The Upsampling Your Mix Thread

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bduffy wrote:Shy, you don't have to be a dick about it. You know, it takes awhile to bounce, convert and master an entire song at high sample rate. :roll:

Sascha said he'd provide something in the morning, I'm working on it right now.
You're the one being a "dick" calling me a dick when you've been working on it and said you already finished downsampling and all and still haven't posted any samples, but did post lots of fabulous praise and more praise. Let's hear that fabulous comparison then.

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Shy, let me explain why, as far as my knowledge goes, this type of upsampling makes a difference:

(1) Most of the DSP synths and effects we use do not have perfect algorithms, and do not have perfect internal upsampling and downsampling. Thus they will sound different when operating at different sample-rates.

(2) By exporting a project at a higher sample-rate, you will be recording the output of the algorithm at that sample-rate.

(3) Once you downsample back to a reasonable sample-rate (44.1k), the result will be different than if you had simply recorded the results of the DSP at 44.1k.

This is the fundamental concept of oversampling.

Which of the above statements (1, 2, and 3) is false?

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The reason this "oversampling" is advantageous is that, even if your 96k output were to be almost completely identical to what the output would have been at 44.1k, if you do the mixing in 96k, the EQs, compressors, limiters, mastering suites and what-not will be operating at 96k on data that is sampled at a rate of 96k, and this may sound different, and that difference may be advantageous.

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Shy wrote:I still haven't seen one sample. I've only seen placebo heaven from you people.
You need to try it yourself - if you like it fine, if you don't like it fine.

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I'll ignore the rest and just say one thing: you're confusing upsampling with oversampling.

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kylen wrote:
Shy wrote:I still haven't seen one sample. I've only seen placebo heaven from you people.
You need to try it yourself - if you like it fine, if you don't like it fine.
I don't need to try it myself because I've tried every single retarded method people have thought of already in previous discussions years ago. Conclusion: you are suffering from placebo.

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Shy wrote:I'll ignore the rest and just say one thing: you're confusing upsampling with oversampling.
You know what we mean. Jesus, you're a ball-breaker. Do you see what we're saying now?

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bduffy wrote:
Shy wrote:I'll ignore the rest and just say one thing: you're confusing upsampling with oversampling.
You know what we mean. Jesus, you're a ball-breaker. Do you see what we're saying now?
No, I only see people claiming that upsampling is oversampling, and I'm guessing they have no idea what they're talking about.

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bduffy wrote:Yeah, man, just when I think I got it all figured out..now I know why everyone's using these higher sample rates...

Oh, and that's some crazy frikkin' setup you got going on there! CPU DEATH! :-o
hehe, Now at 96KHz I turned FAT on in MasterQ so I'm getting 192KHz oversampling there and in Elephant I switched on 4x so we have 384KHz (figures approximate). Of course I have to freeze the track now but I'm surprised how the sound changes...very interesting. I don't know if I'll keep it, takes time to judge new sounds as jens says. Anyway I think we're talking about the last 5-7% of polish or so after all is said and done. Am I wrong or is it a bigger diff for you guys?

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Shy wrote:
bduffy wrote:
Shy wrote:I'll ignore the rest and just say one thing: you're confusing upsampling with oversampling.
You know what we mean. Jesus, you're a ball-breaker. Do you see what we're saying now?
No, I only see people claiming that upsampling is oversampling, and I'm guessing they have no idea what they're talking about.
OK, let's get this straight: my project is at 44/32. I export a stereo mix from Cubase at 96khz/32-bit. That's not up-sampling in your book?

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bduffy, how about less talk, more samples?

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kylen wrote:
bduffy wrote:Yeah, man, just when I think I got it all figured out..now I know why everyone's using these higher sample rates...

Oh, and that's some crazy frikkin' setup you got going on there! CPU DEATH! :-o
hehe, Now at 96KHz I turned FAT on in MasterQ so I'm getting 192KHz oversampling there and in Elephant I switched on 4x so we have 384KHz (figures approximate). Of course I have to freeze the track now but I'm surprised how the sound changes...very interesting. I don't know if I'll keep it, takes time to judge new sounds as jens says. Anyway I think we're talking about the last 5-7% of polish or so after all is said and done. Am I wrong or is it a bigger diff for you guys?
Well, just from what I've heard so far, I'd definitely say it's in the 10% league. I noticed smoother highs, off the top. I haven't tried switching in a project yet, though.

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Shy wrote:bduffy, how about less talk, more samples?
Yeah, yeah...I'm just waiting forever for AAMS to analyze my mix. My ears are shot from mixing all day, and I ain't mastering my own shit.

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Shy wrote:bduffy, how about less talk, more samples?
Shy, how about less attitude, more shutthefuckup?

;)

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Shy wrote:I don't need to try it myself because I've tried every single retarded method people have thought of already in previous discussions years ago. Conclusion: you are suffering from placebo.
Then don't try it and start a different thread about something you're interested in. Who cares what your conclusions are or what you're suffering from. Provide samples disproving something, join the fun, we're all testing it out and reaching our own conclusions. Otherwise go out in play in traffic or something constructive!

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