first try on ???? dance (clubby)????--- need feedback
- KVRAF
- 4176 posts since 2 Feb, 2003 from lost in music
usually I do different stuff
but I had a play with GURU these days,
so I came up with some kind of a club-dance-mix
or whatever
it's three instances of GURU live recorded in eXT 1.4
it's about 18 min long
please listen and give any comments
G-DANCE
but I had a play with GURU these days,
so I came up with some kind of a club-dance-mix
or whatever
it's three instances of GURU live recorded in eXT 1.4
it's about 18 min long
please listen and give any comments
G-DANCE
sound is vibration, vibration is life
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- KVRAF
- 2123 posts since 29 Mar, 2004 from Lincolnshire, UK
- something special
- 8627 posts since 16 Mar, 2002 from Birmingham, Alabama
fantastic! better than coffee this morning. really good mix, too.
I never could get the hang of sequencing in eXT 1.4 (although I'm using XT2 quite a bit now). anyway, this is worth listening to again (will probably stick on my ipod for the commute to work)
I never could get the hang of sequencing in eXT 1.4 (although I'm using XT2 quite a bit now). anyway, this is worth listening to again (will probably stick on my ipod for the commute to work)
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
thanks bluedad
I used the live record mode in energyXT
no sequencing used here,
I just loaded the instances of GURU,
loaded a mixer comp for the individual outputs,
and I assigned my midi controller to the volume faders of the mixer.
I let the GURUs run all the time,
all the mixing/sequencing is done live via the volume levels of the mixer channels.
Thats it.
sound is vibration, vibration is life
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
nothing more?
too bad???

too bad???
sound is vibration, vibration is life
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- KVRAF
- 2123 posts since 29 Mar, 2004 from Lincolnshire, UK
just finally getting first listen now - love the bounding beat combined with that snappy sound.
A veritable monster mix up and mash at over 17 minutes!!
Thanks for the share and hope all is well with you
Some of the mixes in and out of the beats confused me a bit though but that might just be my ears
A veritable monster mix up and mash at over 17 minutes!!
Thanks for the share and hope all is well with you
Some of the mixes in and out of the beats confused me a bit though but that might just be my ears
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
thanks BK
yes I understand your confusion,
I need to learn a bit better to mix live,
that might help, with the beats mixing.
I'm fine and have a week off,
but I am painting my kitchen and cleaning the house
and doing some music
I hope you're fine aswell.
Sorry I couldn't come this year,
I hope next year I gonna make it.
yes I understand your confusion,
I need to learn a bit better to mix live,
that might help, with the beats mixing.
I'm fine and have a week off,
but I am painting my kitchen and cleaning the house
and doing some music
I hope you're fine aswell.
Sorry I couldn't come this year,
I hope next year I gonna make it.
sound is vibration, vibration is life
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
no one else comments?
sound is vibration, vibration is life
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
too bad for comments?
after 147 views only two
after 147 views only two
sound is vibration, vibration is life
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- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
"...about 18 minutes long..." And you wonder why you get a lot of views and only a few comments?
I'm patiently waiting for this to come to papa for a listen. BRB...
I'm patiently waiting for this to come to papa for a listen. BRB...
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- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
Okay, playing now . . . where are my glow sticks?
Can never find the damn things when I need them . . . !
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- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
Okay . . . my real opinion is, to quote Fats Waller, "All that meat and no potatoes."
By that I mean, it sounds like just what you described--you set up 3 GURU tracks and then experimented mixing them live together. What's missing is an overall direction and any melodic focus. It's interesting for me to listen to from a production point of view, though. I'm trying to imagine how you've got it set up and how you're controlling it all. I've always felt that the missing element in electronic music is an organized way of improvising or jamming on extended mixes. The artist is pretty much left to figure out how to accomplish that. Every effort I've made with it ends up sounding unfocused and a bit stilted...
Anyway, thanks for sharing!
By that I mean, it sounds like just what you described--you set up 3 GURU tracks and then experimented mixing them live together. What's missing is an overall direction and any melodic focus. It's interesting for me to listen to from a production point of view, though. I'm trying to imagine how you've got it set up and how you're controlling it all. I've always felt that the missing element in electronic music is an organized way of improvising or jamming on extended mixes. The artist is pretty much left to figure out how to accomplish that. Every effort I've made with it ends up sounding unfocused and a bit stilted...
Anyway, thanks for sharing!
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
emdot_ambient wrote:"...about 18 minutes long..." And you wonder why you get a lot of views and only a few comments?
![]()
well here on my DSL it's dl'ed in no time
and commenting while listening should be easy
well I don't use glow sticks here,
only my old disco mirrorball and colour organ.
sound is vibration, vibration is life
- KVRAF
- Topic Starter
- 4176 posts since 2 Feb, 2003 from lost in music
I really understand what you mean,emdot_ambient wrote:Okay . . . my real opinion is, to quote Fats Waller, "All that meat and no potatoes."
By that I mean, it sounds like just what you described--you set up 3 GURU tracks and then experimented mixing them live together. What's missing is an overall direction and any melodic focus. It's interesting for me to listen to from a production point of view, though. I'm trying to imagine how you've got it set up and how you're controlling it all. I've always felt that the missing element in electronic music is an organized way of improvising or jamming on extended mixes. The artist is pretty much left to figure out how to accomplish that. Every effort I've made with it ends up sounding unfocused and a bit stilted...
Anyway, thanks for sharing!
that is my first try,
and I share your feeling,
I think it could be better with a bit of sequencing,
and maybe better choice of loops
... but would that be important in a live situation?
this a serious question, sometimes I feel that we
have a different perception of live performances
compared to studio pieces.
we don't hear, feel, remeber faults and mistakes that much,
as on material that we can listen repeated.
Or???
But I'm sure I need more training for doing real live gigs.
sound is vibration, vibration is life
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- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
Serious answer: I think that would depend on the party and the peoplersmus7 wrote:... but would that be important in a live situation?
this a serious question, sometimes I feel that we
have a different perception of live performances
compared to studio pieces...
I've never had the pleasure of hearing good techno (as an old man I reserve the right to use that term to mean "electronic dance music that's not disco", not as a specific genre/subgenre) played live. I tried to go to a rave back in the mid-90s with a young associate from work who was really into it, but the evening turned into a total fiasco with the event being scheduled in Baltimore, and then unannounced being switched to a bad club in SE Washington DC where you had a choice of a seemingly unending drum & bass song on one dance floor and some truly horrible happy house music on another floor, which was very nearly as bad as the worst disco nightmare from my college days.
But it seems to me a live performance that really grabs you and holds you is one that goes on endlessly but that has a directed and compelling focus. If it's all beat, then the beats not only have to be infectious, but also varied enough that they don't get boring. If an interesting (if simple) melodic thread is interwoven into that, then you've got the thing licked.
Clear as mud?
