the Robert Plant & Alison Krauss record
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- KVRAF
- 2315 posts since 11 Mar, 2003
May i also suggest the Akron Family as appropriate listening - kind of like a proggy, folky Led Zeppy thing going on.
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- KVRAF
- 12235 posts since 18 Aug, 2003
Having now listened to all of it, my biggest complaint with it is that the vocal harmonies are the best part, but the majority of the songs have one singing lead and the other swooping in for back-up here and there. It should have been the two of them singing lead together on every song.
The instrumentation could have been more spare, too, to show off their singing. As it is, it has the usually too-polished-for-my-tastes T-Bone Burnett style of production.
The instrumentation could have been more spare, too, to show off their singing. As it is, it has the usually too-polished-for-my-tastes T-Bone Burnett style of production.
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
- R.I.P.
- 7301 posts since 23 May, 2006 from in between a cornfield and a river
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- KVRAF
- 12235 posts since 18 Aug, 2003
I just quickly scanned through to make sure I wasn't on crack (or confirm that I was).
Sister Rosetta Goes Before Us
Through The Morning, Through The Night
Please Read The Letter
Trampled Rose
Fortune Teller
Nothin'
Let Your Loss Be Your Lesson
These seven tracks all follow the model of one on lead, and one on occasional back-up. That's seven out of thirteen songs. And at least two others really under play the vocal harmony (where one vocal leads with a quieter accompaniment from the other, like for instance on Polly Come Home).
I suppose the instrumentation is spare in the grand scheme of things, but it's more embellished than say two voices and a banjo. I guess I meant the instrumentation could have used some loose ends. I find I get the same feeling from most T-Bone Burnett albums I've heard, they always sound really tidied up.
I don't dislike the album, and it has its merits, I just found myself as I listened wishing they had taken it all a bit further. It's a quirky pairing of singers, and they work surprisingly well together, but the album as a whole just doesn't seem to be trying to sell the pairing.
Sister Rosetta Goes Before Us
Through The Morning, Through The Night
Please Read The Letter
Trampled Rose
Fortune Teller
Nothin'
Let Your Loss Be Your Lesson
These seven tracks all follow the model of one on lead, and one on occasional back-up. That's seven out of thirteen songs. And at least two others really under play the vocal harmony (where one vocal leads with a quieter accompaniment from the other, like for instance on Polly Come Home).
I suppose the instrumentation is spare in the grand scheme of things, but it's more embellished than say two voices and a banjo. I guess I meant the instrumentation could have used some loose ends. I find I get the same feeling from most T-Bone Burnett albums I've heard, they always sound really tidied up.
I don't dislike the album, and it has its merits, I just found myself as I listened wishing they had taken it all a bit further. It's a quirky pairing of singers, and they work surprisingly well together, but the album as a whole just doesn't seem to be trying to sell the pairing.
- KVRAF
- Topic Starter
- 4184 posts since 10 Oct, 2002 from Nashville, TN USA
- KVRAF
- Topic Starter
- 4184 posts since 10 Oct, 2002 from Nashville, TN USA
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
- R.I.P.
- 7301 posts since 23 May, 2006 from in between a cornfield and a river
overall, the instrumentation was pretty sparse i thought, especially if you consider the average audience for the singers...mark ribot plays great, and it was pretty darn far from the country radio crap if you ask me...i could have used more of the "lead harmonies" as well, i'm guessing it was a commercial decision, but probably an on-the-spot production decision as well...but there were lots of harmonies too...i just think it was a great idea executed very well, and a pleasure to listen to....shamann wrote:Which part differs? You thought their vocal harmonies dominated?
EDIT: shamann, i just read your other post...i dig where you are coming from, and overall i agree...but it just sounds good to me, and i really don't like many things... i give credit to those who got this together, and i'd have to say there are enough good tunes to make it a
Last edited by Chuck E. Jesus on Thu Oct 25, 2007 10:53 pm, edited 1 time in total.
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- KVRAF
- 12235 posts since 18 Aug, 2003
I agree about the tame and tranquil thing, but that might not register as a positive with me.Shane Sanders wrote:Of course, I listen to a lot of drum based music, so just about anything this laid back is gonna seem tamer and tranquil to me.
Nonetheless, I don't begrudge you your fireflies.
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- KVRAF
- 12235 posts since 18 Aug, 2003
I thought maybe it was a time/scheduling thing. They needed enough tracks for an album, but getting vocal harmonies right can take a lot of time.Chuck E. Jesus wrote:i could have used more of the "lead harmonies" as well, i'm guessing it was a commercial decision, but probably an on-the-spot production decision as well
I didn't dislike it, just wasn't over the moon.
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Chuck E. Jesus Chuck E. Jesus https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=108246
- R.I.P.
- 7301 posts since 23 May, 2006 from in between a cornfield and a river
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- KVRAF
- 2493 posts since 6 Dec, 2005 from Bay Area, USA
I think it's brilliant.
Greg
Greg
Don't ask me, I just play here.
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- KVRAF
- 7879 posts since 16 Apr, 2003 from -on the outside looking in
Chuck E. Jesus wrote:Shane Sanders wrote:Looks like you can stream the whole thing:
http://www.robertplantalisonkrauss.com/site.php
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- Banned
- 1842 posts since 4 Aug, 2004 from just right here
Trying to hear it, takes a while.
Are they planning to get married or something?
Are they planning to get married or something?

