Why is electronic dance music typically very simple?
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- KVRAF
- 1643 posts since 18 Mar, 2004 from Lincoln, CA
EDIT:
It's apparent now that my original question was flawed, so I'll revise it here to be more clear.
New (revised) version of qusetion:
Why is it that beat-driven electronic dance music tends to be very simple in terms of harmony, counterpoint..etc. (NOT talking about IDM or stuff like Jarre, Tomita, Carlos..etc--I tend to see those as more experimental or avant-garde, not popular dance music). Could it be because electronic dance music simply sounds better when it doesn't incorporate complex harmonies, counterpoint..etc? Does the use of filters, effects..etc negate the effectiveness of harmony and counterpoint, or they are simply aspects of music theory that does not interest electronic musicians? Maybe electronic dance music has to be kept simple to keep that "vibe" and bogging it down with complexity will kill the dance feel?
The original (flawed) question:
As a fan of electronic music, I've always wondered why most electronic music is very simple in terms of harmony, counterpoint..etc (with the rhythm and melody being exceptions--electronic music can be very complex rhythmically, and sometimes we also get synth solo leads wanking away in a melody as well). I listen to wide range of styles in Electronic music (from classics like Kraftwerk, experimental stuff like IDM, club stuff like progressive house, breakbeat..etc), and more often than not, they follow a very basic formula. Even the more melodic based acts like 808 State or BT, the structure is still quite simple. Could it be because electronic music simply sounds better when it doesn't incorporate complex harmonies, counterpoint..etc (I'm excluding the pseudo-symphony mimicked by synthesizers stuff from the era of giant analog modular synths). Does the use of filters, effects..etc negate the effectiveness of harmony and counterpoint? Or they are simply aspects of music theory that does not interest electronic musicians?
It's apparent now that my original question was flawed, so I'll revise it here to be more clear.
New (revised) version of qusetion:
Why is it that beat-driven electronic dance music tends to be very simple in terms of harmony, counterpoint..etc. (NOT talking about IDM or stuff like Jarre, Tomita, Carlos..etc--I tend to see those as more experimental or avant-garde, not popular dance music). Could it be because electronic dance music simply sounds better when it doesn't incorporate complex harmonies, counterpoint..etc? Does the use of filters, effects..etc negate the effectiveness of harmony and counterpoint, or they are simply aspects of music theory that does not interest electronic musicians? Maybe electronic dance music has to be kept simple to keep that "vibe" and bogging it down with complexity will kill the dance feel?
The original (flawed) question:
As a fan of electronic music, I've always wondered why most electronic music is very simple in terms of harmony, counterpoint..etc (with the rhythm and melody being exceptions--electronic music can be very complex rhythmically, and sometimes we also get synth solo leads wanking away in a melody as well). I listen to wide range of styles in Electronic music (from classics like Kraftwerk, experimental stuff like IDM, club stuff like progressive house, breakbeat..etc), and more often than not, they follow a very basic formula. Even the more melodic based acts like 808 State or BT, the structure is still quite simple. Could it be because electronic music simply sounds better when it doesn't incorporate complex harmonies, counterpoint..etc (I'm excluding the pseudo-symphony mimicked by synthesizers stuff from the era of giant analog modular synths). Does the use of filters, effects..etc negate the effectiveness of harmony and counterpoint? Or they are simply aspects of music theory that does not interest electronic musicians?
Last edited by Lunatique on Fri Dec 15, 2006 7:13 pm, edited 2 times in total.
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- KVRAF
- Topic Starter
- 1643 posts since 18 Mar, 2004 from Lincoln, CA
Please name some so I can check them out.
I have over 600 CD's and over 150 GB worth of mp3's--I'd say yes, I do "get out much."
I have over 600 CD's and over 150 GB worth of mp3's--I'd say yes, I do "get out much."
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- KVRist
- 496 posts since 23 Sep, 2003 from Washington
Simplicity is a beauty all it's own. If you disected all of the cascading scales in classical, you will find it's a combination of many simple parts working together through theory. Needless to say, there is much direct emotion input as well, but when dealing with unnatural instruments such as a synthesizer, and electronic current itself generating the sound, it opens a new door of perception in my opinion, providing an atmosphere for the abstract, creative, experimental, and passionate all at the same time. Simple is simply a choice, not a demand.
--_ yup.... _--
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- KVRAF
- 4705 posts since 16 Mar, 2004 from Columbia, MD
I think because the focus of electronic music tends to be on the manipulation of timbre. I'm working on a song right now that would look like a beginner's piano book exercise if I wrote it down in staff notation. However, it's actually very intricate. There's a ton of stuff going on sonically, and the rhythms are highly dense and layered.
I think BT has found the best balance. If you go over-the-top with integrating complex melodies and harmonies, with electronic dance music, it ends up sounding silly. I've tried. I have yet to hear anyone pull it off right.
I think BT has found the best balance. If you go over-the-top with integrating complex melodies and harmonies, with electronic dance music, it ends up sounding silly. I've tried. I have yet to hear anyone pull it off right.
Shreddage 3 Stratus: Next generation Kontakt Player guitar, now available!
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
Yeah, but what if that 'simple' is arrived at through a lack of knowledge ?
Meaning: It's simplistic rather than simple and beautiful.
If you want to tell a story of how it is on, for example, the top of Kilimanjaro, I will listen to your story if you have been there, NOT if you have seen a picture of it only. A big difference, I think.
Meaning: It's simplistic rather than simple and beautiful.
If you want to tell a story of how it is on, for example, the top of Kilimanjaro, I will listen to your story if you have been there, NOT if you have seen a picture of it only. A big difference, I think.
Simplicity is a beauty all it's own. If you disected all of the cascading scales in classical, you will find it's a combination of many simple parts working together through theory. Needless to say, there is much direct emotion input as well, but when dealing with unnatural instruments such as a synthesizer, and electronic current itself generating the sound, it opens a new door of perception in my opinion, providing an atmosphere for the abstract, creative, experimental, and passionate all at the same time. Simple is simply a choice, not a demand.
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- KVRAF
- Topic Starter
- 1643 posts since 18 Mar, 2004 from Lincoln, CA
That's what I'm thinking as well, but does this have to be an iron-clad phenomenon? I'd love to hear examples of exceptions, because I can't help but think there must be a way to do it without making the piece sound silly.zircon wrote:If you go over-the-top with integrating complex melodies and harmonies, with electronic dance music, it ends up sounding silly. I've tried. I have yet to hear anyone pull it off right.
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- The Teach
- 8273 posts since 23 Jul, 2002 from flatness
makes absolutely NO difference in the endhimalaya wrote:Yeah, but what if that 'simple' is arrived at through a lack of knowledge ?
(unless youre a theory wanker)
the result is always just an end point of a process
slainte
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
Because the particular music you are referring to is simple? Seems like an odd notion to me. I wouldnt call any of Aphex Twin's Drukqs album simple, rythmically or melodically or by timbre, for instance.
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Reverse Engineer Reverse Engineer https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9129
- KVRAF
- 4968 posts since 23 Sep, 2003 from Glasgow
150GB's of bonkers, euphoria and minstry of sound mp3's doesn't put you in a position to criticise. 
Have a listen to Ulrich Schnauss - A Strangely Isolated Place, then come back and apologise for your faux pas.
Have a listen to Ulrich Schnauss - A Strangely Isolated Place, then come back and apologise for your faux pas.
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- KVRAF
- 5782 posts since 10 Mar, 2003 from Music Shed #8
I'd be pretty f**king critical if I had that.Reverse Engineer wrote:150GB's of bonkers, euphoria and minstry of sound mp3's doesn't put you in a position to criticise.
- addled muppet weed
- 111238 posts since 26 Jan, 2003 from through the looking glass
himalaya wrote:
If you want to tell a story of how it is on, for example, the top of Kilimanjaro, I will listen to your story if you have been there, NOT if you have seen a picture of it only. A big difference, I think.
so just as an example, holts planets only contains 1 worthy track?
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- KVRAF
- 1714 posts since 14 Mar, 2003 from Israel
What we normally consider "electronic music" is mostly popular dance music, as opposed to earlier, more experimental works. Dance music needs to be predictable, to a degree, so you can dance to it.
The complex works of people IDMers and Glitchers of all kinds are in many ways a counter-reaction to this simplicity. These artist are, directly or indirectly, influenced by the true pioneers of electronica - those who predated the rise in electronic dance music (kind of like underground hip-hopers of the late 90s and beyond are influeneced by pre-hip-hop black poets)
The complex works of people IDMers and Glitchers of all kinds are in many ways a counter-reaction to this simplicity. These artist are, directly or indirectly, influenced by the true pioneers of electronica - those who predated the rise in electronic dance music (kind of like underground hip-hopers of the late 90s and beyond are influeneced by pre-hip-hop black poets)
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- KVRAF
- 2362 posts since 24 Jan, 2001 from In your head...
Lunatique wrote:As a fan of electronic music, I've always wondered why most electronic music is very simple in terms of harmony, counterpoint..etc (with the rhythm and melody being exceptions--electronic music can be very complex rhythmically, and sometimes we also get synth solo leads wanking away in a melody as well)...
A rather 'leading question'?
Because the majority of computers can easily produce electronic sounds? Because just about anyone can buy a computer? Because such are easily groked by virtually anyone, without them needing even a shred of musical knowledge, and thus, by virtue of this, millions of 'electronic composers' are proliferating to the point that they have created their own genre? That perhaps this may not be a bad thing?
Is this where your headed Rob?
Cheers,
Alex
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- KVRAF
- 5782 posts since 10 Mar, 2003 from Music Shed #8
earth doesn't feature, john.vurt wrote:himalaya wrote:
If you want to tell a story of how it is on, for example, the top of Kilimanjaro, I will listen to your story if you have been there, NOT if you have seen a picture of it only. A big difference, I think.
so just as an example, holts planets only contains 1 worthy track?