Why do people bash Roland?
- KVRian
- 926 posts since 15 Mar, 2004 from Tokyo, Japan
It seems (I may be wrong) that Roland is perceived by many as being "less innovative" and "stuffier" than Korg or Yamaha. Why is this—surely the V-synth(s), with their elastic synthesis, are pretty cool and innovative? And the Fantom G and the Supernatural boards surely do break some new ground, no?
Sorry, I am not particularly biased toward Roland or any other company, just wondering...
Regards,
T
Sorry, I am not particularly biased toward Roland or any other company, just wondering...
Regards,
T
Eion Flow: Lush, cinematic electronica from the urban galaxy that is Tokyo, Japan. More on eionflow.com | Facebook | Soundcloud
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- Banned
- 239 posts since 14 May, 2008
lol i dunno man, but ill tel you wat, if you want to find innovation and creation just look at yamaha. that company is insane, they make eveyrhting top of the line from dirtbikes to boats to guitars to electronic instruments to piano emulations and whatever the hell else they make. i bet you coudl start some kind of funky museum for yamaha showing all the random shit theyve made, i bet theres a yamaha brand product for eveyr need known to mankind. its a little wild i think how much stuff yamaha makes, next i woudl expect them to make a car or soemthign lol. it wil probably be the next mercedez benz probably some shit with killer acoustics and a killer engine. or sum yamaha toothpaste, id buy that shit 
- KVRAF
- 1855 posts since 21 Sep, 2004 from Musician, Recording Engineer, Producer
Because they are on top. I do the same thing to Nike, and Apple. Yeah... I know, Apple is the underdog in the general population, but it isn't in the post production world.
Something in me just seems to loathe what's on top. I like to root for the underdog.
That being said... I own some roland gear and it rocks.
Something in me just seems to loathe what's on top. I like to root for the underdog.
That being said... I own some roland gear and it rocks.
- KVRAF
- 3780 posts since 5 Mar, 2004 from Gold Coast Australia
Roland from the mid 90's on tended to play it rather safe and there became something rather samey about most of their synths. The Roland Sound, immediately arresting but hard to alter in an instrument. At least that is what I felt.
However the Fantoms offer a lot of bang for the buck (not as much as the Alesis) and I adored my SE-70 fx unit which was a bit off the wall. The new SH-01 thingee also sounds pretty nice - if limited down the track.

However the Fantoms offer a lot of bang for the buck (not as much as the Alesis) and I adored my SE-70 fx unit which was a bit off the wall. The new SH-01 thingee also sounds pretty nice - if limited down the track.
Benedict Roff-Marsh
http://www.benedictroffmarsh.com
http://www.benedictroffmarsh.com
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- KVRian
- 1343 posts since 26 Aug, 2005 from Netherlands
Question is... do they make potato products?Audio Gnostic wrote:lol i dunno man, but ill tel you wat, if you want to find innovation and creation just look at yamaha. that company is insane, they make eveyrhting top of the line from dirtbikes to boats to guitars to electronic instruments to piano emulations and whatever the hell else they make. i bet you coudl start some kind of funky museum for yamaha showing all the random shit theyve made, i bet theres a yamaha brand product for eveyr need known to mankind. its a little wild i think how much stuff yamaha makes, next i woudl expect them to make a car or soemthign lol. it wil probably be the next mercedez benz probably some shit with killer acoustics and a killer engine. or sum yamaha toothpaste, id buy that shit
- KVRAF
- 9590 posts since 17 Sep, 2002 from Gothenburg Sweden
If you should bash anyone on those premises it has to be Yamaha. They stopped making synthesizers ten years ago. They made brilliant ones up to that point and now they're rehashing the same old sampleset in endless Motif variations.tranel wrote:It seems (I may be wrong) that Roland is perceived by many as being "less innovative" and "stuffier" than Korg or Yamaha. Why is this—surely the V-synth(s), with their elastic synthesis, are pretty cool and innovative? And the Fantom G and the Supernatural boards surely do break some new ground, no?
Sorry, I am not particularly biased toward Roland or any other company, just wondering...
Regards,
T
Korg makes the Oasys and Roland makes the V-Synth.
People are just pissed that they don't make the 303,909 and Jupiter 8 anymore which would be utterly pointless.
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- KVRAF
- 4727 posts since 25 Mar, 2006 from The city by the bay
I still use (adore is a term I reserve for guitars, art, and womenBenedict wrote:and I adored my SE-70 fx unit which was a bit off the wall.
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- KVRAF
- 42529 posts since 21 Dec, 2005
One thing you can always say about roland (or boss) is they don't make much cheesy "flimsy" stuff. It's pretty much built like a tank by and large. Not sure that's exactly the case with korg and yamaha (though I own much of their stuff happily too) 
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- KVRist
- 440 posts since 13 Mar, 2002 from Munich / Bavaria / Germany
Roland's lawjers threatened us that they would sue us, because of the VST synth Junox2 (which was similar to the Roland Alpha Juno). We were forced to remove it from the market, because the 'gui' and the 'look and feel' of the synth would be too similar.
- KVRAF
- 9590 posts since 17 Sep, 2002 from Gothenburg Sweden
So you should be able to protect your Intellectual Properties but they should'nt ?Markus from Tone2.com wrote:Roland's lawjers threatened us that they would sue us, because of the VST synth Junox2 (which was similar to the Roland Alpha Juno). We were forced to remove it from the market, because the 'gui' and the 'look and feel' of the synth would be too similar.
It was clearly an attempt to cash in on Rolands popularity that they have built up during the years without paying them a nickle. I really don't see your point.
- KVRAF
- 3780 posts since 5 Mar, 2004 from Gold Coast Australia
What limits? For the time it would let me chain some stupid number of fx compared to my Quadraverb (Guitar algo I think) and the vocoder was lovely.rp314 wrote:I still use (adore is a term I reserve for guitars, art, and womenBenedict wrote:and I adored my SE-70 fx unit which was a bit off the wall.) one. I'll get something new if it ever needs repairing but until then it's still doing just fine, limitations and all.
Just been listening to old albums of mine from when I had Emax II, Casio CZ-1000, Yamaha DX-100 and a Roland JV-880 which I barely used. FX were Boss SE-70 and Alesis Quadraverb. No real compression. I think I had a Boss Peak Limiter I rode light. Mastered to MiniDisc and bounced back to PC to burn to CD. Geez the sound is great.
Anyway I digress. Roland can be good or bad depending on the product and perspective.
Benedict Roff-Marsh
http://www.benedictroffmarsh.com
http://www.benedictroffmarsh.com
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- Banned
- 1842 posts since 4 Aug, 2004 from just right here
Are we trying to start some kind of debate here cause the whole thread seem's a bit lame so far? I think Roland sought of started to loose the plot whitn the alpha Juno which might have been FM? Maybe someone could enlighten us about that one i.e Roland and Yamaha?Benedict wrote:Roland from the mid 90's on tended to play it rather safe
Roland can be flimsy as Yamaha, depends on the model. For example, the Roland RS-09 is a fair example of a well built synth, a metal box whith wooden sides. The programable one's are bit of a potential meitenance worry. Though don;t knock those cheap plastic toy ones too quickly cause they don;t have knobs or wires, they are just a circuit board whith press buttons?hibidy wrote:One thing you can always say about roland (or boss) is they don't make much cheesy "flimsy" stuff.
Im not sure about now but Roland certaintly has had its innovative momments. For example Roland trying to emulate a drum kit whith just good old fashion electronic circuit design is quite amazing. You can;t say that computer controlled sequencing and midi was not innovative. I some how think that over a fairly short period of time that maybe Roland has been way too innovative too many times?tranel wrote:It seems (I may be wrong) that Roland is perceived by many as being "less innovative" and "stuffier" than Korg or Yamaha.
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- KVRAF
- 42529 posts since 21 Dec, 2005
yeah, I guess they can be "the same". I had an ediorol controller that was a POS, I forgot about it till a couple of minutes ago........guess I'm thinking more of the boss fx and roland "boxes" that are tank built........sorry bout that........
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- KVRAF
- 2314 posts since 11 Mar, 2003
i'm an absolute Roland whore, here's what i own:
CR-78, CR-80, RE-501, Jupiter 4, SH-09 ,CSQ-600, MC-202, R-8M, PB-300, DC-50, D-10 (only synth i've ever sold, it was crap), JD-800, JD-990
Also Boss SE-70, RC-50 and loads of compact pedals.
Spot the fact that there's nothing post JD-990. Have to say i think they've gone pretty crappy after that. Where's all the quirky stuff? i mean the 303, 808 and 909 created whole genres. Of the new stuff only the V-Synth and V-Drums really excites and i'd probably get an RD-700 as a 88-note weighted controller but that's about it. The rest is re-cycled S&S (new Junos etc.).
Bring back my old Roland
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CR-78, CR-80, RE-501, Jupiter 4, SH-09 ,CSQ-600, MC-202, R-8M, PB-300, DC-50, D-10 (only synth i've ever sold, it was crap), JD-800, JD-990
Also Boss SE-70, RC-50 and loads of compact pedals.
Spot the fact that there's nothing post JD-990. Have to say i think they've gone pretty crappy after that. Where's all the quirky stuff? i mean the 303, 808 and 909 created whole genres. Of the new stuff only the V-Synth and V-Drums really excites and i'd probably get an RD-700 as a 88-note weighted controller but that's about it. The rest is re-cycled S&S (new Junos etc.).
Bring back my old Roland
- KVRian
- 579 posts since 18 Apr, 2002 from Nu Earth
pffff what pig ignorant statement...f absurd..the similarities were fleeting at best...Roland think they own combinations of numbers and letters now...despite the fact they haven't made anything vaguely interesting themselves using such names for many years.jupiter8 wrote: It was clearly an attempt to cash in on Rolands popularity that they have built up during the years without paying them a nickle. I really don't see your point.
