Nice work man.
M@
Thats exactly what i think too. There's not much difference in many EQ's. That's exactly what made me do an EQ. I wanted something that would live up to the promise of "coloring" the sound and having it's own character. But this NonameEQ is still great. It's got a good sound to it with minimal cpu usage. Beats any standard host-eq hands down in sound and usability(and cpu usage too).krank wrote: I don't mean to slam anyone or anything, but isn't a lot of this EQ talk a load of psyche?
bobsled wrote:It was meant well.
4 metamorphosis
Christian Budde wrote:...
Quando eu vi
que o Largo dos Aflitos
não era bastante largo
pra caber minha aflição,
eu fui morar na Estação da Luz,
porque estava tudo escuro
dentro do meu coração.
More like:bobsled wrote:...
When I saw
That the Largo of the Afflicted
It was not very long
Pra fit my distress,
I live in the Station of Light,
Because everything was dark
Within my heart.
Hey Christain,Christian Budde wrote: What's going on here? In regards of the Q/Bandwidth, I decided to build in a dependency to the gain. So for a minimum of gain/attenuation the Bandwith is wide, while for a maximum gain/attenuation it is narrower. If you look into the literature about the bandwidth you'll find several different definitions for the bandwidth. For example the -3dB rule doesn't hold if you only have a gain increase/decrease of less then 3dB. Also it alters with higher frequencies. At least it gets asymetric (which really isn't a bad thing). However the noname-EQ was designed to keep at least the lower octave tight (so it doesn't meat the higher octave criteria).
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