Albino vs Gladiator vs Surge vs Zebra

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For my last synth purchase I should get

Albino
31
12%
Gladiator
35
13%
Surge
27
10%
Zebra
136
51%
Other
37
14%
 
Total votes: 266

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zerocrossing wrote:
SWAN808 wrote:carefully modelled analogue Osc in timewARP. You can hear the differences fairly easily in the examples IMO...:
For giggles I got the Timewarp demo, but I was so annoyed at the presets that distort the channel. Poly-ana does this too. What's up with that? I know this isn't the pet peeve thread, but one of the sure ways to turn me off on your software is to give it presets that are all over the place in terms of volume.
Not been loving the demos recently have you? :wink:

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Howard wrote: Bandpass ;)
Hm, ok. So could you give that sound a shot? I mean, really, using bandpass didn't do much for me.
Maybe it's the source I'm getting wrong or whatever. Dunno.

- Sascha
There are 3 kinds of people:
Those who can do maths and those who can't.

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Hey, I just tried KarmaFX and this is a VERY NICE synth (modular). I'm not sure about Zebra now. I really like it and now I think the interface is cool, but the sound of KarmaFX is really, really good and it's half the price of Zebra...

Though decision.

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xx JPRacer xx wrote:...the sound of KarmaFX is really, really good...
:?
Really really?

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Howard wrote:
xx JPRacer xx wrote:...the sound of KarmaFX is really, really good...
:?
Really really?
I really like the presets you've made in Zebra and always consider what you're saying but I don't understand why you're saying this. Do you think the sound of KarmaFX is bad? If you do, can you tell me what you dislike.

And I'll be honnest, I try the synth on crappy speakers with really low volume, maybe I didn't hear well but from what I've heard the sound was very good.

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xx JPRacer xx wrote:I try the synth on crappy speakers with really low volume, maybe I didn't hear well but from what I've heard the sound was very good.
Well, those aren't really the best conditions to judge sound quality - are they?

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I Voted Zebra.
What is Albino even doing on that list?
Its filters are just miles and miles behind the 3 other options.

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xx JPRacer xx wrote:
Howard wrote:
xx JPRacer xx wrote:...the sound of KarmaFX is really, really good...
:?
Really really?
I really like the presets you've made in Zebra and always consider what you're saying but I don't understand why you're saying this. Do you think the sound of KarmaFX is bad? If you do, can you tell me what you dislike.

And I'll be honnest, I try the synth on crappy speakers with really low volume, maybe I didn't hear well but from what I've heard the sound was very good.
KarmaFX does sound very good. I'd try it under better conditions, but you really don't have anything to worry about. It's an excellent synth. I would highly recommend it. It's quite easy to use, and has an excellent manual. The developer is also very quick to respond both with email and in the forums.

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SWAN808 wrote:
zerocrossing wrote:
SWAN808 wrote:carefully modelled analogue Osc in timewARP. You can hear the differences fairly easily in the examples IMO...:
For giggles I got the Timewarp demo, but I was so annoyed at the presets that distort the channel. Poly-ana does this too. What's up with that? I know this isn't the pet peeve thread, but one of the sure ways to turn me off on your software is to give it presets that are all over the place in terms of volume.
Not been loving the demos recently have you? :wink:
I don't get the wink. No, I did't love the demo. If the presets that ship with your demo clip the output of the track they're in (and even their own output indicator) then that's what I call a fail.
Zerocrossing Media

4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~

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zerocrossing wrote:
I don't get the wink. No, I did't love the demo. If the presets that ship with your demo clip the output of the track they're in (and even their own output indicator) then that's what I call a fail.
It was a joke because I remembered reading about you complaints on Gladiator also...

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Here's my review of Gladiator 2 for what it's worth....

http://waveformless.blogspot.com/2009/0 ... tor-2.html

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zerocrossing wrote:
SWAN808 wrote:carefully modelled analogue Osc in timewARP. You can hear the differences fairly easily in the examples IMO...:
For giggles I got the Timewarp demo, but I was so annoyed at the presets that distort the channel. Poly-ana does this too. What's up with that? I know this isn't the pet peeve thread, but one of the sure ways to turn me off on your software is to give it presets that are all over the place in terms of volume.
You bothered with the presets in TimewARP? But-but-but it's all about the virtual cable madness: a beardy geek-dream come true! Next you'll say Robert Smith sucks because of his spider-head hair-style and penchant for baggy sweaters!

Heresy!
Anger is a sublimated desire for control.

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tshear23 wrote:Here's my review of Gladiator 2 for what it's worth....

http://waveformless.blogspot.com/2009/0 ... tor-2.html
As always, nice work, good review!

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Thanks, glad you liked it!

http://waveformless.blogspot.com

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Madrayken wrote:
zerocrossing wrote:
SWAN808 wrote:carefully modelled analogue Osc in timewARP. You can hear the differences fairly easily in the examples IMO...:
For giggles I got the Timewarp demo, but I was so annoyed at the presets that distort the channel. Poly-ana does this too. What's up with that? I know this isn't the pet peeve thread, but one of the sure ways to turn me off on your software is to give it presets that are all over the place in terms of volume.
You bothered with the presets in TimewARP? But-but-but it's all about the virtual cable madness: a beardy geek-dream come true! Next you'll say Robert Smith sucks because of his spider-head hair-style and penchant for baggy sweaters!

Heresy!
Call me crazy, but when I first demo a synth the thing I do is peruse the presets. Sometimes I'm feeling tweaky, but a lot of times I only have an hour or so to jam so I need to get to business. Part of what I feel I'm paying for is sound design. When I'm trying to get a feel for the general personality of a synth and it's presets are peaking their own meter and distorting Live, I have to think, what the hell? Yeah, I could put a brick wall limiter after it, but usually at that point I yell "fail." and move on. Too much good competition. I had another look at Poly-ana's presets that I mentioned and I noticed that although a lot of them are super hot, they only really distort if you play a bunch of notes at one time, and generally sound really good. Frankly for that type of vintage tone my vote goes to Poly-ana.

Also, Robert Smith? Not all that into him. Whiney sort. Here's some video I took while remodeling his house:

Zerocrossing Media

4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~

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