I'm not too knowledgable when it comes to theory, so maybe its something simple.
But anyway, more to the point. Do you think time signature in a song should be strict? Am I allowed to change it constantly throughout a song?
Of course. The fact that you weren't even aware that this was happening means that it's perfectly natural at least to one person on earth.Jono-60 wrote: Am I allowed to change it constantly throughout a song?
If you're playing by yourself do whatever you want.Jono-60 wrote: Am I allowed to change it constantly throughout a song?
Indeed. You cannot have 3/3 time, or anything/3 time. What you probably mean is 6/8.runagate wrote:What is 3/3 time!?!?
I thought Western notation called this something else.
Yeah, this sort of gets to much of what brought about our traditional form of notating music. Sometimes the topics of music theory and notation are viewed from the angle of the composer or arranger. In fact, much of what exists is due to the demands faced by instrumentalists in orchestras that are expected to play music from various periods, different regions of the world and varying aesthetic styles. If you ever had the job of playing a concert that includes Bach, Rossini, Grieg and Stravinsky (to name just a few in the regular repertoire), the wisdom of our existing system of music notation would become quite obvious.videzyrah wrote: If you want 'me' to play drums with you though, you'd better be able to provide me with a very good roadmap as to when such changes will occur if you expect me to be able to follow you.
Whether you like their style or not, you should give Meshuggah a listen. They tend to change the time signature very often in their tracks. Needless to say, they are incredibly talented musicians. Hey, why don't you check out some of their live performances on YouTube?Jono-60 wrote:Do you think time signature in a song should be strict? Am I allowed to change it constantly throughout a song?
regarding your restriction about dance music: i have been experimenting with a continous 1/4 pulse, which means that a standard house kick is on the 1/4th notes, but there's no "bar". result: no catastrophe, but quite hard to arrange because the 4/8/16/32 bar scheme doesn't apply.Nystul wrote:The exception would be marches, waltzes, and any form of dance music. For music with this function, the number of beats per measure has to be strictly maintained in most cases. It is hard to keep your feet on the beat if the beat keeps changing.
Well - In Radiohead - the drummer sits there with a note pad and plays the guitar parts on tape and writes the time sig. changes down then plays/works out the drums to the feel of the guitar rythm.videzyrah wrote:If you're playing by yourself do whatever you want.Jono-60 wrote: Am I allowed to change it constantly throughout a song?
If you want 'me' to play drums with you though, you'd better be able to provide me with a very good roadmap as to when such changes will occur if you expect me to be able to follow you.
Indeed, but I'm thinking of an example where the time signature changes "mid-riff" rather than between sections.be wrote:Or "Money" by Pink Floyd, which is mostly 7/4 but changes to 4/4 for the guitar solo (cause it was easier to play in 4/4 for David Gilmour).
Actually it's 7/4 and 5/4 (that's how it was notated in the sheet music, IIRC), with the solo in 4/4.be wrote:Or "Money" by Pink Floyd, which is mostly 7/4 but changes to 4/4 for the guitar solo (cause it was easier to play in 4/4 for David Gilmour).
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