so far in a short space of time and we expect more now from a dj than ever before.
I am exploring the way forward but there are to be interesting times ahead.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRian
- 624 posts since 22 Jan, 2003 from USA
Are you saying that it was cool because he just set his decks up, let them play, and then had time to jump around while the computer dj (Is that what you are referencing to when you say a "technical dj"?) can't because he's got to baby sit his laptop?raikard233 wrote: Djing with a pc and djing with decks are basically similar but to me give totally different sensations.
One thing is find beatmatching with a slider, to rewind, forward and search a track point with my hands and an other thing is doing all this things through an interface.
Surely if you don't apply some fxs unit to your 2decks and mixer setup you are limited to be an human jukebox...but i don't know if this thing is totally true...look at Sven Vath (he play only with two 2decks and a mixer, a classic dj), i saw he 2 weeks ago for the 4th time and as ever he changed tracks every 5-6 minutes (sometimes more), not a great technical performance, but the people on the dancefloor weren't stopping to jump and scream, he did some PR shows like dancing out of console and other things that a pure technical dj never dream and never had time to do because is so busy to make his djset (see Jeff Mills...also in this case people jump!!).
If so, that really changed with Live5's follow actions. I can completely walk away and have it randomly OR programmatically "do its thing". You can have cells changing pretty randomly or in a set pattern, etc. I can walk off or grab my controller and start improvising over the top while its going on.
Even if they only did 10% live, to me it is far more exciting than seeing a DJ pick up a record, set it down, letting it spin up while he stares into oblivion (just like a computer DJ) and beat matches it to something thats already going on. There's no difference between that and a guy searching for samples on his laptop. Again, alot of it comes down to whether the DJ can pick good music or not because to me, that's the crux of being good or not. If your music choice stinks, then so will the rest of it no matter how good you can spin or play your synth.raikard233 wrote:
I'm not sure that RichieHawtin and Paul Oakenfold doing all the things properly live, i thing that the 90% of their performance are preprogrammed in Ableton Live (surely they manage live their samples and loops...adding fx and samplings..but is this to be considered a total live performance?)
The only one that i'm sure do a total live performance is Jamie Lidell
http://www.jamielidell.com/, i saw he in Rome Dissonanze Festival, he did some vocals live samplings then with fxs (and other things, he was sorroundede by electronic machines) managed this samplings to obtain drums, basses, Synths etc....in a continous way...and he was very amazing!!
I hope I don't sound like I'm putting down DJ's all over the world. On the contrary, I think that being an awesome DJ is a killer job! I'd love to have it! But for me to want to see it, its got to blow me away and most of that is listening to great music but the rest of that is "HOW" he does it and if its boring to watch then I'll lose interest. They could just play a well mixed CD and I'd be as happy as I could get with it either way. The Performance is what sets it apart and playing an instrument live does it for me.
DJ's who can rip it up with killer scratching and awesome sample placement are IMHO playing an instrument so they completely qualify. They are workin at making it unique on the fly.
-="I beat the Internet...the end guy is hard"=-
