DEEP SPACES scales-oriented IR library finally released at dangerousbear.com

[Sickle]

Another vote for Dangerous Bear as a commercial aegis for you.

[Krakatau]

as two alternative compression formats :

www.anak-krakatoa.net/~downl/misc/G.sea

www.anak-krakatoa.net/~downl/misc/G.sit

i just hope now that all-in-all you can get something usuable (the 1st, supposedly, for mac platform, the second for owners of dropstuff)

-Good luck !

[Krakatau]

here a last mp3 on a more elaborate orchestration :

www.anak-krakatoa.net/~downl/IR/groove.mp3


From the original G list, 3 different IR involved :
- on the organ (G/Maj01.wav )
- the Harpsichord (G/Maj03.wav )
- and reFX Slayer (11-Norriscomb1-G .wav)


enjoy...

[Krakatau]

to bump this, two example of two different IR on a retuned singing bird, ( with reshaped formant on the second take ) :


www.anak-krakatoa.net/~downl/IR/bird1.mp3

www.anak-krakatoa.net/~downl/IR/bird2.mp3






____

P.S.: Just in case, i'm afraid my email adress is in trouble today, better PM me for contact if needed...

[Jake Jackson]

I would be interested in hearing the impulse that is used in the grand.mp3 with a usual piano multisample in the foreground and the impulse's amplitude greatly reduced, for a more conventional sound.

[Krakatau]

One more example :

www.anak-krakatoa.net/~downl/IR/Harpsichord.mp3


...with what is the very first instance ( on C melodic minor ) of the following set of impulses.( Using a self-made, harpsichord-like, evd6 patch from Logic )

[Krakatau]

I' m annoyed a bit because neither dangerous bear, nor spirit canyon audio have answered me on that purpose actually (AFAIK because i had some problems with my mail adress)... and the MST site seems to be down regulary

Any other suggestions apart from these anyone ?

[james0tucson]

I'm interested in IR, but I can't figure how you know what IR's are compatible with what effects? Or if they are all compatible, "why?" (That doesn't happen by accident!)

[dusted william]

can we hear a wet and dry example?

I'm trying to figure out exactly what it does.

dw

[Krakatau]

[EDITED] - some dry/wet/mix examples :

http://www.dangerousbear.com/deepspacesaudio/

[Krakatau]

Just as an indication on how they have been concieved :

1)- use a synth that can have at least 64 voices

2)- choose a simple sinus wave as waveform

3)- create a sustained envelope

4)- play (or program them to be played by your sequencer) all these notes on a choosen scale simultaneously within as much octaves as needed, during a very few seconds

5)- Bounce the result

6)- Create a fade out with the resulting audiofile in any audio editor and save it

7)- load the resulting file into a convolution reverb

...and base on this, make your own conclusions on how to increase the esthetic of the result !

[botkiller]

I think that what you are talking about doing here is very cool - albeit yes, a tad confusing to be explained. I think that the sound design aspect of it is very cool, I don't know that you're going to sell a library to a developer right off, but your sound design skills are obviously strong.

Personally I think that best example I've heard here is the bird 2 sound, I'd actually myself like to use that in something now, I love the sound of it. I'm curious - what are you going to do if you're not selling this library or leasing it out to someone? Will you sell the sounds individually? Is this all based solely on taking core samples and then changing their IR, or are you doing more to them?

[Krakatau]

Personally I think that best example I've heard here is the bird 2 sound, I'd actually myself like to use that in something now, I love the sound of it.

you mean the mp3 used as example ? - there's no problem at all...

- what are you going to do if you're not selling this library or leasing it out to someone? Will you sell the sounds individually?

well. ...honestly i don't have a clue on how i should do, they are at least about 900/950 IR made actually that obviouly can't be sold one by one

Is this all based solely on taking core samples and then changing their IR, or are you doing more to them?

I'm not shure about what you mean exactly (sometimes my english is limited)

Originally, the improvised tutorial i've shown in my last post was for me a very early working base in creating impulses, bounded to a choosen scale :

- sinus waves are a good base to begin because they don't have any harmonics that are to be considered at this stage of the creation of IRs as undesired artifacts

...and even in the case, the highest notes included in the resulting IR are often responding to the harmonic and timbral content of a sound source rather than their fondamental frequencies

[botkiller]

Personally I think that best example I've heard here is the bird 2 sound, I'd actually myself like to use that in something now, I love the sound of it.

you mean the mp3 used as example ? - there's no problem at all...

- what are you going to do if you're not selling this library or leasing it out to someone? Will you sell the sounds individually?

well. ...honestly i don't have a clue on how i should do, they are at least about 900/950 IR made actually that obviouly can't be sold one by one

Is this all based solely on taking core samples and then changing their IR, or are you doing more to them?

I'm not shure about what you mean exactly (sometimes my english is limited)

Originally, the improvised tutorial i've shown in my last post was for me a very early working base in creating impulses, bounded to a choosen scale :

- sinus waves are a good base to begin because they don't have any harmonics that are to be considered at this stage of the creation of IRs as undesired artifacts

...and even in the case, the highest notes included in the resulting IR are often responding to the harmonic and timbral content of a sound source rather than their fondamental frequencies

Well, if it's alright with you, I'd love to use that sample in a track. It is truly awesome sounding.

I suppose what I meant by my question was, are you simply taking recorded samples of pianos, organs, etc. and then applying your formula to them, or have you written something to do this automatically?

If I'm reading correctly, you're basically saying that you are taking the most dry sample (a sine, without any harmonics) and then applying your formula to it to give it new harmonics, as well as an obviously different sound...

I think that if you have a sound library, you could just sell it yourself. Obviously leasing or selling it to someone is going to get you more money, which would be nice - but I think that a great thing is being able to get specific sounds that you want, and sometimes not the whole library - that's just me, based on how I work, so take it with a grain of salt.

Either way, these sounds are pretty nice...

[Krakatau]

http://www.anak-krakatoa.net/~downl/IR/ ... ddered.mp3

Just fixed this link that wasn't valid...


( +little bump )