Which Digital Recorder for field recordings?
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- KVRAF
- 2582 posts since 24 Apr, 2003 from Canada
I'm looking at purchasing a digital recorder for field recordings. They are all priced between $400-500 cdn. Does anyone have experience with these? How are the built-in mics? Products to avoid?
M-Audio MicroTrack 24/96
Edirol R-09
Edirol R-1
Or should I be looking at minidisc? Thanks,
Jeremy
M-Audio MicroTrack 24/96
Edirol R-09
Edirol R-1
Or should I be looking at minidisc? Thanks,
Jeremy
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- KVRAF
- 3139 posts since 6 Sep, 2002 from United Kingdom & Opinions Will Travel :O)
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- KVRAF
- 3139 posts since 6 Sep, 2002 from United Kingdom & Opinions Will Travel :O)
I would write more about field recorders at samplesnippets - but does not seem much point due to the lack of interest in such stuff.
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- KVRAF
- Topic Starter
- 2582 posts since 24 Apr, 2003 from Canada
Thanks Spe3d. I had a look at the R-1 info etc. on your site. Is that the recorder you'd recommend?
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- KVRAF
- 4222 posts since 23 Feb, 2004 from Tucson Arizona USA
I keep reading reviews that suggest it is noisy.Jeremy_NSL wrote: How are the built-in mics? Products to avoid?
M-Audio MicroTrack 24/96
I like the looks of it. I think it replaces the R-1, right?Edirol R-09
I tried to buy one once. I needed it for location recordings during a summer trip.Edirol R-1
I had months of lead time. The soonest I would have been able to obtain one from any vendor was going to be several *months* too late. Cooled me right off, and I never ended up buying one.
Portable minidiscs are noisy, they *all* put DRM on your track, and none of them actually has a straight digital IO. The Sony models force you to run Soundstage which has permission to erase your master. Some people are willing to participate in such shenanigans, but I am not.Or should I be looking at minidisc?
Check out Len's PDAudio system:
http://www.core-sound.com/default.php
Turns out to be fairly expensive, but the preamp is a modular piece and is *very* good, the converters are good, pros are using it, and Len's service is legendary.
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- KVRAF
- 4669 posts since 26 Sep, 2005 from U.A.E
im interested.Spe3D wrote:I would write more about field recorders at samplesnippets - but does not seem much point due to the lack of interest in such stuff.
thanks jamestuscon for the link, although the whole rig is expensive the mic2496 seems good value.
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- KVRAF
- 5629 posts since 22 Sep, 2005
This one caught my eye especially for field recording applications.

Its a bit on the pricey side around 1200.00 us but the fact that you get a condenser in such a portable device sold me. Also I didnt have to buy an additional recorder so I overlooked the price.
C

Its a bit on the pricey side around 1200.00 us but the fact that you get a condenser in such a portable device sold me. Also I didnt have to buy an additional recorder so I overlooked the price.
C
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- KVRist
- 481 posts since 12 Nov, 2002 from Texas
R09 EVERYTIME! its so sweet, stereo is a must for field.
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- Tunesmith
- 2889 posts since 12 Mar, 2002 from Toronto
SonicStage was updatedjames0tucson wrote: Portable minidiscs are noisy, they *all* put DRM on your track, and none of them actually has a straight digital IO. The Sony models force you to run Soundstage which has permission to erase your master. Some people are willing to participate in such shenanigans, but I am not.
Anyways I think USB is pretty much a straight digital I/O for all intensive purposes of transferring. That being said I wouldn't recommend a minidisc these days with all those other recorders on the market except if you're on a really tight budget of around 200-300 they're a good deal.Sony have recently added the option to drop DRM on ripped files in Sonicstage V3.3+
SonicStage 3.4 includes an option to de-DRM your whole library (obviously the larger your library is, the longer this will take) allowing as many copies of files as you like, on as many players as you want, on as many PCs as you want. You can even share non-DRM files with friends or colleagues.
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- KVRAF
- Topic Starter
- 2582 posts since 24 Apr, 2003 from Canada
Thanks. I saw that before and it looks cool, but I need a stereo mic.Lagrange wrote:This one caught my eye especially for field recording applications.
Its a bit on the pricey side around 1200.00 us but the fact that you get a condenser in such a portable device sold me. Also I didnt have to buy an additional recorder so I overlooked the price.
C
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- KVRist
- 42 posts since 15 May, 2005 from Helsinki
Never noticed Samplesnippets before, but I sure hope it will get more users and action in the future! I've recently been trying out field recording a bit (with a blasted MD and a dynamic non-stereo mic...) so hope to see some good tips there
.
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- KVRAF
- 6519 posts since 13 Mar, 2002 from UK
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- KVRAF
- Topic Starter
- 2582 posts since 24 Apr, 2003 from Canada
Yup I saw the D1 but thats out of my price range for now I'm afraid...
I'm leaning towards the R-09 right now. Any more comments?
I'm leaning towards the R-09 right now. Any more comments?
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- KVRAF
- 7886 posts since 24 Feb, 2003 from Earth, USA
I've heard good things about the Marantz portables. You considered them at all?
http://www.sweetwater.com/store/detail/PMD660/
Devon
http://www.sweetwater.com/store/detail/PMD660/
Devon
Simple music philosophy - Those who can, make music. Those who can't, make excuses.
Read my VST reviews at Traxmusic!
Read my VST reviews at Traxmusic!
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- KVRAF
- 7886 posts since 24 Feb, 2003 from Earth, USA
Oh, stay away from MD, as it's a compressed format. Also, get one with XLR and suppies 48v power so you have flexibility with a mic. The one with the built-in mic limits your flexibility.
Devon
Devon
Simple music philosophy - Those who can, make music. Those who can't, make excuses.
Read my VST reviews at Traxmusic!
Read my VST reviews at Traxmusic!


