They have promised a vsti version of the editorjplanet wrote:There are some modulation routings that I am used to in VSTi's, such as being able to modulate with aftertouch.
hope it will come , though!
They have promised a vsti version of the editorjplanet wrote:There are some modulation routings that I am used to in VSTi's, such as being able to modulate with aftertouch.

Mr Arkadin wrote:If you don't want a keyboard and definitely want Mini sounds, then you could go for one of these:

I haven't used an Andromeda since they first came out and at the time, I just didn't get along with it. The sound was okay, but the earliest versions were quite flaky (something that was addressed pretty quickly, but not before I lost interest). When the Andromeda was issued, it was still possible to get good vintage analogs for far less than what they cost today, so I never looked at the Andromeda after that initial encounter. By the time the bugs were ironed out and the prices came down they were impossible to find in my area, and I've never seen another in person (and since I don't need one myself, I wouldn't order one in just to play with it).mao wrote:I don't think the LP and Voyager sounds the same. I played a lot with both before buying one. My first idea was to get the LP to save some $ but at the end the Voyager is by far more creamy, less aggressive and the double filter with spacing gives me a lot more than LP. The Voyager RME is the balanced solution. A little more expensive than LP but far better.
Mopho... well try a second hand DSI Evolver and you'll be on heaven.
I would like to ask Scot Solida why the P08 instead of an Alesis Andromeda? I mean you are a well known guru sound creator.. you know everything about synthesis... so why not approaching a beast like the A6?
This is what I'm starting to wonder - the Minimax always comes up as an outstanding Moog emulation, and the Minimonsta, IMHO, is better...so if some people think the Minimax is better than the Voyagers, and I like the Minimonsta better than the Minimax, what am I really spending my money on?Salis wrote:Its a shame theres no big up for Minimonsta in this thread. It is give or take one of the best mini emulations out there and its cheap as hell compared to Lil Phatty.
my exact situation. Minimonsta is THAT good! and I can save the patches...jplanet wrote:I can just picture gettinga Minimoog, and being too lazy to hook it up to my rig, and end up with Minimonsta tracks with all their unique modulation routings, and not wanting to replace those tracks with the real Moog...
What I really need to do is rent or borrow one of these for a bit, and see if it adds that special something to my tracks that will make it worth it...SWAN808 wrote:personally the Minimonsta does not come close to the quality of sound of the phatty. I would endeavor to describe further but I have learnt the lesson not to extol the virtues of analogue in KVR. I found the Minimax to be very nice - but still slightly lacking when compared to a real moog - in my opinion.
Also FWIW I understand that the fliter and the VCOs of the phatty are the same as the Voyager. However the Voyager does not have the great drive circuit of the phatty. And you can expand the phatty with moogfoogers - so that it become quite a versatile monosynth...
This may be the only answer that will satisfy you in the long run... it certainly was for me. I have owned lots of vintage Moogs, lots of emulations, lots of other classic synths, and always felt that while most were good in their own right, they fell short of the Minimoog. Eventually, I just gave in and bought an old Mini and had it restored. I secretly wanted all of the legend of the Mini to be hype... 'cause it was expensive. However, it quickly became clear to me that this was the sound I had been after (well, one of them, anyway) and became equally as clear that little else could replicate it, including other Moogs both old and new. Why? I don't know. Maybe its the envelopes. Maybe its the fact that the Minis were designed by ear, not on a spreadsheet. I can't tell you. For all I know, maybe my particular Minimoog is the only one that sounds this way. But I can tell you that there is a sound and a playability to the real Mini that never fails to inspire me. Unfortunately, I can't get that from a modern Moog. If you shop around, you can find a real vintage Mini for two or three grand. You can then send that Mini to someone like www.analogics.org for a reasonably priced restoration that will bring it up to a modern spec. You will of course need to show it a little more love and care than you would a modern, garishly colored plastic and metal instrument, but if it's the Minimoog you are after, little else will suffice.jplanet wrote:Maybe I should just keep my money and get a real Moog when I really have money to spare...
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