If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
Native vs. UAD, comparisions....
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- KVRist
- 278 posts since 21 Aug, 2007
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- KVRAF
- 3864 posts since 29 Feb, 2004
If you're into gigaflops and whatever, why not get into gaming, extreme overclocking and stuff ? They got nice fps, too.The Chase wrote:That's why gigaflops are such a good comparison though. Had he been comparing partially architectural things like Ghz then it wouldn't be a fair comparison, but FLOP/S is purely a performance spec and therefore a reliable comparison between different types of systems.dirty oscillators wrote:the point was that he was comparing processing power between two processors which are not designed to do the same set of tasks. i could be wrong but it seemed that he was in fact comparing apples to oranges to make his point.The Chase wrote:Like what? So far no one has really provided any compelling falsifications to his claims.WillieJenkins wrote:Then study harder. Cause right now you're failing 101.
Last time I checked it was notes, lyrics and sound that mattered in music.
Oh well,
susiwong
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
You're presenting what argument? You have apparently missed the point, which is...no, I won't even bother. Let me ask you this instead: Is it the tools or the user that results in good music?rexxz wrote:If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRist
- 278 posts since 21 Aug, 2007
I did not miss the point, it is you that seems to have done so. What I'm telling you is that the tools do matter. There is a quantifiable and observable difference in objective qualities between tools, and to claim otherwise is a folly.eduardo_b wrote:You're presenting what argument? You have apparently missed the point, which is...no, I won't even bother. Let me ask you this instead: Is it the tools or the user that results in good music?rexxz wrote:If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
Apparently it's all floating points, processors and money. Who knew.susiwong wrote:Last time I checked it was notes, lyrics and sound that mattered in music.
Oh well,
susiwong
Not us.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
Folly is believing that music technology is more important than music. You seem oblivious to this reality. Quantify that.rexxz wrote:I did not miss the point, it is you that seems to have done so. What I'm telling you is that the tools do matter. There is a quantifiable and observable difference in objective qualities between tools, and to claim otherwise is a folly.eduardo_b wrote:You're presenting what argument? You have apparently missed the point, which is...no, I won't even bother. Let me ask you this instead: Is it the tools or the user that results in good music?rexxz wrote:If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRist
- 278 posts since 21 Aug, 2007
Please show me where I stated that I believed that. Go on, I'm curious to see.eduardo_b wrote:Folly is believing that music technology is more important than music. You seem oblivious to this reality. Quantify that.rexxz wrote:I did not miss the point, it is you that seems to have done so. What I'm telling you is that the tools do matter. There is a quantifiable and observable difference in objective qualities between tools, and to claim otherwise is a folly.eduardo_b wrote:You're presenting what argument? You have apparently missed the point, which is...no, I won't even bother. Let me ask you this instead: Is it the tools or the user that results in good music?rexxz wrote:If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
You're too opinionated to be curious. The tools don't matter anywhere near as much as the person using them. They can't replace talent. Spending more money won't change this. There's nothing to quantify.rexxz wrote:Please show me where I stated that I believed that. Go on, I'm curious to see.eduardo_b wrote:Folly is believing that music technology is more important than music. You seem oblivious to this reality. Quantify that.rexxz wrote:I did not miss the point, it is you that seems to have done so. What I'm telling you is that the tools do matter. There is a quantifiable and observable difference in objective qualities between tools, and to claim otherwise is a folly.eduardo_b wrote:You're presenting what argument? You have apparently missed the point, which is...no, I won't even bother. Let me ask you this instead: Is it the tools or the user that results in good music?rexxz wrote:If this is the case, why pay for something that costs a lot more? I'm just taking your statement and presenting an argument based on what you said, not what is really true or not.eduardo_b wrote:The music will still be good regardless of the tool if it is used wisely.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRist
- 278 posts since 21 Aug, 2007
Once again, missing the point. Also I'd like to know how I'm "too opinionated to be curious". That's blatantly false. There is a very simple truth of reality that tools do indeed matter. Whether you choose to place their level of importance low or high, none can argue that they matter. That is all I was saying.eduardo_b wrote:You're too opinionated to be curious. The tools don't matter anywhere near as much as the person using them. They can't replace talent. Spending more money won't change this. There's nothing to quantify.
I presented my first question to you because you said the music will be good regardless of what tool is used. While it may be true on paper, the tools affect how the music sounds, and conversely how we enjoy them. A song recorded with a 10 dollar microphone on a 4 track mixer with an out of tune squier would not sound nearly as good as one recorded with superior tools. Are you going to argue that this is not true? A simple yes or no will suffice.
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dirty oscillators dirty oscillators https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=122600
- KVRAF
- 2739 posts since 4 Oct, 2006
however i'd rather hear a good talented musician play a cheap out of tune upright Kimball then a bad untalented musician play a Steinway grand.
Last edited by dirty oscillators on Thu Mar 26, 2009 9:11 pm, edited 1 time in total.
Eins zwei drei vier funf sechs sieben acht
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dirty oscillators dirty oscillators https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=122600
- KVRAF
- 2739 posts since 4 Oct, 2006
you're saying that the tools do matter, to a degree. however, you're not defining the degree and if that's more important than the talent of the user or not.rexxz wrote:Clearly, that is not my point of contention however. I think anyone with a pair of eyes can realize what I am saying.
Eins zwei drei vier funf sechs sieben acht
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- KVRist
- 278 posts since 21 Aug, 2007
I never brought that second part up, so I didn't feel the need to define them. I simply stated that tools matter. I never claimed superiority over anything. One should argue against what is presented, not create strawmen because they feel like I am implying something else. If someone misinterprets my statement, it is their own fault.
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dirty oscillators dirty oscillators https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=122600
- KVRAF
- 2739 posts since 4 Oct, 2006
it's quite an obvious blanket statement then.
Eins zwei drei vier funf sechs sieben acht
