Sorry this response is so late, but this is interesting advice. could you elaborate why? Is this a known interesting combination? Don't know that much about how cents work..but i do tweak them randomly from time to time.tamahome wrote:E7 then. Get AP-Tuner, and flatten the D's 31 cents and the G# 15 cents.
The lost chord
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- KVRist
- Topic Starter
- 294 posts since 25 Apr, 2006
"You must not only aim aright, but draw the bow with all your might."
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- KVRist
- 295 posts since 19 Mar, 2006
This is known as a harmonic 7th chord in just intonation or microtuning. You get an exact frequency ratio of 4:5:6:7. The individual notes are 1/1, 5/4, 3/2, and 7/4.
Check out Willie Mcblind's first track for chords like this:
http://cdbaby.com/cd/williemcblind
Check out Willie Mcblind's first track for chords like this:
http://cdbaby.com/cd/williemcblind
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- KVRist
- Topic Starter
- 294 posts since 25 Apr, 2006
thanks for clearing that up for metamahome wrote:This is known as a harmonic 7th chord in just intonation or microtuning. You get an exact frequency ratio of 4:5:6:7. The individual notes are 1/1, 5/4, 3/2, and 7/4.
Check out Willie Mcblind's first track for chords like this:
http://cdbaby.com/cd/williemcblind
cool cd as well
"You must not only aim aright, but draw the bow with all your might."
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- KVRAF
- 8389 posts since 11 Apr, 2003 from back on the hillside again - but now with a garden!
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- KVRist
- 195 posts since 11 Dec, 2006
The mother chord comes from Nicholas Slominksy's 1947 publication "Thesaurus of melodic scales and patterns" Slominksy says the idea was first introduced by Austrian musician Fritz Klein in 1921, in a compostion called "Die Maschine".

