Cool, I'll try it out!
Edit: not bad, sounds like basic distortion into a high pass filter.
Cool, I'll try it out!
YEEEEEEEEAAAAAAAAH BOYEEEEEEEEE!Sickle wrote:Oh man, just f**k off, seriously, you stupid f**king dumb person. How can you POSSIBLY have any backside left to f**king talk out of?Midiworks wrote:take the worst distortion vst you can find,
but it will be better than Big Muff...
Is this board absolutely fed up with this Village Idiot or what?


Is that in the Reaktor Library, Sickle?Sickle wrote:
And a parsons in a pear treeeeeeeeeee.Hink wrote:Alan lives in Santa Barbara, California with his wife Lisa and her two daughters, Tabitha and Brittni, three cats, four Guinea pigs, a lop-eared rabbit, a giant Labrador called Harrow and an 18-hand Clydesdale called Dante.
firstshamann wrote:And a parsons in a pear treeeeeeeeeee.Hink wrote:Alan lives in Santa Barbara, California with his wife Lisa and her two daughters, Tabitha and Brittni, three cats, four Guinea pigs, a lop-eared rabbit, a giant Labrador called Harrow and an 18-hand Clydesdale called Dante.
Don't know if it makes a difference to anyone, but Audio Damage's Fuzz+ is based on a MXR pedal, not an EH.
Midiworks wrote:take the worst distortion vst you can find,
but it will be better than Big Muff...
Hink wrote:I can't even begin to tell you how much I agree with that...much of my "guitar thinking" goes against today's conventional wisdom so it is no surprise that this one does too. Honestly in the 70s and 80s around here no guitar player over the age of 15 that I knew would admit to using one. In fact EH itself was considered by many to be toy makers. I often compare it to Hondo guitars of that era, but bear in mind that when I thought like that I was in my late teens and early 20s. I threw my Big Muff out a window with great glee, these days nostalgia has made EH more than it ever was.Midiworks wrote:take the worst distortion vst you can find,
but it will be better than Big Muff...
Keep in mind that at one point there fuzz was a new concept and there was not the vast choices we have today for pedals. Quickly though Dunlop, Maestro, Morley and MXR made their mark and EH was the "el cheapo" models.
On top of that you had to like fuzz to begin with, as a kid I was of the thought it was the only kind of distortion available for guitar. When I got my first tube amp I finally learned that overdrive was much better for my needs than fuzz.
A lot of people do not know that there was two other versions in the Muff series, the little big muff and I think the other was baby muff or mini muff...I really can't remember but a little googling will find it. It actually had a 1/4" plug coming out of it and you plugged the whole box into your amp jack. I put the guts from one of those in my guitar and it was my first (and worst) pre-amp. The best of the muff series was the little big muff.
I imagine Rene that you could make a fuzz vst better than the any EH in your sleep, unfortunately a lot of people like to romanticise that crap and do not understand that technology has improved distortion for guitars by leaps and bounds since the original Big Muff.
Okay KvR shoot me down now, it always happens when I say this about EH...but back in the day it really wasn't all that
got anything more venturesy? i'm asking preemptively for cg surf rock session this weekend.
don't mess around dude this is GUITARS. and some of the participants are known americans.vurt wrote:who knew muff would be so controversial?
Hell hath no fury like...vurt wrote:who knew muff would be so controversial?
easily.shamann wrote:Could you explain the differences?buscemi wrote:there is a difference between distortion and fuzz
Sorry.. So far no. IMO the only thing in software that even gets close to a surf guitar sound is the Line6 gearbox.xoxos wrote:got anything more venturesy? i'm asking preemptively for cg surf rock session this weekend.
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