Hardware instrument appreciation thread

Anything about hardware musical instruments.
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What do you think of hw synths sounds?

Better than sw
47
45%
All the same
51
49%
Worse than sw
7
7%
 
Total votes: 105

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and that quality shines through in the final product.
Oh absolutely, I couldn't agree more. But as you said, it's the quality of the programming that shines through - not the fact it's h/w. For every shining example of a good h/w s/w I can forward a shining example of a good s/w s/w. For every Nord, there's an impOSCar. For every Virus there's a Spectra - the names don't matter. It makes sense to argue about good programming, but not whether it emanates from a black box or from a grey box. Absolutely I would rather use something a Clavia programmer coded than something an Arturia programmer coded. I'd also rather use a GMedia code than a Roland code.


Even Kilon made the point that a Motif isn't emulated in plugin form - that might be true, but it's not the h/w that is the point of difference. It's the coding, sampleset, featureset etc. There are also some damnably fine additive plugin synths (Spectra is just one I plucked out of the air, and that has been superceded over the past year) that are streaks ahead of anything ever released in additive h/w. But it's not the fact that it's a plugin that is the point of difference - again it's the quality of the coding,the featureset etc...the attention to quality and detail. Put Spectra in a keyboard with a few knobs and will that make it sound better? :roll:

Seems like nobody with any sense would argue that point. But it's OK to argue that h/w is necessarily better just because it's h/w. Sounds silly to me. You can get a VStation in a keyboard or as a plugin. Wavestation as keyboard, rack or plugin. They really don't sound any different (actually no - on a decent soundcard the plugins will sound marginally cleaner because of the poor old converters they used to put into h/w...). Argue about how a Motif is so unique and great and useable and probably I wouldn't bat an eyelid - but tell me it's so good just because it's h/w and I start to get offended - it offends my intelligence. :x

H/w 0s and 1s are no different to plugin 0s and 1s. What you do with those 0s and 1s is an entirely different thing.


Whyterabbit wrote:
Because if the s/w is in a box then its better because of QUALITY and you can remedy any inadequacies by using it with a DAW. So DAWS are not as good as software in a box. And DAWS cost more, even though you can buy them cheaper, and you'd have to buy one to do anything the software in a box can't do.

:hihi:

Aha...I see now.

Post

kritikon wrote:For every Nord, there's an impOSCar.
Yes, at a sound level I'd put products like z3ta+ and impOSCar up there with a Nord or Virus. There are a few superb VSTs out there (if there wasn't we wouldn't be having this discussion). But when it comes the dedicated hardware interface... something that some people value more than sound quality, the hardware wins every time.

Currently I work with only VSTs and I have an array of MIDI controllers. The set-up works and I can make music easily. But, it's still ghetto compared to a V-Synth, Virus TI, Nord 2, Andromeda, JD-800, etc. I know this but I accept it because of the cost factor and VSTs are an inexpensive way to learn and explore synthesis.

But someday I will plop down $3000 for something really nice, and I'll make a good choice of it because of what I learned at the VST level.

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And I'd like to add, I thought I knew what analog sounded like (from software) until my friend bought a SH-101 and a Jup 6.

VAs are "acceptable"... the hardware is "it".

Post

kritikon wrote: Seems like nobody with any sense would argue that point. But it's OK to argue that h/w is necessarily better just because it's h/w. Sounds silly to me. You can get a VStation in a keyboard or as a plugin. Wavestation as keyboard, rack or plugin. They really don't sound any different
Just out of curiosity, did anybody ever compare the plugin VStation to the h/w version? Basstation sounds different in plugin form... For the worse in my opinion. But then again Basstation was analogue.
-- Sami

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but.........................
software can't..............
sound.......................
like........................
a...........................


VIRUS

:lol: :lol: :lol: :lol: :lol: :lol: :lol:


runs from room :hyper:

Post

But when it comes the dedicated hardware interface... something that some people value more than sound quality, the hardware wins every time.
I've no problem with that. I hate working with a mouse, and most of the controllers don't really do it for me - I like my h/w synths exactly for the fact I can tweak knobs, slide sliders and make patches oh so easily...but the numpty in this thread is trying to make a point not about the interface but the sound. :nutter:
And I'd like to add, I thought I knew what analog sounded like (from software) until my friend bought a SH-101 and a Jup 6.

VAs are "acceptable"... the hardware is "it".
I don't accept that though. I think I'd choose a JP6 over most VST synths, I know I'd choose a Serge modular over them, but just being analogue isn't a given "better than". A 101?...no, I have a 202 - same sound, different interface - it has been replaced by various s/w plugins. It doesn't sound any "better" than a mix of several plugins I use instead of it (some very cheap ones, and two free ones even). And at least the plugins I use can play in tune - a 202 (and I think a 101 too) won't play in tune via the CV ins over more than one octave unless you upgrade to a Kenton board. So you're left with the onboard sequencer to play it in tune...give me Cubase over any 16step 80s sequencer any day of the week. Any modern sequencer can eat up a basic analogue sequencer like that and sh*t it out for breakfast.


But anyway...much that I prefer some of my own analogues over some plugins...the numpty wasn't arguing analogue over digital...he was trying to argue digital over digital. Different argument altogether.

Just out of curiosity, did anybody ever compare the plugin VStation to the h/w version? Basstation sounds different in plugin form... For the worse in my opinion. But then again Basstation was analogue.
I seem to remember a BONES inspired shootout that (in amongst the usual insults and personality assassination) showed me there wasn't any difference apart from output noise on the h/w.
But BONES threads were never exactly scientific analyses... :hihi:

Post

seamonkey wrote:but.........................
software can't..............
sound.......................
like........................
a...........................


VIRUS

:lol: :lol: :lol: :lol: :lol: :lol: :lol:


runs from room :hyper:


Examples please! :P
Latest release and Socials: https://linktr.ee/ph.i.ltr3

Post

kritikon wrote: I don't accept that though. I think I'd choose a JP6 over most VST synths, I know I'd choose a Serge modular over them, but just being analogue isn't a given "better than". A 101?...no, I have a 202 - same sound, different interface - it has been replaced by various s/w plugins. It doesn't sound any "better" than a mix of several plugins I use instead of it (some very cheap ones, and two free ones even). And at least the plugins I use can play in tune - a 202 (and I think a 101 too) won't play in tune via the CV ins over more than one octave unless you upgrade to a Kenton board. So you're left with the onboard sequencer to play it in tune...give me Cubase over any 16step 80s sequencer any day of the week. Any modern sequencer can eat up a basic analogue sequencer like that and sh*t it out for breakfast.
I have 202 too ... With a Kenton board :)
I actually like the sequencer onboard, granted it takes sometime to get grips with it but it can be pretty inspiring at least for me. And I disagree about the sound compared to 101. 202 has more midrangey, honky kind of sound, at least to my ears when I was comparing them side to side.

Btw. I made a demo of the mc-202 filter a year ago or something and it's still online here: mc202filter

The acidic bassline is from mc-202 and I think the drums were from Akai xr-10, the strings from juno-60 and some extra sounds from ms-10.
I think the sh-101/mc-202 definitely have a specific timbre...
I seem to remember a BONES inspired shootout that (in amongst the usual insults and personality assassination) showed me there wasn't any difference apart from output noise on the h/w.
But BONES threads were never exactly scientific analyses... :hihi:
:hihi:
Last edited by Sami on Wed Aug 08, 2007 6:08 pm, edited 1 time in total.
-- Sami

Post

musikmachine wrote:
seamonkey wrote:but.........................
software can't..............
sound.......................
like........................
a...........................


VIRUS

:lol: :lol: :lol: :lol: :lol: :lol: :lol:


runs from room :hyper:


Examples please! :P
ummm :-o
ah..steinberg Model E
Linplug Alpha
:help:
click on any KVR post with the word VIRUS in
it and watch the fun begin. :tantrum:

Post

whyterabbyt wrote:
Zaphod (giancarlo) wrote:no, it's not universal consensus, but 50% are waiting for better sofware and "only" 6% consider software better than hardware.
Oh, and by the way, its a very poorly constructed poll, which is subtly leading. Given that only 50 people have bothered answering, I really dont think you can draw any real conclusions whatsoever; In fact I'd suggest a lot of people who dont care either way cant be bothered with the continuous re-occurence of threads like this and avoid them.

Now we are 100-> 45, 48 ,5
As you can see, percentages are the same.
But we could wait a couple of years if you consider the pool still not valid.

Post

When most magazines, and popular media and everyday musicians say the word "analogue" they are usually referring to a high-quality professional piece of widely used studio gear, not some piece of junk crap like you all assume here. Everyone knows that, quit being a pain and arguing semantics with over-the-top posts.

Generalzing the term, (or any term) "analogue" or "hardware" is silly. But still, you have to take it for what it's worth.

In general, most high-end pure analog stuff sounds great. We don't have time or space here to list why every good, pure partially analog piece of gear out there sounds good, but let's be short and sweet and say it has something to do with added harmonics, less zipper, style(look), feel, and sound.

And let's just say in general, most software is run by single, male, budget-concious nerds who are prolly not using the synth the same way a pro end studio would use it.


But let's contiune on to say that yes, if you add a bunch of effect, blah blah blah yes, you can get a good sound from both etc, etc-specially when you realize that eventually, if it is a good song it will be professionally treated at a mixing/mastering facility and run through (YES) ANALOG GEAR ANYWAY.

So when you hear a sound on a record or cd or whatever, you are hearing the whole sound chain, so it's all digital and analog mixed and mashed up. Who cares?

Well I guess you guys do, that's why you started this thread so I'll say that in general, in my opinion, as an original, "un affected sound source" so to speak, ( AND i USE THAT TERM VERY LOOSELY ASSHOLES) a high quality analog synth usually has more pleasing character and personality than a lot of soft synths out there.

And yes there is a sonic difference, because of strange things that are added to the sound from the way that the 1's and 0's of the hardware are IMPLEMENTED into the body of the synth, albeit the outputs, keys, etc.

TO musicians, the feel of a synth adds to the SOUND because it will change the way you play it, although that sounds wierd. But it's true. You will play differently and feel different depending on what you look at and how your fingers feel under the keys and knobs or whatever.

So all these things add to a sound, so many things.....it is too technical to get into the argument of "hardware IS software because it has software in it" because when most people are using the term "hardware" it means the ENTIRE unit, not only the software within it. Physical components within the hardware also add to the sound, as does it change the way you play, therefore changing the sound.


Anyway, WHO GIVES A f**k. how was all your collective weeks? Hope life is good for all of you!

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My week has been pretty ok so far
-- Sami

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@frequency_algorithm:
quoted every word, comma, uppercase.

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Hope life is good for all of you!
It certainly is, thanks. Some of us actually enjoy life. :roll:

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I voted worse then software, not because i think hardware sounds worse but simply because the computer is my instrument of choice :shrug: .. In the end that's all it will ever boil down to 'an individuals instrument/s of choice is what's superior to them'. no one tool will ever be better to all people, and any weapon hw/sw/both can be very dangerous in the right hands. I did'nt read much of this thread so i may have gotten a bit off topic, i just felt like preaching :) .
T2 Icarus is a must. SonicCore SCOPE is the most. As heart of studio it has my vote, cause XITE-1 is all she wrote.

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