Harmony analysis: JQUAI The Return of the Space Cowboy
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- KVRist
- 273 posts since 5 Apr, 2005
Well, i have some (little)knowledge on harmony but i think i should study some of my fav harmony tunes to write some good music.
I love the progression on this tune. Could anybody make an analysis on what scale or key he's using, how he modulates,etc? That would be really helpfull.
Chords are here (dunno if they are right at all, at least they sound good to me when playing the guitar):
http://www.guitarmasta.net/j/jamiroquai/264162.html
Also is the Gb6add9 chord built in this way?: Gb - A# - C# - D# - G#
And what the hell do they mean when writing a an "All" chord??
Thannks
I love the progression on this tune. Could anybody make an analysis on what scale or key he's using, how he modulates,etc? That would be really helpfull.
Chords are here (dunno if they are right at all, at least they sound good to me when playing the guitar):
http://www.guitarmasta.net/j/jamiroquai/264162.html
Also is the Gb6add9 chord built in this way?: Gb - A# - C# - D# - G#
And what the hell do they mean when writing a an "All" chord??
Thannks
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- KVRian
- 593 posts since 18 Dec, 2005 from Sweden
I don't if I have heard the song so I don't if it's correct or not. The Gb6add9 would be better spelled like this: Gb(root) Bb(3) Dd(5) Eb(6) Ab(9). They way you write it is a bit harder to read at a glance and it's not theoretically correct. Try to not mix sharps and flats if possible. Especially Gb (root) and G# (nine) is a bit confusing. And the chord could also be written as Gb6/9, which is more common.eddu wrote:Well, i have some (little)knowledge on harmony but i think i should study some of my fav harmony tunes to write some good music.
I love the progression on this tune. Could anybody make an analysis on what scale or key he's using, how he modulates,etc? That would be really helpfull.
Chords are here (dunno if they are right at all, at least they sound good to me when playing the guitar):
http://www.guitarmasta.net/j/jamiroquai/264162.html
Also is the Gb6add9 chord built in this way?: Gb - A# - C# - D# - G#
And what the hell do they mean when writing a an "All" chord??
Thannks
All chord is probably an A 11 (eleventh chord) chord.
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- KVRist
- Topic Starter
- 273 posts since 5 Apr, 2005
Sorry, fot the lazy people who dont want to click here's the song:
Code: Select all
Verse
DbMaj7 Cmin7 BMaj7 G6add9
Everything is good, and brown. I'm here again with a sun
A11 DbMaj7 Cmin7
shine smile upon my face. My friends are close at hand and
BMaj7 G13 A11 Dbmin7
my inhibitions have disappeared without a trace. I'm glad I
BMaj7 G6add9 A11
found someone I can rely on.
Chorus
Ebmin9 Fmin9 Bbmin9 form 1
This is the return of the space cowboy.
Ebmin9 Fmin9 Bbmin9 form 2
Interplanetary good vibes on.
Ebmin9 Fmin9 Bbmin9 form 1
Set the speed of cheeba. Oh You and I go deeper.
Ebmin9 Fmin9
Maybe I have to get high to get by.-
- KVRAF
- 4667 posts since 25 Mar, 2006 from The city by the bay
Typo: it should read "Db(5)". It's obviously just a typing error but since we are talking about correct spelling...BosseJo wrote: The Gb6add9 would be better spelled like this: Gb(root) Bb(3) Dd(5) Eb(6) Ab(9).
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- KVRian
- 593 posts since 18 Dec, 2005 from Sweden
No the fifth is played backwards 
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- KVRAF
- 1975 posts since 4 Feb, 2005
Where do you see Gb6add9? looks like a straight G6add9 to me.
The progression goes IM7 - vii7 - bVII7 - #IV6add9 - bVI11
I'm not too sure what on earth to make of it. The IM7-vii7-bVII7 sounds great no matter how I try it; I'm very curious about that.
I'm not sure what the business is with that #IV6add9, I don't think that's a proper analysis of the notes (just a fingering for it on the guitar) and I can't do much with it or the A11. So I'm stumped.
The progression goes IM7 - vii7 - bVII7 - #IV6add9 - bVI11
I'm not too sure what on earth to make of it. The IM7-vii7-bVII7 sounds great no matter how I try it; I'm very curious about that.
I'm not sure what the business is with that #IV6add9, I don't think that's a proper analysis of the notes (just a fingering for it on the guitar) and I can't do much with it or the A11. So I'm stumped.
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- KVRist
- 279 posts since 13 May, 2003
I, ahem, downloaded the song to have a listen, but didn't have the time to listen to more than just the beginning:
The second chord is not Cmin7, it's more like an Fsus/C (Bass C, then Bb C Eb F)
Then it's not G6add9, but Absus, sus then resolved to Ab7
So DbMaj7 Fsus/C BMaj7* Absus -> 7
(* actually CbMaj7, but that's so much harder to read)
I'll listen more tomorrow, I'm at work for the night, and I need a keyboard to go further.
This is not right:DbMaj7 Cmin7 BMaj7 G6add9
The second chord is not Cmin7, it's more like an Fsus/C (Bass C, then Bb C Eb F)
Then it's not G6add9, but Absus, sus then resolved to Ab7
So DbMaj7 Fsus/C BMaj7* Absus -> 7
(* actually CbMaj7, but that's so much harder to read)
I'll listen more tomorrow, I'm at work for the night, and I need a keyboard to go further.
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- KVRist
- 279 posts since 13 May, 2003
The chord he plays on ep is (bass = C) Bb C Eb F, so it's more like Fsus/C.eddu wrote:Really? Playing the guitar here seems like the exact chord to my ears.Kullervo wrote: The second chord is not Cmin7
Here's what I have so far:
Db Maj - Fsus/C - Cb Maj - Absus (*)
Db Maj (Ab C Db Eb) - Fsus/C - Cb Maj - F#sus - G#sus - C#min
(edit: last 3 chords are actually Gbsus Absus and Dbmin)
here are the chords on ep: http://home.scarlet.be/~tsa10920/space_cowboy_v.mp3
Have to go again, more tomorrow
(*) not resolved to Ab7 finally, he only changes position
Last edited by Ph-J on Sun May 06, 2007 9:24 pm, edited 2 times in total.
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JumpingJackFlash JumpingJackFlash https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=44005
- KVRian
- 1227 posts since 10 Oct, 2004
I assume you mean F7sus4/C, - note the seventh (Eb).Kullervo wrote:The chord he plays on ep is (bass = C) Bb C Eb F, so it's more like Fsus/C.
(Which would indeed be C, F, Bb, Eb).
Also, I always prefer to specify sus4, because a variety of other 'suspensions' are possible. (Sus2 being one of the more common).
However, the chord could probably be analysed in a variety of ways.
Cm7add4 would also work: C, Eb, F, G, Bb.
It depends on context really.
Unfamiliar words can be looked up in my Glossary of musical terms.
Also check out my Introduction to Music Theory.
Also check out my Introduction to Music Theory.
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- KVRAF
- 4265 posts since 21 Oct, 2001 from my bolthole in the south pacific
I agree with all of that.JumpingJackFlash wrote:I assume you mean F7sus4/C, - note the seventh (Eb).Kullervo wrote:The chord he plays on ep is (bass = C) Bb C Eb F, so it's more like Fsus/C.
(Which would indeed be C, F, Bb, Eb).
Also, I always prefer to specify sus4, because a variety of other 'suspensions' are possible. (Sus2 being one of the more common).
However, the chord could probably be analysed in a variety of ways.
Cm7add4 would also work: C, Eb, F, G, Bb.
It depends on context really.
I would think of that chord as Cmi11 = C (bass) Eb (C) Bb F - there is no need to play the 5th in extended chords. Eg C13 would typically be played: C (bass) Bb D E A or C (bass) E A Bb D.
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- KVRist
- 279 posts since 13 May, 2003
well, yes, but here the context is Db Major, so functionally, F7sus/C makes much more sense than a Cmin7 chord.JumpingJackFlash wrote:Kullervo wrote:The chord he plays on ep is (bass = C) Bb C Eb F, so it's more like Fsus/C.
However, the chord could probably be analysed in a variety of ways.
Cm7add4 would also work: C, Eb, F, G, Bb.
It depends on context really.
(and yes, of course, in the context, all the chords are 7th of some kind, so it should be written:
Db Maj7 - F7sus/C - Cb Maj7 - Ab7sus
Db Maj7 - F7sus/C - Cb Maj7 - Gb7sus - Ab7sus - Dbmin7 )
