Shifting keys for dramatic effect?
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- KVRAF
- 1891 posts since 9 Oct, 2004 from Columbus,Ohio
Ok, so I know genres like R&B often will shift to a different key for the bridge, but up until now I've never had much use for it. I have something I'm working on that I want to use this with. Somewhere around the bridge/3rd verse I'd like to shift keys, but I don't want it to be too drastic or unnatural. I'm in the key of A minor right now, what would be some keys to shift to? I vaguely recall there being something to help us figure it out, maybe the circle of fifth was of good use in this situation? Anyways, I'd appreciate any help folks. Thanks.
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- KVRAF
- 6519 posts since 13 Mar, 2002 from UK
Have a look at this page... http://www.tonalcentre.org/Modulation.html
The whole thing's an interesting read but scroll down to 'Schoenberg's chart of the regions' for a concise diagram of the closest keys to A minor (or any other key).
The whole thing's an interesting read but scroll down to 'Schoenberg's chart of the regions' for a concise diagram of the closest keys to A minor (or any other key).
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JumpingJackFlash JumpingJackFlash https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=44005
- KVRian
- 1227 posts since 10 Oct, 2004
Also see my Introduction to modulation (changing key).
Unfamiliar words can be looked up in my Glossary of musical terms.
Also check out my Introduction to Music Theory.
Also check out my Introduction to Music Theory.
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- KVRAF
- 1975 posts since 4 Feb, 2005
All good stuff, just some other little tidbits for thought:
In pop music there are a couple of common modulation "tricks" you might want to look at -
1) Modulating exclusively to relative modes based on song section... That is to say, you do the verses in a minor, but the chorus in C Major. Same notes present, but a different harmonic focus. EDIT: I see Nuffink's link describes this.
2) What's known as a "Truck Driver's Gear Change," where in a song with a verse/chorus/bridge arrangement, after the bridge, the remaining chorus(es) are shifted up abruptly a half-step.
The former is really common in Nashville Pop/Contemporary "country". The latter considered a cliche by uppity songwriter snobs but... f**k 'em.
I don't know a terrible lot about Top 40 R&B (is that the kind you're talking about?) but I really don't imagine there are a modulations outside of these two appearing with any frequency.
In pop music there are a couple of common modulation "tricks" you might want to look at -
1) Modulating exclusively to relative modes based on song section... That is to say, you do the verses in a minor, but the chorus in C Major. Same notes present, but a different harmonic focus. EDIT: I see Nuffink's link describes this.
2) What's known as a "Truck Driver's Gear Change," where in a song with a verse/chorus/bridge arrangement, after the bridge, the remaining chorus(es) are shifted up abruptly a half-step.
The former is really common in Nashville Pop/Contemporary "country". The latter considered a cliche by uppity songwriter snobs but... f**k 'em.
I don't know a terrible lot about Top 40 R&B (is that the kind you're talking about?) but I really don't imagine there are a modulations outside of these two appearing with any frequency.
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- KVRian
- 1099 posts since 20 Nov, 2004 from Seinäjoki, Finland
Cool. I never knew the english term for this.Toxikator wrote: 2) What's known as a "Truck Driver's Gear Change,"
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- KVRAF
- 4692 posts since 28 Jan, 2003 from In these very interwebs
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Great Galactic Ghoul Great Galactic Ghoul https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=123438
- KVRist
- 158 posts since 9 Oct, 2006
Whole-step modulations up are also fun...though I'm not sure if the aforementioned truck driver covers that or if you need something larger, like a tank...Toxikator wrote: 2) What's known as a "Truck Driver's Gear Change," where in a song with a verse/chorus/bridge arrangement, after the bridge, the remaining chorus(es) are shifted up abruptly a half-step.
If you're feeling particularly adventurous, you can also modulate down a 1/2 or whole step and drop the tempo ever so slightly as well. It seems (and to some degree it is) wildly counterintuative, but it can work quite effectively under certain circumstances (read: it has a certain emotional impact that may or may not fit the track you're working on, or, YMMV...).
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