do you create instinctive art that is (unknowingly) bound by theory ?
or
do you start from theoretical knowledge and build it into art ?
and
does it actually matter ?
slainte
pHz wrote:as with all forms of art you can look at it both ways
do you create instinctive art that is (unknowingly) bound by theory ?
or
do you start from theoretical knowledge and build it into art ?
and
does it actually matter ?
slainterob
I have several very large books on the topic here on my shelves and I just took one back to the library that dealt with soundtracks similarly. I know there are a ton more at the library. Someone must not be laughing out loud.adj wrote:Huh? The "...psychological implications of a musical construct..."? WTF
Strive to remember that this is how you feel about these things. You need to learn to look at things clearly, without prejudice, and to stop living in such a self-centric worldadj wrote:For both the musician and the dancer, it's a 'discipline' -- like painting -- that the artist trains in and masters, not a scientific pursuit. You really do need to strive to remember this very important difference.
I will confess that I tuned in on this page. From your post I inferred that you were assuming that music couldn't be broken down into rationalizations. Sorry if that's completely incorrect, my badadj wrote:-- Exactly my point Mr f**king Spock -- as soon as you robots get through 'anal'ising dance music, you'll discover that there's really nothing 'mystical' or 'scientific' about it at all!
I mean "Beethoven wrote awe-inspiring works that have withstood the test of time. Tupac has already fallen out of popularity." I'm not going to say one is more artistically valid than the other, that would be stupid and untrue. And I'm not going to say that technicality or complexity is the same thing as quality, because that too would be stupid and untrue. What I will say is that I think Beethoven was a creative genius ten times greater than Tupac. Take it for what it's worth.adj wrote:Why not? People who like Beethoven better than Tupac are more worthy?
By 'level' do you mean 'technical competence in musical composition' or creativity?
Possibly. Here in Nashville (and back home in DC) we called them "clubs", not "discos", but your point is valid.adj wrote:You need to get out more -- 'Discos' are everywhere. But you're talking about the musical genre 'Disco', aren't you? Meaning maybe you've lost the plot here?
Maybe. I was trying to make a clever introduction to my argument about the spirituality of music, but...adj wrote:A dismissive, trite and shallow attempt at demeaning my point.![]()
in other words, how the brain reacts (chemically and psychologically) to various musical ideas or elements. It's not just a bunch of blinding-with-science crap, it's for real.adj wrote:Huh? The "...psychological implications of a musical construct..."? WTFJust because you or I don't have the experience or capacity to understand the psychological implications of a musical construct doesn't mean that there AREN'T such things.
Music is, of course, an art. But to dismiss a scientific and academic discussion of music on the grounds that "it don't matter, music is about the soul" is meaningless hippie crap designed to skirt the question on grounds of ignorance. Essentially what you're saying is "knowledge doesn't matter, it's all about feeling". That's narrow and defeatist. Difficult though it may be to analyze what music is and how it works, it's a worthwile endeavor.adj wrote:Now you are over-simplifying a rather eloquent and poetic description and, in addition, being obtuse.
What does music invoke within us if not 'feelings and emotive, fantastical scenarios and pleasant dreams and memories? Why do you feel it's so important to make it into something complex and 'exclusive to the schooled' and so forth?
For both the musician and the dancer, it's a 'discipline' -- like painting -- that the artist trains in and masters, not a scientific pursuit. You really do need to strive to remember this very important difference.
It IS something scientific on a fundamental level. And you're trying to make it spiritual by denying its scientific value. When you say "music is not something scientific" you are placing it in the realm of spiritual emotional connection.adj wrote:Who's trying to make anything 'spiritual'?
Those are your words and your rather sophomoric interpretation of what I said.
Why are you trying to explain music as something 'scientific' when in fact it's not. Why?
I feel confident I could speak to the matter more accurately than you can. The two are intertwined. "Art" is a generalization for something which can be aesthetically appreciated, and there is no such thing as art that science cannot explain. Everything is physiologically and scientifically connected to the human mind. You might argue that it's a connection not worth making but I think those who study things like psychoacoustics, human perceptions of musical ideas, aural phenomena, the human response to dissonance and consonance, etc. would disagree.adj wrote:Music only appears to have 'complex technical aspects' to those who don't know much about music.
You have no clue about the difference between art and science, do you?
Poetic phrasing aside you would be a fool to deny that the nature of music's effect on the human mind (especially when it comes to something as universal as dancing) is not scientific.adj wrote:No -- you don't get it -- if dance music is not the rhythm of life, as created by 'human life', then what is it? What better way to descibe it?
You can also say that the wind whistling through the trees is 'the sweet music of nature' and you can even say 'it is the rhythm of nature', but that may be much too eloquent in the face of your 'scientific' interpretations of music -- and in the case of this discussion, 'dance' music.
Wow, that was a rather psychological analysis of the effect of rhythm and it's place in "high" art... I thought we weren't supposed to be scientific?adj wrote:Dance came out of the rhythmic rituals of our jungle ancestors to the sophistication in art it involves today, but it's still dance and it doesn't diminish the art of our primitive ancestors at all -- it venerates it.
As an experiment, you can take a video of the ballet dancers during the second movement of 'The Nutcracker Suite', and if you replace Tchaikovsky's audio with a breakbeat you may more clearly see that those 'primitive' rhythms still apply, and that they are still there in form that's merely been enhanced within the art.
Music is not illogical, you just don't get the logic. There is a reason why certain notes sound good together, and why certain rhythms click with the human mind, and the better you understand those reasons the easier it will be to make meaningful and powerful music.adj wrote:You appear to consistently confuse the science of 'technical engineering of audio' with music and musical creativity. Music is an art, as is dance. As such, these art forms will never be bound to any scientific theory or practice -- thankfully so -- and thus creativity will flourish with as much illogic as it possibly can.
how much theory does a child (consciously) know ?it took me four years to paint like raphael but a lifetime to paint like a child
You could just consider the context.nuffink wrote:Raphael was well versed in the theory of his time as was Picasso.
If you want to make a valid comparison find something clever that Rousseau (a genuinely naive painter) had to say on the subject.
Can you really believe you wrote that simplistic drivel?Toxikator wrote: There is a reason why certain notes sound good together, and why certain rhythms click with the human mind, and the better you understand those reasons the easier it will be to make meaningful and powerful music...
Perhaps the four year old Marla Olmstead is a better (and more contemporary) example of prodigious naivety...nuffink wrote:Raphael was well versed in the theory of his time as was Picasso.
If you want to make a valid comparison find something clever that Rousseau (a genuinely naive painter) had to say on the subject.
hehnuffink wrote:Raphael was well versed in the theory of his time as was Picasso.
If you want to make a valid comparison find something clever that Rousseau (a genuinely naive painter) had to say on the subject.
You can postulate and hypothesize all you want to, rummage through your esoteric volumes of important, trivial data, but at the end of the day, all the technical and scientific training and education in 'music as a science' does not mean that you will become a great musician (or dancer).RTaylor wrote:I have several very large books on the topic here on my shelves and I just took one back to the library that dealt with soundtracks similarly. I know there are a ton more at the library. Someone must not be laughing out loud.adj wrote:Huh? The "...psychological implications of a musical construct..."? WTF
mmm... ok... Does that mean I must throw away my Jean-Paul Sartre books?You need to... stop living in such a self-centric world
Saying that, however, I've little doubt that someday a super computer will pinpoint the various genes and brain cell motor neuron facilitators and so forth that one might inherit which gives him/her better coordination or aptitiude towards a given skill. But at this point in time, mere knowledge of a discipline, although certainly helpful, does not a master make.
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