New (Tristeza Orange) track: Half-Mute Irene

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Half-Mute Irene, Or: Elegies for Automated Sampler and Synthesizer

...in three sections

Fragment 1: Power Lines (0:01-4:38 )
Fragment 2: Radiowaves Of Glory (4:39-6:59)
Fragment 3: Asphodels (7:00-10:07)

Here: http://www.box.net/shared/5vls1m3xmt

I'm specifying that it's a Tristeza Orange (and not Electric Sound Continuum) track in the title, so you won't expect any harmony, melody or any of that other sissy stuff. :hihi:
Last edited by TristezaOrange on Thu Aug 20, 2009 3:47 pm, edited 3 times in total.

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I like this a lot. Thank you.

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Thank you DH. You are very, very welcome! :D

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Consider her bumped!

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1. There's harmony!
2. As usually with TO stuff, I like it! :)

Cutting metallic tones in the beginning of the 2nd part/movement are splendidly ear-shattering. And I love how this all structured. Basically, that's how Yes circa 1973 would sound if only they were into the right sort of sound :hihi:

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TristezaOrange wrote:I'm specifying that it's a Tristeza Orange (and not Electric Sound Continuum) track in the title, so you won't expect any harmony, melody or any of that other sissy stuff. :hihi:
No sissy stuff for sure :hihi: Anyway it's not the usual TO stuff IMO, there's some interesting "melodic" content which is far beyond the white noise sound which usually cracks my ears :hihi: In some spots, in the beginning above all, it remembers some works of those crazy russian classical composers :D

You should check some works by

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Cool stuff, TO. The key bends are sickieningly pleasant and the the mood overall is akin to something I might do. I really enjoyed the sounds and madness of this.

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Jazz Franco wrote:1. There's harmony!
2. As usually with TO stuff, I like it! :)

Cutting metallic tones in the beginning of the 2nd part/movement are splendidly ear-shattering. And I love how this all structured. Basically, that's how Yes circa 1973 would sound if only they were into the right sort of sound :hihi:
Thank you very much Jazz! :) Well, there is some harmony indeed, just not my usual major sevenths. :D I'm doing another record right now, which is much poppier and I wanted to channel my dark energy into something else. Of course there's also my HP Lovecraft to concentrate on, but this didn't fit that EP very well.

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MaxSynths wrote:
TristezaOrange wrote:I'm specifying that it's a Tristeza Orange (and not Electric Sound Continuum) track in the title, so you won't expect any harmony, melody or any of that other sissy stuff. :hihi:
No sissy stuff for sure :hihi: Anyway it's not the usual TO stuff IMO, there's some interesting "melodic" content which is far beyond the white noise sound which usually cracks my ears :hihi: In some spots, in the beginning above all, it remembers some works of those crazy russian classical composers :D

You should check some works by
:hihi: :lol:

Damn, you mean I *didn't* crack your ears?

:lol:

I was indirectly inspired by the description of the music of some modern composers whose music I never even listened to. I just finished reading a lovely book called "The Rest is Noise" and it was hugely inspiring. But I love Shostakovich and of course my pal Olivier. :D

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Jazzyspoon wrote:Cool stuff, TO. The key bends are sickieningly pleasant and the the mood overall is akin to something I might do. I really enjoyed the sounds and madness of this.
Thanks Jazzy! :) Actually the second "movement" was based on some of your tracks. So I'm glad (and flattered) you noticed the similarity!

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