Best Modern Composers
- KVRAF
- 5175 posts since 29 Apr, 2006
Or better, who are "Your" favorite "Modern" composers and why?
And what cd's should we check out?
And what cd's should we check out?
- KVRAF
- Topic Starter
- 5175 posts since 29 Apr, 2006
1930-2007 or so
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- KVRist
- 43 posts since 20 Jun, 2004
PHILIP GLASS
JOHN ADAMS
JOHN ADAMS
- KVRAF
- 1665 posts since 22 Oct, 2004 from Schmocation
Robert Muczynski is worth more than one listen. You find some of his works on very reasonably priced Naxos records, with the composer himself playing the piano.
http://en.wikipedia.org/wiki/Robert_Muczynski
http://www.naxos.com/composerinfo/722.htm
http://en.wikipedia.org/wiki/Robert_Muczynski
http://www.naxos.com/composerinfo/722.htm
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Download SOphist Download SOphist https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=95874
- KVRAF
- 4435 posts since 26 Jan, 2006 from :noitacoL
Thelonious Monk, Bartok, Villa-Lobos, Duke Ellington, Charles Mingus, Mary Lou Williams. No why, just my favourites. Sorry.
@skipscada: thanks for the sugestion
@skipscada: thanks for the sugestion
member of the guild of professional dilettantes.
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- KVRian
- 1099 posts since 20 Nov, 2004 from Seinäjoki, Finland
Krsysztof Penderecki, Arvo Pärt, György Ligeti, Eino-Juhani Rautavaara.
Special mention for Stravinsky.
Special mention for Stravinsky.
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- KVRAF
- 1869 posts since 15 Sep, 2003 from Land of Crazies, USA
Hell, I'll go with the most obvious ones.. not the most "talented" as some people would say, but the most recognizable..
John Williams
Danny Elfman
Jerry Goldsmith
*I* like them.
I prefer powerful orchestral writing... if it's not loud, it's not music. 
John Williams
Danny Elfman
Jerry Goldsmith
*I* like them.
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- KVRian
- 646 posts since 18 Feb, 2006 from California
Morton subotnick
karlheinz stockhausen
iannis Xenakis
curtis roads
jonty harrison
harry partch
james tenney
steve reich
takemitsu
Olivier Messiaen
george crumb
luciano berio
Gyorgi ligeti
These composers I like because they seem to prevent concept from ruining aesthetics
EDIT: some recommendations
Morton subotnick - Touch/sky of cloudless sulphur
curtis roads - Point line cloud
jonty harrison - articles indefinis
steve reich - music for 18 musicians, drumming, piano phase
Olivier Messiaen - quartet for the end of time
george crumb - voice of the whale
Gyorgi ligeti - Lux Aeterna
karlheinz stockhausen
iannis Xenakis
curtis roads
jonty harrison
harry partch
james tenney
steve reich
takemitsu
Olivier Messiaen
george crumb
luciano berio
Gyorgi ligeti
These composers I like because they seem to prevent concept from ruining aesthetics
EDIT: some recommendations
Morton subotnick - Touch/sky of cloudless sulphur
curtis roads - Point line cloud
jonty harrison - articles indefinis
steve reich - music for 18 musicians, drumming, piano phase
Olivier Messiaen - quartet for the end of time
george crumb - voice of the whale
Gyorgi ligeti - Lux Aeterna
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- KVRAF
- 4684 posts since 25 Mar, 2006 from The city by the bay
Besides some of those already mentioned:
Anton Webern
Charles Ives
Conlon Nancarrow
Edgar Varese
Pierre Boulez
Anton Webern
Charles Ives
Conlon Nancarrow
Edgar Varese
Pierre Boulez
Last edited by rp314 on Wed Oct 10, 2007 2:20 am, edited 1 time in total.
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- KVRist
- 257 posts since 5 Jul, 2004 from Gaithersburg, MD
I'll +1 Adams, Reich, Penderecki, and Part.
- KVRAF
- 5703 posts since 8 Dec, 2004 from The Twin Cities
I'll break with the trend and name Schoenberg: opus 24 baby!
Bartok was the best by far (I have this on good authority) but Arnold was a pretty cool cat. Don't let his doctrinaire imitators fool you.
Nancarrow was also way cool. Varese was visionary, and his teacher Busoni is horribly underrated.
Webern was also very cool.
But if I continue, I will have no time left for work, because the era from 1890-1951 (Arnold's demise marks the end of the era to me) is the most fascinating era in music history to me.
Bartok was the best by far (I have this on good authority) but Arnold was a pretty cool cat. Don't let his doctrinaire imitators fool you.
Nancarrow was also way cool. Varese was visionary, and his teacher Busoni is horribly underrated.
Webern was also very cool.
But if I continue, I will have no time left for work, because the era from 1890-1951 (Arnold's demise marks the end of the era to me) is the most fascinating era in music history to me.