why do analog recordings sound better than digital?
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- Banned
- 316 posts since 3 Apr, 2006
One also has to factor in "dynamics" and "clipping." While there are differences in the abilities of anlog and digital equipment to reproduce accurately the original sound, there are also differences in how dynamic and how distorted, on average, the music of today and of the past are.
Generally speaking, today's "music" is more clipped (digital clipping is considered worse than its analog counterpart) and way more compressed (ruining the "natural-ness" of instruments.)
The sounds that are recorded have as large an effect as the medium itself.
Generally speaking, today's "music" is more clipped (digital clipping is considered worse than its analog counterpart) and way more compressed (ruining the "natural-ness" of instruments.)
The sounds that are recorded have as large an effect as the medium itself.
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- Banned
- 316 posts since 3 Apr, 2006
Indeed. Analog and digital are each better at reproducing different aspects of the original sound.Jafo wrote:Actually, even analog is digital -- it's just that the minimal changes lie so far beyond our threshholds of difference, that they only seem continuous.
Maybe what we should really be arguing about, is what sampling rate and bit-depth we need to use to eliminate obvious digital artifacts. Personally, I find that a decent set of converters at 16/44.1 usually works fine -- although I keep experimenting with 24/88.2!
How high does the resolution of the sound have to become before we can't tell the dif. between and digital/real-life? I'm thinking that we'd have to go beyond even 192khz and 32-bit for those with sensitive ears and attention to detail.
There are people who hear the differences at super-high frequencies; Web articles may shed more light on this, but I can't think of any links at the moment.
There are also speaker systems that go beyond the unfortunate industry standard of 20-22 kHz. They could make good use of 192 kHz processing and 96 kHz out put.
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
- R.I.P.
- 7301 posts since 23 May, 2006 from in between a cornfield and a river
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- KVRAF
- 8740 posts since 24 May, 2002 from Tutukaka, New Zealand
I followed the link to Wikipedia to see who this pale Steve person is. Never heard of any of his bands...
Although admittedly I have heard of some of the bands he's been associated with (but not of).
Reading between the lines, I gather he is what one would previously in another city, in another country, have called...an attention-whore gobshite?
Sounds to me like he tags onto decent bands and gathers glory for himself. And he reckons analogue has to be be better than digital...
...sorry, but where did this untanned person come into it and why is he relevant. If I were ever to think digital is much much much better than analogue...he is exactly the type of person that would confirm me in this view.
So, is he a gobshite, then? Did I get it right?
Reading between the lines, I gather he is what one would previously in another city, in another country, have called...an attention-whore gobshite?
Sounds to me like he tags onto decent bands and gathers glory for himself. And he reckons analogue has to be be better than digital...
...sorry, but where did this untanned person come into it and why is he relevant. If I were ever to think digital is much much much better than analogue...he is exactly the type of person that would confirm me in this view.
So, is he a gobshite, then? Did I get it right?
- KVRAF
- 8498 posts since 18 Apr, 2004
yyyeno... he does have some... ego issues, but it's more that he's just narrow-minded in a weird way. Both his common recording strategy and his own music aren't exactly conventional, but he only works in his own studio and bands hire him because they like his method. So anything other than that just isn't for him. Not that it's bad per se, he just doesn't care.kritikon wrote:So, is he a gobshite, then? Did I get it right?
I never met the guy so I wouldn't know, but he doesn't exactly have the reputation of a nice person. But I bet that compared to most other people in the music biz he's OK
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
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- 7301 posts since 23 May, 2006 from in between a cornfield and a river
i've seen shellac live, they are pretty damn powerful....i think if page and plant, nirvana, etc, ask for you, you must know your shit...
EDIT: if there's only one Albini song you listen to, it should be "Kerosene" by Big Black...
cracks me up how just because everybody uses digital they are so close-minded about analog, seems to be the flip side of the same elitist coin to me
EDIT: if there's only one Albini song you listen to, it should be "Kerosene" by Big Black...
cracks me up how just because everybody uses digital they are so close-minded about analog, seems to be the flip side of the same elitist coin to me
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- Banned
- 316 posts since 3 Apr, 2006
Agreed. Pro producers tend to have the magical ability to imprint pleasant (or unpleasant, if that's what you're going for) characterisitcs on the sound of recordings with seeming ease.Chuck E. Jesus wrote:i've seen shellac live, they are pretty damn powerful....i think if page and plant, nirvana, etc, ask for you, you must know your shit...
I will pay $$$ for his spellbook.
Indeed; ALTHOUGH... with digital it might be possible to improve the technology to the point where all digital artifacts are eleminated; In fact, maybe even until there's no discernable differences between recorded and real-life sounds.Chuck E. Jesus wrote: ...cracks me up how just because everybody uses digital they are so close-minded about analog, seems to be the flip side of the same elitist coin to me
I don't think that's going to happen with analog. But it might with digital.
- AcousticHippie
- 4769 posts since 12 Mar, 2003
the main reason is that in the times of analog recording the people had to know what they're doing or otherwise they wouldn't have been hired (it's too expensive to own that stuff anyway) nowadays even people like me can make records (well could) and you don't need skills to put something out there... although they might help
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- KVRian
- 1119 posts since 29 Jun, 2004 from within you without you
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
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- 7301 posts since 23 May, 2006 from in between a cornfield and a river
one thing that did happen in response to digital was the tape companies came out with hotter, less noisey tape that with dolby sounded really great..Ampex and Agfa both, can't remember the names...analog stuff ain't going anywhere be it tape, outboard gear, boards and SYNTHS but it all comes down to one thing: price, bang for buck...djdorian wrote: Indeed; ALTHOUGH... with digital it might be possible to improve the technology to the point where all digital artifacts are eleminated; In fact, maybe even until there's no discernable differences between recorded and real-life sounds.
I don't think that's going to happen with analog. But it might with digital.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
BASF destroyed my hometown's water supply when I was a kid...Chuck E. Jesus wrote:one thing that did happen in response to digital was the tape companies came out with hotter, less noisey tape that with dolby sounded really great..Ampex and Agfa both, can't remember the names...analog stuff ain't going anywhere be it tape, outboard gear, boards and SYNTHS but it all comes down to one thing: price, bang for buck...djdorian wrote: Indeed; ALTHOUGH... with digital it might be possible to improve the technology to the point where all digital artifacts are eleminated; In fact, maybe even until there's no discernable differences between recorded and real-life sounds.
I don't think that's going to happen with analog. But it might with digital.
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
- R.I.P.
- 7301 posts since 23 May, 2006 from in between a cornfield and a river
man, you just have bad luck with utilities.....Hink wrote:BASF destroyed my hometown's water supply when I was a kid...Chuck E. Jesus wrote:one thing that did happen in response to digital was the tape companies came out with hotter, less noisey tape that with dolby sounded really great..Ampex and Agfa both, can't remember the names...analog stuff ain't going anywhere be it tape, outboard gear, boards and SYNTHS but it all comes down to one thing: price, bang for buck...djdorian wrote: Indeed; ALTHOUGH... with digital it might be possible to improve the technology to the point where all digital artifacts are eleminated; In fact, maybe even until there's no discernable differences between recorded and real-life sounds.
I don't think that's going to happen with analog. But it might with digital.
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deaf dunderkwac deaf dunderkwac https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=78199
- KVRAF
- 5247 posts since 15 Aug, 2005 from RainLand featuring RAinRAinRAin
Is this an opinion thingy?
Great!
I *never* *ever* was fooled into believing something was real with analog recording equipment.
I've been fooled with digital recordings. But this only happened with surround playback.
Which one sounds better is whatever you believe in.
Great!
I *never* *ever* was fooled into believing something was real with analog recording equipment.
I've been fooled with digital recordings. But this only happened with surround playback.
Which one sounds better is whatever you believe in.
for entertaining porpoises only
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- Banned
- 316 posts since 3 Apr, 2006
thank you.deaf dunderkwac wrote:Is this an opinion thingy?
Great!
I *never* *ever* was fooled into believing something was real with analog recording equipment.
I've been fooled with digital recordings. But this only happened with surround playback.
Which one sounds better is whatever you believe in.
Oh, I should probably add that you'd also need good speakers (such as the "JBL LSR4328" or "Event ASP8" near-field monitors) in order to be truly tricked. They both sound very close to real life; Like a ghost is in the room singing.
- KVRAF
- 5703 posts since 8 Dec, 2004 from The Twin Cities
Well I was being frivolous when mentioning Mr Albini, as I think that the A vs D debate to be generally silly.kritikon wrote:I followed the link to Wikipedia to see who this pale Steve person is. Never heard of any of his bands...Although admittedly I have heard of some of the bands he's been associated with (but not of).
Reading between the lines, I gather he is what one would previously in another city, in another country, have called...an attention-whore gobshite?
Sounds to me like he tags onto decent bands and gathers glory for himself. And he reckons analogue has to be be better than digital...
...sorry, but where did this untanned person come into it and why is he relevant. If I were ever to think digital is much much much better than analogue...he is exactly the type of person that would confirm me in this view.![]()
So, is he a gobshite, then? Did I get it right?
But a few corrections are in order:
Mr Albini doesn't seek bands out, they seek him out.
He is not so much the big thing these days, but in the mid 90s there was a (IMO) refreshing trend among indie-rockers to go for a less pro-tooled, artificial, 'airbrushed' sound in their recordings.
Mr Albini was the king of this sort of recording, and so he was very popular among artists like PJ Harvey, Nirvana, and the Pixies.
Mr Albini got known as a musician many years before he became known as an engineer. You might never have heard of any of his bands, but the above mentioned artists and many more were all fans of Big Black and Rapeman, which is where they realized that they liked how he made recordings.
Finally, his preference for analog recording principles are based on his belief that digital media is less permanent.
Look at the monetary/use value of a computer made 20 years ago and compare it with the monetary/use value of a 16 track tape deck made 20 years ago and you will see that while he is a bit of a flake, he is not completely nuts in believing that the digital world is not exactly stable. In fact things change yearly, as we all know.


