Avoid, just avoid

[soulata]

Another use: C-F-A to B-D-F to C-E-G. The B-D-F can be changed to C-D-F; it's not a chord in any practical sense (I suppose a iim7 in third inversion w/o the 5)... but resolves wonderfully.

that's really a normal IV-V-I progression (did I miss something along the way, might have happened). C-F-A as F, B-D-F (that'd be Bdim) as the G7 without the root (happens a lot) to I (C). If you use C-D-F in this progression, I'd simply call it Gsus (all joking aside) without the root going to C.

k

[BosseJo]

This is completely off topic, so please forgive me.

Sascha Franck, I listened to your Fsharp7add4.mp3 again and I really like the sound. Can you please post the guitar fingering for that chord? TAB or whatever is easiest for you.

Judging from the sound of the file it should be from the lowest to highest:

F# 6th string, second fret
C#
F#
A# (Bb)
B open
E open string

And then play this chord:

B
F#
B
D#
E open string

I'm impressed. Do you have perfect pitch?

No

[BosseJo]

I'm impressed. Do you have perfect pitch?

Even if I wouldn't happen to know, but there's no perfect pitch required to find out. A good relative pitch will do and if you are a guitar player, you just know the sound of these chords.

Yep, don't skip the ear training I try do some everyday.